Vinyl

Vinyl, A New York music executive in the 1970s hustles to make a career out of the city's diverse music scene. Created by Rich Cohen, Mick Jagger and Martin Scorsese you wouldn't think it could go wrong. Ah, but it does. I can forgive the inaccuracies. This isn't a documentary even though real life musicians are depicted. It has that loose fast pace the Scorsese is know for, which I adore. The biggest problem is the budget. 30 mil on the first episode? The problem may be the use of so much copyrighted material and people. DJ Kool Herc is presently suing because they used his likeness without permission. ($10,000 just isn't enough, eh?) If you don't know who he is unfriend me now. How can they carry on with the average 7.5 per episode? To top it off Casey Bloys is the new head of programming at HBO and BOOM, Vinyl gets the boot. Coincidence? Maybe. Rarely do series succeed in the beginning (Seinfeld had terrible first season ratings). But this could have blossomed into something epic. Maybe it will get picked up by someone else with a big budget vision. A girl can dream.

As a former record producer at the top end of the international rock / pop business who came a generation later than the protagonists of Vinyl, who knows intimately the reality of the music scene that the show documents, I found it superb.

I can only laugh at the ignorami bleating "cliche" and thinking they're clever for it. Clichés typically become clichés because they're accurate and true...

I can't even begin to count the people I've met irl who could so easily be characters in Vinyl. This show totally hit the nail on the head, which makes it even sadder that HBO couldn't see the value in it, and cancelled. But they do that with almost every single decent show they produce, so no surprise there.

The energy, the momentum, the desperation to stay afloat... it's all there. The direction and performances are top-notch too. 10/10. RIP.

Some people here imply that good reviews on IMDb are paid critiques. Well I hope somebody paid me to write TV shows reviews, but it is not the case.

I liked this show a lot and I regret that HBO has decided to kill it after a great first season.

Many people complain of a clichéd depiction of the rock and roll 70s, with all the drugs, the sex, the deals and rising stars. Clichés come up in the first place because they represent an established perception or behavior, so if you set the action right at the time when those behaviors were taking shape, you can't really find fault at this. It is as if you watched a movie about the Belle Epoque and you complained that women look like flappers. It's simply not fair.

I also find negative reviews are quite contradictory. While some say they have been bored, others point that the frantic atmosphere is excessive or that there are many parallel plot lines.

I get the feeling that just because many people (myself included) lived through that period, they all consider they own the "real truth" about rock-and-roll and the 70s, and so they tend to measure up the show against their own memories or experiences, and they suppose the series should have reflected their subjective imprint about the time and the culture. This is also not fair.

I liked the show quite much. The talented and experienced people who set their hands on the show did a fantastic job, the music, story, characters and performances were above standard from every point of view.

Also, the cast was magnificent, particularly Bobby Cannavale whose performative skills I have come to appreciate, having seen him on Nurse Jackie and Boardwalk Empire. He is an extraordinary actor who filled the role and even offered more.

If you are open-minded and fair, if you trust on the great team involved in The Sopranos, Boardwalk Empire and other outstanding shows, please give this a try. Yes, there are drugs, sex, rock and roll, and excess everywhere, and the embrionary stages of the recording label industry which, in later years, would destroy the music we loved. It is, precisely, the whole point of the show. And it is wonderfully well portrayed.

this is a real window on the music business. It is a business filled with evil no talent people who prey on artists, suck their blood, throw them away and move on. But this series shows how messed up and unhappy the "hit makers" really are, even after stealing the careers of others. If Frank Zappa was still alive he'd have been an executive producer as he knew full well what absolute--- can I swear?--- terrible people control the music business; how they use real violence to be on top.

I applaud HBO for taking this on. It hits on so many levels that whoever was the source researcher must be terrified. The delete business was a well known industry insider scam. Concerts? hahaha who took that dough? Chargebacks? How many glasses of top shelf were billed over and over to artists by cats that didn't drink?

this show is scary to many as was almost famous. The truth is leaking out as procol harum said in a souvenir of London. enjoy this show. says much about our society and be not surprised when justin beiber dies broke.

I absolutely loved everything about this series and am so sad it was only one season. In my opinion, it was a work of art. The acting was superb, the story engaging and edgy, and the music was breathtaking. Clearly a labor of love by the creators. I recommend that you ignore the hateful reviews and try it for yourself. Just watched it in 2017 and loved every minute of the story.