Juna Furniture

Very poor script with unexpected direction from mahesh manjarekar. Very illogical incidences in overall movie. I hope next time they will improve their films. All big start casts with.

I walked into "Movie Title" with high expectations, but what I got was a disjointed, poorly written, and cringeworthy experience. The plot was predictable and riddled with holes, the characters were one-dimensional and lacked any real depth, and the dialogue was cheesy and forced.

*Positives:* subject

*Negatives:* Poor plot, cheesy dialogue, slow pacing, poor editing.

Overall, "Movie Title" was a waste of my time and money. Unless you enjoy torturing yourself with bad cinema, I'd recommend avoiding this mess at all costs.

It is not acceptable to treat senior citizens like "disposable items". They experience feelings as well. They need someone to confide in, someone to pamper them and someone who will be there for them when they need medical assistance. However, youngsters nowadays are egocentric and don't have time for this kind of crap. Although they may have millions of Instagram followers, when will they truly "follow" their parents, who have given up all of their joys in order to raise them? #JunaFurniture raises a really important point. Actor-director Mahesh Manjrekar is in top form here. His body language and his dialogue delivery are flawless. He also manages to extract good performances from the others. Running time needs to be reduced by 15 minutes. Rating 3.5/5.

The movie is well written and well directed. Mahesh Manjrekar nailed it with his charismatic acting and dialogue delivery. The social issue is well addressed and the court drama really makes it worth watching movie.

The cast seems perfect and everyone is fulfilling their roles. The twist in the movie is also well planned and plotted. If you are willing to watch some of the masterpiece movies of the Marathi industry e.g. Natsamrat then this movie is really worth watching. You must have heard 'Old is gold' many time but after watching this movie you will start to feel it. Overall it is a absolute Masterpiece.

Review of 'Juna Furniture' Marathi Movie:

'Juna Furniture' is a cinematic gem that delicately weaves together the intricate tapestry of memories in an elderly person's life. The film unfolds with grace, offering a poignant exploration of human emotions and the passage of time. Through stellar performances, nuanced direction, and evocative music, 'Juna Furniture' immerses the audience in a world where nostalgia and reflection converge.

What sets 'Juna Furniture' apart is its ability to capture the essence of human relationships and the profound impact of cherished memories. Each scene is meticulously crafted, resonating with authenticity and depth. The dialogue flows seamlessly, enriched with profound insights and moments of quiet introspection.

The film's technical aspects, including cinematography and editing, contribute to its overall brilliance. The visuals are stunning, capturing both the beauty and the melancholy of life's journey. Every frame is a work of art, inviting viewers to immerse themselves fully in the protagonist's world.

At its core, 'Juna Furniture' is more than just a movie; it is a meditation on life, love, and the enduring power of memory. It invites audiences to reflect on their own experiences and the significance of the relationships that shape their lives. In a world filled with noise and distractions, 'Juna Furniture' stands as a testament to the quiet beauty of human existence and the timeless wisdom found in our shared memories.

The film addresses the most important suffering that most senior citizens face today - Loneliness due to Negligence.

The film is well made and the performances of Mahesh Manjrekar and Medha Manjrekar are superb. Even if the film tends get melodramatic at times, it doesn't affect the over all flow of the film. The film sticks to its message till the end.

Director of photography, Ajit V. Reddy needs special mention here. He has done an excellent job which takes the movie to a totally different level. His way of using the lights and shadows has created a unique level of depth in each and every scene.