VALUTAZIONE IMDb
6,2/10
5962
LA TUA VALUTAZIONE
Cile, 1955. Il caso di María Carolina Geel, una popolare scrittrice che uccide il suo amante, affascina Mercedes, una timida segretaria che lavora per il giudice incaricato di difendere l'im... Leggi tuttoCile, 1955. Il caso di María Carolina Geel, una popolare scrittrice che uccide il suo amante, affascina Mercedes, una timida segretaria che lavora per il giudice incaricato di difendere l'imputata.Cile, 1955. Il caso di María Carolina Geel, una popolare scrittrice che uccide il suo amante, affascina Mercedes, una timida segretaria che lavora per il giudice incaricato di difendere l'imputata.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 5 candidature totali
Nicolás Zárate
- Arnés
- (as Nicolás Zarate)
Recensioni in evidenza
A very beautiful movie about the burdens and exhaustions of women, the woman searching for herself and finding it in peace and privacy.
When a woman finds a place for herself to elevate herself and live her own time, it becomes a refuge, as she said, "I am tired of the noise. I want some peace." Stories always present some kind of female role that focuses on motherhood or maturity. You have not found a film like this about the desire for peace and tranquility and the restoration of the soul. I loved it and wanted it very much.
A very wonderful and very calm movie that touched me deeply and I believe that the story has roots or is an adaptation of a previous story.
A wonderful, wonderful, very nice movie.
When a woman finds a place for herself to elevate herself and live her own time, it becomes a refuge, as she said, "I am tired of the noise. I want some peace." Stories always present some kind of female role that focuses on motherhood or maturity. You have not found a film like this about the desire for peace and tranquility and the restoration of the soul. I loved it and wanted it very much.
A very wonderful and very calm movie that touched me deeply and I believe that the story has roots or is an adaptation of a previous story.
A wonderful, wonderful, very nice movie.
We've got plenty of feminist work in cinema but this story of intruding takes an honest look at the past. It reminds us how social immobility and income inequality is as old as gender disparity. While we celebrate what was allowed to us the question remains as to what happened to the other two battle fronts. While confinement become a home away for one, The other gets pushed into squatting and ideologically they cross paths to shed one layer of shackles. Flawless acting by the cast. Great cinematography and music. El Luga De La Otra is a radical movie that reminds both women and men of unfinished business.
Bad acting, bad direction, bad script, bad music... best to skip it. Maite is a great documentary filmmaker. All of his work reflects this. However, my intuition told me that this fiction film would not be good and, unfortunately, the film proved me right. Maite is a great documentary filmmaker. All of his work reflects this. However, my intuition told me that this fictional film would not be good and, unfortunately, the film proved me right. It's a potpourri for no reason. To the production I ask why did they choose such a bad casting? I'm really impressed that an Oscar-nominated director and crew would do such a lowly job.
Granted the good idea behind it and the nod to Maria Luisa Bombal.
Granted the good idea behind it and the nod to Maria Luisa Bombal.
I watched this movie on Netflix, expecting a conventional crime drama. I was surprised to discover a sensitive, complex and accurate film. The characters, based on a real case, are designed in a subtle, but powerful way, by the actors and the director. The film is not satisfied with just bringing the story to the viewer, but also manages to formulate an interesting statement on the feminist issue, referring to Chile in the 1950s. The main actress, in the role of Mercedes, plays a complex and multi-layered character, and she does it very successfully, in my opinion, on the one hand, she plays a restrained and introverted role, but at the same time she manages to express the drama that takes place inside her in an impressive way and is highly recommended.
As chilean I felt so proud of this movie. The story is factual and accurate (except for the main character, that is). The author and the book are one of our dear readings, so I felt moved, and prompt to learn more about the background. Little did I know about Maria Carolina Geel and her own deeds at the time, and how Gabriela Mistral gave her a hand to set her free. Same as in the film, I don't believe that any woman close to the culture can feel uninvited somehow, and being dragged to experience a bit of the same sorority . The movie is pleasure to watch, well written and narrated; calm and introspective. Some criticism can be harsh, but quite real and again, accurate. At some point, there was a fight inside of me with the main character, but I couldn't help being absorbed by a recurrent call for compassion that leaves so much space for self expression. Many arguments were constructed subtlety, yet that wasn't the true intention. Not even the main trigger was relevant. The movie moves on a different layer, far from the mainstream. If you are looking for an experience rather than mere entertainment, this might be your option.
Lo sapevi?
- QuizOfficial submission of Chile for the 'Best International Feature Film' category of the 97th Academy Awards in 2025.
- ConnessioniReferenced in Expertas en nada: RETORNO (2023)
- Colonne sonoreEl Merecumbe
Written by Francisco Galán Blanco
Performed by Orquesta Huambaly
Courtesy of Universal Music Chile S.A.
(P) 1957 EMI Odeón Chilena S.A.
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- El lugar de la otra
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- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
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