VALUTAZIONE IMDb
6,3/10
7195
LA TUA VALUTAZIONE
Cile, 1955. Il caso di María Carolina Geel, una popolare scrittrice che uccide il suo amante, affascina Mercedes, una timida segretaria che lavora per il giudice incaricato di difendere l'im... Leggi tuttoCile, 1955. Il caso di María Carolina Geel, una popolare scrittrice che uccide il suo amante, affascina Mercedes, una timida segretaria che lavora per il giudice incaricato di difendere l'imputata.Cile, 1955. Il caso di María Carolina Geel, una popolare scrittrice che uccide il suo amante, affascina Mercedes, una timida segretaria che lavora per il giudice incaricato di difendere l'imputata.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 6 candidature totali
Nicolás Zárate
- Arnés
- (as Nicolás Zarate)
Recensioni in evidenza
! This film is, without a doubt, one of the best movies I've seen in recent years. From the very beginning, it pulls you into its world with a captivating story and a perfectly paced narrative that never feels rushed or slow. The script is incredibly well-written, filled with emotional depth, clever dialogue, and powerful moments that stay with you long after the film ends.
The performances by the cast are absolutely phenomenal. Every actor brings their character to life in a way that feels completely genuine and believable. The lead role, in particular, is played with such intensity and vulnerability that it's impossible not to be moved. The chemistry between the characters adds another layer of richness to the story, making every scene more impactful.
Visually, the movie is stunning. The cinematography is beautiful, with breathtaking shots and artistic camera work that enhances the mood and tone of the film. The use of lighting and color is thoughtful and deliberate, contributing to the emotional atmosphere in a subtle yet powerful way.
The performances by the cast are absolutely phenomenal. Every actor brings their character to life in a way that feels completely genuine and believable. The lead role, in particular, is played with such intensity and vulnerability that it's impossible not to be moved. The chemistry between the characters adds another layer of richness to the story, making every scene more impactful.
Visually, the movie is stunning. The cinematography is beautiful, with breathtaking shots and artistic camera work that enhances the mood and tone of the film. The use of lighting and color is thoughtful and deliberate, contributing to the emotional atmosphere in a subtle yet powerful way.
Watched this dubbed version and am now convinced I need to watch it in the original Spanish, which I imagine (I hope!) provides the texture, the sensuality, the richness that is sorely lacking in the English dubbing. Production values are uncommonly high which give the film its consistently stunning appeal. I won't comment on the acting because it was so compromised by the dubbing...why isn't the voice actors' work of a higher caliber, one befitting the story and the production?
An integral storyline is buried until near the end: The writer Geel's criminal act is a 'copycat' of one committed by the more famous Chilean author María Luisa Bombal. The film's title-and indeed, entire narrative-takes on greater resonance when that fact is underscored, which it's not in this film, except for a fleeting reference toward the film's end. The titular phrase, "in her place," makes more sense when that factual, fascinating detail is revealed-too late, unfortunately. Why did Geel follow in Bombal's footsteps, criminally speaking? Was she trying to accrue to herself some of the more famous writer's biographical reality (and allure)--just as Mercedes temporarily takes on aspects of Geel's glamorous, glittery life? There is so much exceptionally rich terrain that was left uncovered by the filmmaker here!
An integral storyline is buried until near the end: The writer Geel's criminal act is a 'copycat' of one committed by the more famous Chilean author María Luisa Bombal. The film's title-and indeed, entire narrative-takes on greater resonance when that fact is underscored, which it's not in this film, except for a fleeting reference toward the film's end. The titular phrase, "in her place," makes more sense when that factual, fascinating detail is revealed-too late, unfortunately. Why did Geel follow in Bombal's footsteps, criminally speaking? Was she trying to accrue to herself some of the more famous writer's biographical reality (and allure)--just as Mercedes temporarily takes on aspects of Geel's glamorous, glittery life? There is so much exceptionally rich terrain that was left uncovered by the filmmaker here!
A very beautiful movie about the burdens and exhaustions of women, the woman searching for herself and finding it in peace and privacy.
When a woman finds a place for herself to elevate herself and live her own time, it becomes a refuge, as she said, "I am tired of the noise. I want some peace." Stories always present some kind of female role that focuses on motherhood or maturity. You have not found a film like this about the desire for peace and tranquility and the restoration of the soul. I loved it and wanted it very much.
A very wonderful and very calm movie that touched me deeply and I believe that the story has roots or is an adaptation of a previous story.
A wonderful, wonderful, very nice movie.
When a woman finds a place for herself to elevate herself and live her own time, it becomes a refuge, as she said, "I am tired of the noise. I want some peace." Stories always present some kind of female role that focuses on motherhood or maturity. You have not found a film like this about the desire for peace and tranquility and the restoration of the soul. I loved it and wanted it very much.
A very wonderful and very calm movie that touched me deeply and I believe that the story has roots or is an adaptation of a previous story.
A wonderful, wonderful, very nice movie.
Its nice seeing a moviw from my country. This movie is a powerful exploration of identity, desire, and the roles society imposes. Through the story of two women whose lives intertwine, the narrative blurs the boundaries between self and other, between what is real and what is projected. It examines how longing, perception, and external expectations shape who we believe we are. With subtlety and emotional depth, the work invites us to reflect on the masks we wear and what it truly means to inhabit someone else's place-even if just for a moment. If you're interested in drama and crime movies you should watch this one.
This is a different type of movie which all may not like since the plot is far too simple for comfort and the narrative moves languidly with nothing exciting happening. However the cinematography is superb and so is the acting of leading lady Elisa Zulueta as Mercedes. The plot. The setting is Chile in 1955. A well to do lady writer has a disagreement with her lover in the dining room of a prominent hotel. Then in a fit of rage and in front of around dozen other guests and a few hotel staff members she shoots him dead at point blank range. So starts an investigation through questioning of witnesses. The lady secretary to the judge is a calm and quiet person who is busy typing out the questions asked of the witnesses and their answers . She lives with her husband and two sons in a small and modest flat which is cramped and claustrophobic. When she gets a chance to visit to visit the well furnished and stylish home of the accused she gets overwhelmed with the facilities available. For a few days she lives in a peaceful dream world away from her flat.
Director Maite Alberdi's aim is to show how Mercedes gets an opportunity to live a rich lady's life. Her happiness is shown beautifully as she bathes in the bathtub, puts on the costly dresses, wears the makeup, has tea in fine crockery and soaks in the ambience. The use of close ups and super close ups is very effectively done. Despite focusing on mundane activities the visually attractive scenes are a delight to watch. The movie belongs to Elisa Zulueta who emotes well and brings out her feelings so well specially in the closeups. (How the flat of the accused is kept open for use and not locked up as per normal norms needs explanation).
Director Maite Alberdi's aim is to show how Mercedes gets an opportunity to live a rich lady's life. Her happiness is shown beautifully as she bathes in the bathtub, puts on the costly dresses, wears the makeup, has tea in fine crockery and soaks in the ambience. The use of close ups and super close ups is very effectively done. Despite focusing on mundane activities the visually attractive scenes are a delight to watch. The movie belongs to Elisa Zulueta who emotes well and brings out her feelings so well specially in the closeups. (How the flat of the accused is kept open for use and not locked up as per normal norms needs explanation).
Lo sapevi?
- QuizOfficial submission of Chile for the 'Best International Feature Film' category of the 97th Academy Awards in 2025.
- ConnessioniReferenced in Expertas en nada: RETORNO (2023)
- Colonne sonoreEl Merecumbe
Written by Francisco Galán Blanco
Performed by Orquesta Huambaly
Courtesy of Universal Music Chile S.A.
(P) 1957 EMI Odeón Chilena S.A.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El lugar de la otra
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
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