ZEF: The Story of Die Antwoord

In the first 5 minutes Yolandi lies and says she was 19 when she met Ninja in 2001. Except that Wikipedia lists her birthdate as December 1, 1984. That means she was most likely 16 (or possibly 17 if they met in December) when she met Ninja. He would have been 26 or 27.

This "documentary" starts with a lie because the truth of Die Antwoord is too disgusting. Nothing after that lie can be trusted. This video is merely slick propaganda meant to rehabilitate their image. And they enlist their daughter, Sixteen, as their mouthpiece.

The visuals and editing are reminiscent of their music videos. Which is to say they are very stylistic and engaging. But this comes across as more of a long form commercial for Die Antwoord than a documentary.

A documentary from last year detailing the rise of the titular rap duo, Ninja & Yolandi Visser, who hail from South Africa. Nominally presented by the duo's daughter Sixteen (named after Visser's favorite number), we follow the struggles of Ninja, who had the knack for rap but the record labels felt otherwise but once he hooked up w/Visser, both literally & romantically, the band took off w/their outre music videos & unique visual style even coming to our shores to present their particular vision to American audiences (further evidence of their influence came when both were cast in Neill Blomkamp's Chappie in 2015). The usual ups & downs of fame would also rear its head as the pair would separate (Ninja would take on multiple partners) but their love brought them back into each other's arms w/the denouement up in the air as to where the band will go next. Presented w/tongue firmly in cheek (the pair live on an animal preserve w/wild beasties running around w/o abandon), we never know if the presentation is an actual litany of facts or some performative extension of their persona & we'll never know since the pair are all but humorless but direct in their delivery. Being the doc is a pip to watch I think it's great the makers left it up to us to decide what's real or reel? Get guessing!

Die Antwoord are important and interesting in every way that is important. Without band like this, music would plunge into a putrid sea of mush that is modern pop music ( need I name names )..

What a joy it was to see how they came about with this very HONEST insight into their evolution.

Yes its all marketing and hype but Die Antwoord make it look fresh and interesting. Their sound is very unique, sharp and thought provoking and because they are from Cape Town, South Africa display a naked rawness which this film highlights perfectly.

Bring it on - The Answer indeed.

PS.. the W in their name is pronounced like V.

I saw Die Antwoord earlier this year in Brixton where they performed in a surprisingly tight venue for two packed nights. They presented 16 in between acts as some kind of angel figure and made a lot of effort to connect to the crowd to see how much rapport they still had. Ninja referred to the controversies in a rap bit about the homophobia accusations being off since their DJ is gay, and the best part in the doc is that he himself gets to clarify he did not want to hog the spotlight once the group became famous.

16 talks about her depression once her parents separated and is presented as the reason they got back together. I'm not sure what to think about her narration and the way she is used to hold the film together. The last frame is a clip of her as a toddler saying "Mommy my heart is fixed". But she is 18, old enough to make her own decisions. I hope.

Ninja and Yolandi talk in an excessively controlled and staged manner, that's not going to help to dispel the bad rep. Ninja's Jesus attire is way over the top. They mention the abuse allegations of their warden son Tokkie but he himself doesn't get to speak his piece. There is an envy narrative in rap music, told by black ZA artists in what feels like carefully staged PR. There is no comment on the sexual misconduct allegations against Ninja. It would have been appropriate to at least mention Zheanni since she reported him for assault and they can't perform in Australia because of that.

So all in all, this is a visually impressive PR piece to assist the comeback of the most wildly innovative act of the 2010s. But it doesn't comment on Waddy Jones' behavior which is OK if you think art and artist should be viewed separately. If you're a fan it's a nice companion piece, it you look for answers you won't find them here.

I'm not sure what to think of them. It shows how much they enjoy making music and it is somewhat catchy. It is a different listen that is for sure. Their daughter seems to love them and their fan base is insane. I believe they are popular because they appeal to the disenfranchised. And. That is a huge crowd. Now. To the elephant in the room. Their adopted son has made some damming allegations against them. And. I do believe there is truth to them. I honestly wish they would address them more and earnestly. The documentary is awfully self serving. I get it. They did earn everything they have. And. No doubt they had their naysayers. They'd videos are definitely unique and ambitious. Not everyone's cup of tea. Again. Good documentary. These two are music geniuses. Whether you like their music or not. I like it more than I thought I would.