The Farewell Party

It's not your everyday hero VS villain type of film, it's different, and it's probably not for everyone. It's hard to watch, both because of the delicate nature of the subject it's about and because most of the characters are hard to fall for, but once you manage to ignore it, you're in for a treat.

It touches some of the ugliest parts of one of the ugliest topics in our lives, that is getting old, and manage to do it with creativity and lightheartedness that I didn't expect. It made me sad and happy, all at the same time, and if you're into this sort of films, you won't regret watching it.

The directing was awesome, the cameraman as well. Also great performances by Aliza Rozen and Ze'ev Revach. Sorry for English mistakes.

The Israeli movie Mita Tova was shown in the U.S. with the title The Farewell Party (2014). It was co-written and co-directed by Tal Granit and Sharon Maymon. It's described as a drama/comedy, but it's not very funny.

I like the concept of the movie--a group of older people in a retirement home are brought together to help members of their group who are suffering. Can they technically manage euthanasia? What are the ethical and moral implications? What are the legal implications?

The most difficult situation does not involve physical pain. Levana, played by Levana Finkelstein, is a beautiful, intelligent woman who is showing signs of dementia. She's astute enough, in her lucid moments, to understand what's happening to her. What is the wisest answer to her terrible problem?

The directors made a brilliant casting decision when they chose Ms. Finkelstein as the actor to play Levana. We tend to think of patients with dementia as being very old, with disheveled hair and clothing. Finkelstein does not conform to this stereotype. She is youthful, attractive, and stylish. We realize that this woman had a reasonable expectation of many more years of happiness. Sadly, that expectation will not be fulfilled. It's tragic.

I found the comic portion of the movie to be problematic. Certainly, you can have comic interludes in a tragedy. However, I don't believe directors Granit and Maymon succeeded in making the comedy work. To me, this was a drama, and I think viewers should approach it as a drama. If you enjoy the comic aspects of the movie, all the better.

We saw this film at Rochester's Little Theatre, as part of the fabulous Rochester International Film Festival. It will work very well on a small screen.

There are not many films that will make me ponder about my mortality. Sitting in the old- school cinema of The Projector last night, I think only Departures (2008) made me do that. About what exactly? About whether my life journey up to that point has yielded dividends in terms of significant milestones and character building; about whether I have laid the path ahead of me; about whether I have enriched my own life so that I can enrich others who crossed my path; about my legacy. Departures changed my life. Since then no other films have come along to make me contemplate the deeper aspects of my mortality. That is until last night.

The Farewell Party (2014) opened the Israeli Film Festival here and what a film it was. I found myself laughing so hard at the antics and ideas, but I think I got ahead of myself here. The story is about a group of old friends living in a retirement home for old folks. Life is hard when they see their friends slowly dying from debilitating diseases. So a tinkerer tinkers out a self-euthanising machine to put the choice of life or death in the hands of terminally ill patients. Soon the rumours of the machine spread and more people ask for their help. The group of friends are now faced with a life and death dilemma.

I think this gem of a film is what it means to laugh in the face of death. From the get go scene of a woman getting a phone call from God, me and my friends and a near full-house audience were laughing till our sides hurt. This is not rude humour of the Hollywood kind but sensitive and compassionate. By tackling the difficult theme of euthanasia through comedy, it provides a way into a labyrinthine can of worms. It feels real and genuine, not made up to gain sympathies. The tone is deftly maintained from the first scene to the last with nary a misstep. Nothing is overcooked; everything timed perfectly. It is warm and comforting; like snuggling underneath a warm blanket with your significant other in cold weather. There is joy coupled with deep sadness. Get ready to laugh through streaming tears.

The writing is marvellous and effortless in a sense that the two writer-directors must have written this from a deep place of hurts but yet it doesn't want to wring your emotions dry. It rises above the common denominator and glides from scene to scene like an angel on wings. It is thorough but never exhausting. It dares to ask hard questions but never forces its ideas down your throat. Get ready to debate after the movie because you will want to. The acting by the ensemble cast is amazing. Watch out for a scene in which they wear nothing just to cheer a friend up. The exquisite balancing act is sheer masterclass. Not many directors would be able this pull it off and I think you really need to be an amazing human being to be able to do this, and we got two here.

Tal Granit and Sharon Maymon were there last night with an illuminating post-film discussion. Their talk was candid, heartfelt and they shared from a deep place. I had a chance to talk to them later about a scene in which the actors did a song number that felt like the only misstep for me and you know what... their explanation convinced me it wasn't. Love the film; love them.

This movie has brought be to tears - which is extremely unusual for me.

Going through a similar process with my late father, I can say that the movie is very accurate.

Such an amazing mixture of laughter and tears. So real, and so different from the run-of-the- mill, dime-a-dozen, Hollywood films. The kind of movie that provides you with real food for thought and a long lasting impression.

I was greatly impressed by the very high quality of acting, direction, editing and cinematography, which is rare in the Israeli films landscape.

I would most definitely rate is the best movie I've seen the past year.

I laughed, I cried, I loved this film.

Old people in a retirement home face illness and dementia every day. When the wife of a very sick friend tells the patent inventor Yehezkel that her husband is desperate to die and end the pain, Yehezkel builds an appropriate machine.

The emotional and the moral aspects of helping with self-euthanasia come up. It's always subtle, or really painful, or funny-and the narrative is never longer than it should.

There's even a scene with a song-and it is subversive and moving-brings Almodovar to mind.

Great acting of everyone.

There are some glitches in the Portuguese subtitles, but maybe not in English-and either way, it's not that bad.