The Birdcatcher

I am fussy about detail....When the girl jumps off the truck in the middle of winter and falls into a river...she gets to shore and throws her wet coat away and walks away in the cold soaking wet and not even a chill...Dry hair blowing in the wind..

This film tells a heart breaking story set during a Nazi occupied Norway. It tells the story of a brave girl who tries very hard to survive. It is easy to feel sympathetic towards Esther. Even the supporting characters are well developed, and I really feel for Aksel and his parents. In short, it is a very engaging and touching story. It is beautifully shot as well. I recommend this film wholeheartedly.

A completely different kind of WW2 drama, The Bird Catcher is an eloquent, elegant film. Esther is a Norwegian Jewish teen from the picturesque town of Trondheim, who dreams of becoming an actress. Escaping a brutal Nazi roundup,, she finds a strange, tense refuge on a farm that will soon require her to make use of all her talents in order to survive. But many other characters also struggle to survive their own nightmares - the Nazi collaborating farmer, his dysfunctional family and decadent German officers occupying the farm. Parts of the plot might be labelled predictable, but were really just inevitable. The quality of acting and directing kept me involved right through to the poignant ending that spoke of forgiveness and compassion.

Another film where it's hard to make sense of polarised viewers giving it very high or very low ratings. I always attend a Holocaust Memorial Day screening a local cinema, so I was disposed to give it a chance and make up my own mind. On the plus side, there's striking photography (as some reviews have stated); some originality in the Norwegian location; and interesting themes in relation to how people there responded to the Nazi occupation.

But as another reviewer says, it has: "An interesting premise plagued by implausible plot elements... ". Within minutes, I wondered if I'd misunderstood that Esther is supposed to be 14, as she looked far too old. IMDB indicates she was 28 when it was filmed. It doesn't matter that she's a good actress - a 28 year old won't be credible as a 14 year old child, so why cast her! We soon see a succession of scenes that are impossible to take seriously, or ramp up the melodrama far too high. In fact there's so much going on in the central family - in relation to their internal conflicts and their attempts to 'manage' relations with their occupiers - that the film might have worked better and more coherently without Esther even being in it!

A shame, though, because if someone had refined the screenplay, and the director has reined in some of the more ridiculous moments, it could potentially have been a very good film.

This Anglo-Norwegian production tells the story of Esther (SarahSofie Boussnina), a 14-year-old Jewish orphan in Germanoccupied Norway during WW2. Disguising herself as a Gentile boy, she seeks refuge with a collaborationist family. Serious suspension of disbelief is required to accept the heroine's masquerade, while emotional resonance is diluted by a streak of melodrama.