Uno Sherlock Holmes invecchiato e in pensione è alle prese con la demenza senile mentre cerca di ricordare il suo ultimo caso e una misteriosa donna, il cui ricordo lo affligge. Stringe anch... Leggi tuttoUno Sherlock Holmes invecchiato e in pensione è alle prese con la demenza senile mentre cerca di ricordare il suo ultimo caso e una misteriosa donna, il cui ricordo lo affligge. Stringe anche amicizia con un ammiratore, il giovane figlio della sua governante, il quale vorrebbe ch... Leggi tuttoUno Sherlock Holmes invecchiato e in pensione è alle prese con la demenza senile mentre cerca di ricordare il suo ultimo caso e una misteriosa donna, il cui ricordo lo affligge. Stringe anche amicizia con un ammiratore, il giovane figlio della sua governante, il quale vorrebbe che l'investigatore riprendesse il proprio lavoro.
- Regia
- Sceneggiatura
- Star
- Premi
- 19 candidature totali
- Madame Schirmer
- (as Frances De La Tour)
Recensioni in evidenza
I would recommend this for a 10+ age group, as anyone younger may not understand the complex messages that are being conveyed - they also might find two scenes in particular too frightening.
Ian McKellen is an outstanding actor, and this performance shows it. He is engaging throughout the entire run time and provides us with some very touching moments that leave us thinking long and hard. The story is very intriguing, and the ending very satisfying, even if it is a little heart-breaking.
I conclusion, I suggest you go and see this film if you are a fan of the Sherlock Holmes stories by Sir Arthur Conan Doyle
Shakespearian thespian and British Knight, Sir Ian McKellen, plays well, and convincingly, the eponymous detective, both in his later years, and in flashbacks to his last case. The veteran actor had to prepare for the role by learning bee-keeping.
Mr. Holmes lives with a house-keeper and her son. New Yorker Laura Linney plays the house-keeper, fitting in well with the British thespians, and easily, and believably, conveys the circumstances of her character's situation as she interacts with both Mr. Holmes and her son.
The son is played by Milo Parker. His performance is just so breathtakingly superb that it is difficult to sum this up in words. Truly astonishing! Truly great!
Hattie Morahan shows great emotion in her small role, whilst Frances de la Tour's foreigner-role is so brief, but so good! There is a foreign element to the plot, apart from Miss de la Tour that is, that seems superfluous, however it turns out to be a nice sub-plot. The period-detail throughout the film is very good. Sadly, the film is marred by bad lighting and also blurry camera shots as the camera moves. This detracts, and distracts, but not greatly.
Despite it's UK rating of PG, this is not a film for children, but rather is more suitable for adults. There are moving and poignant scenes, and the film deals with matters of life and death. It is also necessarily slow, as the subject matter is the great detective in the Autumn of his years. 8/10.
This movie is all about Ian McKellen and his acting ability... and it is a masterclass. Laura Linney is fine in this very small cast, though I question whether she was right for the role. Too upright and groomed for a middle aged war widow. Not her fault, but she was meant to be the foil for the son who is bright and full of potential and she is offering to bring him to Portsmouth to follow in her footsteps.
Beautifully shot, lots of external shots and small cast show off the small budget But the acting is superb. Definitely bound to be a favourite in the boutique cinema.
Due to the fact that the film's metronome is a 93-year-old man losing his memory, the pace is unfortunately slow for the first half of the film. Having multiple flashbacks that omit information until necessary keeps the viewer guessing but also at times frustrated. In the meantime, the real entertainer is Sir Ian McKellen, who is not nearly as old as his character is in real life and yet captures the nuances of someone that age to precision, all while forming his own character of the titular Holmes. It's one I hope can make its way into the Oscar conversation yet is so much simpler I won't count on it.
The second half of the film picks up in pace as the 3 story lines all begin to start solving themselves, but more importantly Mr. Holmes (I don't think his first name is ever uttered in this movie) starts to realize a moral that he never quite came to terms with in all of his sleuthing regarding the truth and humanity. I've seen a solid handful of the countless Sherlock Holmes incarnations (he is the most commonly portrayed character in cinema) and there is something that becomes almost tragic about each one as you realize he is someone whose intelligence and wit makes him unable to live normally amongst other 'ordinary' people. As some subtext, it is perhaps a nice touch that Mr. McKellen is a proud member of the LGBT community, as there is reason to believe (although rarely outwardly said) that Sherlock Holmes may be gay himself. These are details you don't need to watch the story but can help enhance the nuance.
In terms of filmmaking, director Bill Condon and co. don't particularly do anything to motivate the situation other that just let the characters take care of business. Again, this is not a movie notable for having a quick pace, but it is never dull altogether either. The next movie I'll be watching is Gods and Monsters, the previous Condon/McKellen collaboration.
As you can see from how much I've written, I'm fond of the movie, enjoyed the numerous elements, and was left with a lot to think about. It's a small scale film and should be viewed as such, but is nonetheless enjoyable and is a nice spin on the iconic character.
Probably the most admirable aspect of this film is the fact that I believed in Ian McKellen's Holmes. I actually believed that Sherlock Holmes in his old age will probably act and behave in the way McKellen portrays him. A man who was celebrated for his cerebral capabilities will find it immensely difficult to cope with old age and the memory loss that comes along with it and probably even more so than the rest of us. The screenplay by Jeffrey Hatcher is based on the book 'A Slight Trick of the Mind' by Mitch Cullin. It has a non-linear pattern as we follow three time lines. The direction by Bill Condon is very good and the transition from one time line to the next in the non-linear screenplay is seamless and Condon never allows that to confuse the viewer.
This is one of the best Ian McKellen performances I have seen. He is pretty much flawless. He plays Holmes in his 90s as well as in his 70s and the distinctions in his physicality while playing these respective versions are very apparent. The Holmes in his 70s is a little more upright, more active and more verbally eloquent. While in his 90s, McKellen gives the character a slightly hunched posture and a somewhat blank facial appearance. Apart from the physical transformations, McKellen expertly gets under the skin of this character and brings some heart, charm and likability that is undeniable. We helplessly feel sorry for this man trying to cope with his deteriorating health. Holmes in this film desperately tries to ward off his memory loss by using 'Royal Jelly' or the Japanese 'Prickly Ash'. This desperate attempt by Holmes to stay relevant in his own eyes reminded me to some extent of Woody Grant's attempt to stay relevant in the film 'Nebraska' by actually believing that he had won a big lottery which will win him a lot of money. Laura Linney, the young Milo Parker and Hattie Morahan are all very good too.
The theme of the film basically dealt with Holmes' transition from being a professional detective driven solely by logic to an old man who finally realises the virtues of kindness and care and actually comes to identify how he has benefited from the kindness showered on him by people around him including his old friend and colleague John Watson. The whole concept of an old man becoming friends with a kid and evolving because of it is not new. But Bill Condon's direction and Sir Ian McKellen's acting made me believe in the chemistry between Holmes and Roger.
The makeup work on McKellen was fantastic. He looked like a believable 90 year old. The cinematography is good. Condon uses picturesque wide angle shots of the ravishing greenery of the English countryside. The production design is good for the most part except for a brief spell when Holmes spends some time in Japan. Unfortunately Japan looked a little too much like England. Another minor flaw for me was the dialogue in one or two scenes which felt a little artificial like when Laura Linney's character talks about the kid Roger's father.
So overall this is a very charming film with a good screenplay, good direction and great acting. The film humanises the character of Sherlock Holmes in a unique way without diminishing his brilliance as a detective. People who love the Holmes stories and the different adaptations of the characters will love this, and people who aren't big fans of the character will probably find this film impressive too.
Lo sapevi?
- QuizSir Ian McKellen took a course in beekeeping with The London Honey Company prior to filming. He was not stung during filming.
- BlooperHolmes (perhaps forgivably for 1947) repeats the mistaken idea that "the queen runs the colony and the workers do the work" - in fact, a queen bee is no more than an enlarged egg-making machine at the service of a worker collective, which will slaughter her should she falter, while other worker bees create a replacement queen. Also when the colony grows too large, it is the workers who make the decision to swarm, by starving the queen which both lightens up her body and forces her to take flight.
- Citazioni
Sherlock Holmes: I've decided to write the story down; as it was, not as John made it. Get it right, before I die.
Roger: You're not going to die.
Sherlock Holmes: I'm 93.
Roger: I had a great-uncle who lived to be 102.
Sherlock Holmes: Well done. That seals my fate. What are the odds that you would know two men who would live that long?
Roger: Well, I didn't actually know him.
[Holmes laughs]
- ConnessioniFeatured in Projector: Minions/Mr. Holmes (2015)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Mr. Holmes
- Luoghi delle riprese
- Hatfield House, Hatfield, Hertfordshire, Inghilterra, Regno Unito(exteriors: city park where Holmes talks with Ann, interiors: Diogenes Club)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 11.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 17.737.646 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.434.908 USD
- 19 lug 2015
- Lordo in tutto il mondo
- 29.355.203 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1