Sikandar ka Muqaddar

This is a crime thriller set in the heart of Bombay (older name of Mumbai, India). It revolves around a heist that takes place in an expo event in a large hall. However, the police interrogate the wrong set of people. But are the police completely wrong?

Nothing you see in this movie is straightforward. However, it looks very simple at first. That's the expertise of Neeraj Pandey, who likes to open up the story like the layers of an onion. Mr. Pandey is an expert at heist stories, which is evident from his previous movies like Special 26, which performed very well. I would recommend everyone to watch this at least once, but not more than that :)

A solid trailer and a good cast are always alluring factors when narrowing down a movie to watch, and this one promised just that-only to disappoint in the end.

The lives of three suspects in a diamond robbery turn miserable when a police officer becomes obsessed with proving them guilty, relying solely on his hunch, without any concrete evidence.

The story's premise had the potential to make it a riveting watch, but the lackluster script turned it into a half-baked recipe. The movie begins on a promising note, drawing you into its narrative, but as it progresses, it becomes repetitive and uninspired. The so-called "big twist" at the end is predictable right from the beginning, making you regret the time spent watching it.

Avinash Tiwary shows promise and delivers an earnest performance. He is undoubtedly versatile and proves his acting capabilities once again. Jimmy Shergill does a decent job as the police officer. Tamannaah Bhatia is adequate in her role, though the script gives her little room to shine. Rajeev Mehta, fondly remembered as Praful from Khichdi, plays his part well.

The movie feels considerably slow, with no real highs or lows to maintain engagement. It suffers from several glaring cinematic liberties that are hard to ignore, especially since it is not a mindless entertainer. The de-aging of Jimmy Shergill, in particular, is poorly executed and feels amateurish. Neeraj Pandey, once known for his brilliance, disappoints yet again, further diminishing his magic.

Sikandar's Muqaddar is sealed for disappointment. It's an easily skippable, below-average affair.

#PranuReviews #SikandarKaMuqaddar #SikandarKaMuqaddarReview.

Entire plot is illogic..and 15 yrs for chasing...what a logic by neeraj Pandey...Hero character shows no logic and sense.... No proper action and thrill movements in movie...Characters Priya kamini and third lady character for supporting hero without any plans..Hero also don't have any ambition or why he theft no conclusion..Director thinks audiance can see all illogic things without any conclusion....atleast cinema show some thrill movements in this type of movie everybody expect but it doesn't show any thing ..no proper dialogues and action in this heist movie...people expected kore from director.

Sikandar Ka Muqaddar (2024) : Movie Review -

Amitabh Bachchan starred in Muqaddar Ka Sikandar (1978), which justified its title with the main character rising from zero to the top and then becoming a king-size hero. Reversing the theme, Neeraj Pandey brings Sikandar Ka Muqaddar, as the hero's fate is misjudged by the circumstances, but is that the truth? No, there is a lot more in the store, so prepare yourself for a typical Neeraj Pandey thriller. Enough praise; now I asked myself, "Does this film make any sense?" The answer is no. This has to be the most rubbish thriller ever written and directed by Pandey. It's hard to believe that the filmmaker, who once delivered 3 consecutive classic thrillers in a row (unheard of stuff by any director in Bollywood) with "A Wednesday," "Special 26," and "Baby," is now struggling to make a decent-average flick. It's high time he wakes up and gets back to old form.

Officer Jaswinder Singh (Jimmy Sheirgill) has a 100% track record, so he is appointed to high priority to solve a robbery case at NISCO where 5 diamonds worth Rs. 50-60 crores have been stolen. During the investigation, his basic instinct says that one of the three from Sikandar (Avinash Tiwary), Kamini (Tamannaah Bhatia), and Mangesh (Rajiv Mehta), or maybe all 3, has stolen it. He takes them into custody, tortures them, but is unable to get any info out of them. The three are harassed by Jaswinder, especially Sikandar, because of Jassi's egoistic instinct, and the poor Sikandar has to pay a high price for it at every phase of his life. Who's the real culprit, and will Jaswinder be able to find him/her?

Neeraj has actually written a good script that keeps you hooked for two hours or so, but it's the next 30 minutes that destroy this well-made thriller because of its brainless conclusion. There is no real motive shown behind the robbery, no real planning of aftermaths, and no precautions taken either. That's silly, man. Someone hides a small diamond in a nail, and they are telling me that the cops didn't find it when we all know that a body detector can trace it so easily. Someone breaks the glass bracket and steals diamonds, and the cops didn't bother checking the rod by which it was broken and checking fingerprints to catch the thief? I mean, it's so basic to get a heist thriller right, but even a genius like Pandey didn't think of this? Totally unacceptable. By the way, who waits for 15 years and destroys its own life for diamonds that can't be used or destroys personal life and career to find a thief? All these theories are extremely annoying and super childish. I didn't expect a good-looking thriller to collapse like this with such rubbish ideas at the end. Not by Neeraj Pandey, but maybe that's the phase he's going through currently and it seems that it's affecting his work too.

Performance-wise, Avinash Tiwary is pretty impressive. His expressions during those begging-for-life scenes are damn good. He doesn't go well with romance and regular drama portions, though. Tamannaah Bhatia looks gorgeous as always and also fails with voice modulation as always. Rajiv Mehta does well with his small part with utmost conviction. Jimmy Sheirgill fans are in for a treat again. This man is so good at everything he does! His versatility always keeps him ahead of contemporaries. Jaswinder's character has two different phases, and he performs both parts so well. Ridhima Pandit has a two-minute role and passes the time without any flaws. The supporting cast, especially the man who played Ghorpade and Jaswinder's assistant have done a fantastic job.

Sikandar Ka Muqaddar has a romantic song that feels completely useless as per the ongoing tempo of the film. It appears right after a dramatic sequence and spoils the tuning of the linear impact and pace of the film. The screenplay keeps things pacy, thankfully, and the background score was fine too. The camera work wasn't really great, but strictly okay, as we have several slow scenes and pauses just to complete a walk or one activity of the character. That takes too much time and gives you a moment to unlock your phone and check some stuff on internet. A thriller that doesn't give you this chance is what I call a brilliant thrilling affair. After finishing Sikandar Ka Muqaddar, you take a moment to rewind the story and realise that it was a pointless film. Not because of the bleak ending, but because it lacks the base on which the tower is standing. Neeraj Pandey's direction has a few ignorable flaws and that's fine, but as a storyteller and writer, he fails completely. That's so unfortunate. In short, Sikandar Ka Muqaddar runs like a winning horse for hours, only to break its leg a few meters behind the finishing line.

RATING - 4/10*

What's the point of making a thriller if you're not going to give it a conclusion? Seriously, Bollywood, what's happening? This is becoming a norm now-movies that hook you in with suspense, build tension for two long hours, and then just leave you hanging.

This latest so-called "thriller" follows the same pattern. You sit there, completely invested, eager to see how the story unfolds. But when the final ten minutes roll around, guess what? There is NO proper ending!

Sure, I'll give credit where it's due-Jimmy Shergill. He's the only saving grace of this film. His performance is as solid as always, and you can tell he's doing his best with what he's given. But even his makeup felt cheap (in first half) which is honestly insulting for an actor of his caliber.

Bollywood needs to stop this trend of ambiguous endings masquerading as "intellectual filmmaking." It's not clever. When people spend their time and money on a movie, they deserve a satisfying payoff-not vague nonsense that feels like a slap in the face.

I'm reluctantly giving this film 4 stars solely for Jimmy Shergill. Otherwise, it's a waste of time. Stop with the half-baked stories, Bollywood. Give us proper endings.