Due generazioni di gangster, i loro affari, le relazioni che intrecciano e l'uomo che chiamano per risolvere i loro problemi.Due generazioni di gangster, i loro affari, le relazioni che intrecciano e l'uomo che chiamano per risolvere i loro problemi.Due generazioni di gangster, i loro affari, le relazioni che intrecciano e l'uomo che chiamano per risolvere i loro problemi.
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There's way too much of these types of shows now. In an ideal world they would take the best elements of all these and put them together to make a brilliant series.
There's so many holes in the plot and so many unbelievable things happening considering the prestige of the family and their enterprise. If it wasn't for Tom Hardy I may have switched off before the end.
I was stunned to find out the Pierce Brosnan was Irish, that accent is wild. Same as Helen Mirren and her ridiculous character.
Too much of this stuff is designed for the yanks, the Cotswolds isn't around the corner from London.
There's so many holes in the plot and so many unbelievable things happening considering the prestige of the family and their enterprise. If it wasn't for Tom Hardy I may have switched off before the end.
I was stunned to find out the Pierce Brosnan was Irish, that accent is wild. Same as Helen Mirren and her ridiculous character.
Too much of this stuff is designed for the yanks, the Cotswolds isn't around the corner from London.
MobLand delivers everything I love about crime dramas-dark family secrets, ruthless rivalries, and a fixer who's more complex than he seems. Tom Hardy is incredible in this role. His quiet intensity carries the entire show, and his scenes are always magnetic. The London setting feels authentic, and the cinematography adds a cinematic flair you don't usually get in TV.
Not every subplot lands, but overall, the writing is strong and keeps you engaged. Guy Ritchie's influence is clear, and it works well here. If you're into crime sagas with a bit of style and soul, this is absolutely worth watching.
Final thought: Can't wait for Season 2.
Not every subplot lands, but overall, the writing is strong and keeps you engaged. Guy Ritchie's influence is clear, and it works well here. If you're into crime sagas with a bit of style and soul, this is absolutely worth watching.
Final thought: Can't wait for Season 2.
MobLand delivers exactly what you'd expect from a top-tier crime drama - and perhaps even more. The screenplay is incredibly well-constructed, with sharp editing and a clear, efficient introduction of characters, free from any redundancy. Information is revealed at the right pace, and the use of parallel storylines only enhances the main narrative rather than distracting from it.
Character development is handled to perfection: each figure is explored to the exact extent necessary, with depth and intention. The scenes are well-framed from the beginning, making it easy to dive into the story and follow its progression. The plot unfolds naturally, maintaining suspense and engagement throughout.
There may be a moment or two where one could argue a storyline could've been tied up differently - but in the end, everything is resolved. Any debate lies purely in creative choice, not in oversight. Every thread is ultimately connected.
This is a polished, well-directed, well-written, and well-acted series. A prime example of how to deliver a layered narrative with clarity, rhythm, and emotional impact. A solid 10.
Character development is handled to perfection: each figure is explored to the exact extent necessary, with depth and intention. The scenes are well-framed from the beginning, making it easy to dive into the story and follow its progression. The plot unfolds naturally, maintaining suspense and engagement throughout.
There may be a moment or two where one could argue a storyline could've been tied up differently - but in the end, everything is resolved. Any debate lies purely in creative choice, not in oversight. Every thread is ultimately connected.
This is a polished, well-directed, well-written, and well-acted series. A prime example of how to deliver a layered narrative with clarity, rhythm, and emotional impact. A solid 10.
This really slapped man... So, so good, so gripping, tense but addictive, binge-worthy, although I took a big break until the last three episodes of the season.
Absolutely loved the song on the opening credits, it's so classic MTV, also I cannot believe this IS produced by MTV, they actually do good stuff still???
The cast is absolutely gorgeous, so many talented people all in one place, all at their best, but also the writing and the dialogues really give them a lot to work work with.
Mirren and Brosnan, what a mad couple, what mad individuals and even madder for staying together. Hardy is so expressive with minimal to none face movements, just staring at his opponents like he is five steps ahead. Mythical really. The ladies do a lot of suffering here as mob wives, well except for Mirren who loves it.
It's outrageous, it's gory, it's creatively sweary, pushing all sorts of moral boundaries for sure. Very British. I don't know if I wanna watch the second season though, whenever that will be. I am becoming tired of multi-season shows.
Absolutely loved the song on the opening credits, it's so classic MTV, also I cannot believe this IS produced by MTV, they actually do good stuff still???
The cast is absolutely gorgeous, so many talented people all in one place, all at their best, but also the writing and the dialogues really give them a lot to work work with.
Mirren and Brosnan, what a mad couple, what mad individuals and even madder for staying together. Hardy is so expressive with minimal to none face movements, just staring at his opponents like he is five steps ahead. Mythical really. The ladies do a lot of suffering here as mob wives, well except for Mirren who loves it.
It's outrageous, it's gory, it's creatively sweary, pushing all sorts of moral boundaries for sure. Very British. I don't know if I wanna watch the second season though, whenever that will be. I am becoming tired of multi-season shows.
Ronan Bennett's "MobLand" (2025-) delivers a compelling and immersive crime saga, drawing viewers into a meticulously crafted world of underworld intrigue and complex characters. The series excels in its gritty realism and the nuanced performances from its ensemble cast, bringing a raw authenticity to the criminal landscape. Its narrative, while intricate, unfolds with a gripping pace, constantly building tension and offering unexpected turns that keep the audience thoroughly engaged. The dialogue is sharp, intelligent, and authentic, feeling natural and contributing significantly to the show's dark and atmospheric tone. Instead of a generic crime drama, "MobLand" offers a deeply layered and genuinely captivating exploration of loyalty, power, and survival within a brutal world.
Is it worth watching? Absolutely. "MobLand" is a highly engaging and well-executed crime series that promises a rich narrative and strong performances, making it a compelling watch for fans of the genre.
Is it worth watching? Absolutely. "MobLand" is a highly engaging and well-executed crime series that promises a rich narrative and strong performances, making it a compelling watch for fans of the genre.
Renewed, Canceled, or Ending?
Renewed, Canceled, or Ending?
Check out our list of renewals and cancellations to see if your favorite show made the cut.
Lo sapevi?
- QuizThe series was originally intended to be a prequel to Ray Donovan. In February 2024, Paramount+ released the premise of the series, which was to be titled the Donovans, stating, "With the most powerful clients in Europe, The Donovans will see family fortunes and reputations at risk. Odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow." The story was believed to be centered around Ray Donovan's character, which would explore the rise and formation of his criminal enterprise. Guy Ritchie was named as the director and executive producer. In October 2024, Paramount+ announced that the spinoff idea was called off and the show was rewritten to become its own standalone series with no narrative connection to Ray Donovan. Guy Ritchie remained on the creative team.
- ConnessioniReferenced in Línea de Cal: Casar, matar o foll*r y los mayores cornudos de San Fermín (2025)
- Colonne sonoreStarburster
Written by Carlos O'Connell, Conor Curley, Conor Deegan III, Grian Chatten, Tom Coll
Performed by Fontaines D.C.
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