La mafia lo chiamava il Santo ma era un castigo di Dio
Aggiungi una trama nella tua linguaSet against an appealingly sunny Sicilian backdrop, this movie finds Simon Templar, an elegant thief and ethical busybody, outraged when a British banker is murdered after he recognizes an o... Leggi tuttoSet against an appealingly sunny Sicilian backdrop, this movie finds Simon Templar, an elegant thief and ethical busybody, outraged when a British banker is murdered after he recognizes an old colleague-turned-Mafia kingpin.Set against an appealingly sunny Sicilian backdrop, this movie finds Simon Templar, an elegant thief and ethical busybody, outraged when a British banker is murdered after he recognizes an old colleague-turned-Mafia kingpin.
- Regia
- Sceneggiatura
- Star
- Lily
- (as Aimi Macdonald)
- Barman
- (as Gabor Baraker)
Recensioni in evidenza
In this story, we have Templar in Italy, for some nefarious reason no doubt, and while he's taking a rest he spots a near brawl between two supposed friends. Euston (Mackay) spots a man he believes to be an old work colleague and walks over to say hello. However, he is met with threats and not greetings. Templar moves in when it looks like a fight is about to ensue. Buying Euston a drink he is told the story of the two friends. However, the man claims to be called Destamio (Hendry) and not his friend at all. Something about this sticks in Templar's claw... and he becomes more intrigued when Euston is murdered. With the Italian military and police not bothering with the killing Templar decides to investigate... and what he learns brings him head to head with the Mafia.
I have to admit that I like the character Simon Templar as he is a thief, with morals, and has a strong self-assurance and bravado. This, along with his charm and good looks, definitely makes him a lady-killer. These traits alone can make for good stories. So when you add a good story with action, twists, and tension you surely have a winner - and you do.
This is back when actors would try to accent their voices accordingly. And to be honest, Ian Hendry does a very good and more than passible New York Italian. He is also a perfect hard guy as he protrudes an air of strength and menace, which is almost tangible. In fact, all the actors and actresses do wonderful jobs in their portrayals making it more enjoyable to watch.
O'Connolly directs at a pretty steady pace, which works well with the script. Though there's nothing new in the film, directorial-wise, this isn't a bad thing as what he does allows the actors and actresses to shine. For example, the chase scene. When Templar escapes he runs down a hillside. Today this would probably be shot continuously with the cameraman running down the hill too, with all the camera shake that is all too evident today. Whereas O'Connolly uses static camera's for the shots and pans to follow the action. For me, this works better and adds to the movie.
If you like action thrillers with a good story, strong characters, well written, and nicely filmed then this flick could be right for you. Either way, I would recommend this as an afternoon treat, especially on a Sunday after Dinner - while supping the vino.
This is a revenge movie and a typical Dependent on Roger Moore and you will not get disappointed.
Acting of the central characters are good but support cast disappoints.
The movie is not long and is good. Direction is ok, screenplay is nice, location is again ok.
Overall a typical Roger Moore movie.
The Vendetta for the Saint is a feature version of a two-part episode of THE SAINT, and it's quite an enjoyable watch. Roger Moore charismatically dons the halo as he takes on Ian Hendry, a fake mafia don, dodging a bomb device placed in his car, almost getting injected with scopolamine and running around the Palermo countryside hunted by Hendry's goons. There's some good fights, nice location. If you're fan of the Saint series, you would naturally like this.
Lo sapevi?
- QuizThis was made from two episodes of Simon Templar (1962), edited together for a theatrical release.
- BlooperIn the TV episodes made of this movie the sound recordists are listed as Billy Rowe and Len Shilton, not Billy Rowe and Len Abbott.
- Citazioni
Euston: No, don't make a scene.
Simon Templar: A scene has already been made.
- Curiosità sui creditiOpening credits prologue: NAPLES
- ConnessioniEdited from Simon Templar: Vendetta for the Saint: Part 1 (1969)
- Colonne sonoreLove Is
Performed by Herb Newman and Edward "Eddie" Truman
[Played occasionally as background music]
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Vendetta for the Saint
- Luoghi delle riprese
- Malta(photographed on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 35 minuti
- Proporzioni
- 1.33 : 1