Let Us Prey

... I've decided this was quite good. I'm hovering between a 7 and 8.

At first my main thought was "Meh. So Judaeo-Christian-specific that this atheist cannot find a thing scary about it." However, even if it is within that tradition, it does some surprisingly daring and fresh things inside of it. This is a movie with ambitions, and it is stylish enough and solidly-acted enough to pull most of them off.

I particularly liked the performances by the two leads. Both roles could have easily led to lots and lots of scenery-chewing, but neither Cunningham nor McIntosh go this easy and tired route: they are both subtle, varied and positively aces, as is Douglas Russell as the feral Sgt. MacReady (his role does call for some scenery chewing, and he does it well).

I absolutely adored the ending. Kudos.

When director Brian O'Malley introduced his new film, Let Us Prey, via a prerecording in front of the Toronto After Dark Film Festival he informed us that his intention was to make a timeless horror classic. To accomplish this, he set on out to deliver a film that could not be dated (watching Let Us Prey ten years from now and there is nothing in the fashion, look or feel of the film that would immediately reference 2014) and that had a synthesizer styled score reminiscent of the great John Carpenter films of the 1970's and 80's. Check and check.

Let Us Prey stars Liam Cunningham (Game of Thrones) as Six, a mysterious drifter who is hit by a vehicle driven by Caesar (Brian Vernel) on a quiet town road. Casear is immediately taken into custody by first-day-on-the-job Constable Rachel Heggie (Pollyanna McIntosh), but Cunningham's Six character cryptically disappears. It is while at the police station we are introduced to the remainder of the cast which includes a Sargent, two Constables that are lustfully engaged, a wife beating prisoner and a doctor who is called to assist when Six suddenly appears at the front door of the station.

The veteran Constables and Sargent do not immediately warm up to the by-the-book newbie in Rachel, but their personal feelings towards her routine are quickly swept to the side once Six begins to instigate mayhem in the prison taking over the minds and souls of all those with a dark past to hide. And this is when the fun really starts.

Each character shows a history of violence in their backstories from the simple (hit and run) to the extreme (mass murderer) and when a prior transgression is revealed, Six is there to ensure their life pays for their wrongdoing.

With a backdrop of a fantastic musical score (as promised) there are fights, shootings, beatings, murders and attempted murders as things at the station escalate quickly and deadly for all those involved.

Cunningham is a standout and plays the mysterious Six with devilish glee. The film hinges on Cunningham's character and the well-trained thespian delivers the goods with a Clint Eastwood cool. Pollyanna McIntosh is equal to the task as the freshman fish-out-of-water new Constable. She is equally beautiful and tough and McIntosh walks this line with the ease of a veteran.

The story goes a bit off the rails towards the end as some of the character's revealed background stories and subsequent actions are a bit 'out there'. But it is a means to an end to heighten the violence and give the audience the good time expected from the action/horror intention.

Let Us Prey was a surprise delight and the perfect way to begin winding down the Toronto After Dark Film Festival. It was violent and fun and the ending opened the door to a multitude of possibilities and, hopefully, sequels.

www.killerreviews.com

Wow, I REALLY liked this film! I could tell Immediately that I liked the feel of it. The first several shots alone are to die for. Seriously, they were stunning and beautiful. I instantly liked the soundtrack, the cinematography, and the tone that the director set for the film. I could tell right away that this was my kind of movie. Even the lighting of the main street was exquisite and reminded me a LOT of the way Bava would light his sets with otherworldly blues and reds, setting the perfect tone for this Good vs. Evil 'Morality' tale. Nicely done...

I have always liked religiously themed Horror films. I really dig the Prophetic or Biblically based stuff (movies like 'THE PROPHECY' or 'THE SEVENTH SIGN', for example) Although this film isn't as overtly religious as those, it is based upon similar themes. What I felt made this movie particularly intriguing was that it didn't treat the Good vs. Evil theme in the usual way that a lot of these types of films do, but it added more dimension and complexity in portraying 'Evil' more from the angle of Retribution or Punishment, which is a little different.

This movie had PRECISELY just the right tone that I really like with Horror films. It was stylized, but with just the right balance to give it an entertaining 'Punch' and yet, not so much (or so stupidly self-conscious) as to overdo it and ruin it, as happens often in many of today's Horror films. I am not familiar with this director, but I REALLY loved his approach to the material. He kept a good, tense edge on the proceedings, but allowed himself nice touches of style here and there. There were a few really effective jump scares too.

Just one thing... And this is just MY personal preference. But, what the HELL is the point of showing extended scenes of people brutally beating on others. Why...? It's mindless with absolutely NO entertainment value. It's not creative or clever in any way. Are we supposed to 'Get Off' on it...? In my lowly and wretched opinion, it's just pure, stupid brutality. BUT... other than FFing through just a few of these pointless and repetitive scenes, I truly found the film overall to be done very well and the acting was quite good. Just for my taste, I felt the violence was a little too much. To me, the story and atmosphere were strong enough not to needlessly rub our faces in the extreme violence so much. I think that so much of it begins to detract from the true strength of the film, which is NOT 'Torture Porn', but a strong, atmospheric Morality tale.

If you like your Horror films with a slight fanciful touch or based on religious themes, or more basically in this case a kind of Good vs. Evil morality tale, and you like a director who adds a REALLY nice artistic tonal style to the story, then I think you might find this clever and well written Horror film quite entertaining...

I was surprised. This Indie film is great! I'm a very critical viewer and the IMDb rating of 5.6 didn't offer much encouragement. The odd thing is, a number of those reviewers admitted to liking it (so much for the rating system).

The plot of this comes straight out of those Amicus movies (From Beyond the Grave, etc.) as a mysterious stranger arrives at a small-town nick where pretty soon all Hell breaks lose. The acting is fine, the effects effective, script and direction good, and there's a nice nod to John Carpenter with the soundtrack. If you like the better Carpenter movies, you'll probably like this one. Oh, and something a few IMDb reviewers agreed on: they loved the end. So did I.

An apparent victim of a hit and run, a mysterious stranger is held at a remote police station and starts to take over the emotional state of staff and inmates alike.

It's not a new premise, something which is being held against Brian O'Malley's film like it's a crime, but the execution, the technical guile, and atmospheric touches brought to the piece, mark this out as a horror film of some merit. Boosted by having the great Liam Cunningham in the lead role, it's a film that shocks and awes with each passing chapter. It revels in the bloody aspects that unfold, positioning the vile nature that some human's are prone to right at the forefront, and with bloody impact.

Piers McGrail's cinematography is superb, the bold and beautiful shine of the blues and golden browns mingle disconcertingly with the down and dirty feel of the police cells, the latter of which appropriately marry up with the characters on show. Steve Lynch's score is a treat, a real nerve bothering piece of work, gnawing away at the senses in the same way that Cunningham's character tugs away at the emotional conditions of his prey. It's a film of many pleasures for the so inclined, it does get away from itself a little at the end, asking a little too much of the viewer, but it doesn't kill the pic and this is very much a horror necklace worth wearing on a night out. 7/10