Population: 11
- Serie TV
- 2024–
VALUTAZIONE IMDb
6,7/10
1497
LA TUA VALUTAZIONE
Quando un uomo scompare da una minuscola cittadina dell'outback, il figlio, da cui si è allontanato, è costretto a navigare nell'eterogeneo gruppo di abitanti per ritrovarlo.Quando un uomo scompare da una minuscola cittadina dell'outback, il figlio, da cui si è allontanato, è costretto a navigare nell'eterogeneo gruppo di abitanti per ritrovarlo.Quando un uomo scompare da una minuscola cittadina dell'outback, il figlio, da cui si è allontanato, è costretto a navigare nell'eterogeneo gruppo di abitanti per ritrovarlo.
- Premi
- 1 vittoria e 4 candidature totali
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Recensioni in evidenza
I was very nervous when I saw another Australian TV offering listed for streaming.
So I watched Ep 1 waiting for it to dribble into dross like so many of recent Australian offerings.
But it made me binge watch the whole series at one sitting and I totally enjoyed it!
It's not perfect and there are some elements which are a bit hard to take but it's script is tight and oft times humourous, balance by a team of actors each of whom know what they are doing, and get on and do it.
It's hard to pick out any one actor who stands out but the American actor Ben Feldman is excellent in his role and the script uses his American origins to good effect.
So thank you all, people, for providing me with a very entertaining night in front of the Telly.
So I watched Ep 1 waiting for it to dribble into dross like so many of recent Australian offerings.
But it made me binge watch the whole series at one sitting and I totally enjoyed it!
It's not perfect and there are some elements which are a bit hard to take but it's script is tight and oft times humourous, balance by a team of actors each of whom know what they are doing, and get on and do it.
It's hard to pick out any one actor who stands out but the American actor Ben Feldman is excellent in his role and the script uses his American origins to good effect.
So thank you all, people, for providing me with a very entertaining night in front of the Telly.
We started this show with no expectations.
A quirky start as you would expect from a mystery based on a population of 12 -1 in the Aussie outback. Give it a tick, the pace picks up fairly quickly and it's a fun ride.
You could easily pick it apart but keep in mind it's billed as a comedy, so if you were expecting something else, this ain't it.
The absence of DEI, virtue signaling, racial bias is refreshing. So tired of all the shows that promote that.
This was just a fun whodunnit, albeit quirky and if you want to spend 3.5 hours on a fun show this might fit the bill.
We enjoyed the series, hope you give it a go.
A quirky start as you would expect from a mystery based on a population of 12 -1 in the Aussie outback. Give it a tick, the pace picks up fairly quickly and it's a fun ride.
You could easily pick it apart but keep in mind it's billed as a comedy, so if you were expecting something else, this ain't it.
The absence of DEI, virtue signaling, racial bias is refreshing. So tired of all the shows that promote that.
This was just a fun whodunnit, albeit quirky and if you want to spend 3.5 hours on a fun show this might fit the bill.
We enjoyed the series, hope you give it a go.
If you are not paying attention to the quality product coming from down under, you are missing out. Mystery Road (the original) is awesome. Mr. In-Between is unforgettable, especially the episode where the protagonist goes after a local who abducted a child. And Deadloch is like Fargo, wacky and interesting at the same time (early Fargo, not recent Fargo!). Population 11 seems to aiming for zany, and hits the mark more often than it misses. The writing is the hook, and there is dialog here that sneaks up on you and, before you realize it, you find yourself laughing out loud. (S01E01 -- Officer Geraldine, claiming the reward after producing a generic and nondescript boot -- "That's for you to figure out. Now's the time for you to cough up the reward money.") Smooth! ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
Started watching, seemed ok, but the more episodes I watched, I realised that the writers had made the protagonist to stupid in his actions, personality and character that I just couldn't root for him to get the money he's after. Maybe they had a reason for that, but I can't see it. The Australian actors/characters are good for their part in the story, and I'm just watching the rest of it purely for closure. I doubt I'll watch a second season, should it ever come to be.
If they'd written it as a pure mystery; there's enough of a plot for it to have been rather good. I think, also, there's enough quirks amongst the town's population to have given it something different to the usual drama we see nowadays. Ah, well.
EDIT: Ok, just finished watching ep12... The unraveling and solution to the ongoing mystery was a surprising twist, and I'll probably watch a second season. Still don't like the protagonist, though, but I'll knock my initial review of 4 up to 5.
If they'd written it as a pure mystery; there's enough of a plot for it to have been rather good. I think, also, there's enough quirks amongst the town's population to have given it something different to the usual drama we see nowadays. Ah, well.
EDIT: Ok, just finished watching ep12... The unraveling and solution to the ongoing mystery was a surprising twist, and I'll probably watch a second season. Still don't like the protagonist, though, but I'll knock my initial review of 4 up to 5.
It wanted to be Only Murders In The Building, or Twin Peaks, or maybe Schitts Creek. Letterkenny maybe?
But those shows had great writing, and a large cast of good, some great, actors. This one? Not so much.
The writers and showrunner needed to pick a lane, while they tried to drill down to a central storyline.
Instead we get an unsuccessful mish-mash that kept us hoping for more, only to be ultimately disappointed.
Ben Feldman as Andy, our anti-hero protagonist, is surprisingly good, given the goofy plotting and set pieces. Perry Mooney as Cassie is acceptable as his not-quite-love-interest, but she shows up late to the game, and her dimpled charm becomes too muted.
There are so many subplots, a problem in this sub genre, that it's hard to keep track of all of them. Drug running, money laundering, UFO Tour scam, missing dad (dead dad?), crooked and inept cops, strange hobbyists (Welcome To Marwen came to mind), a food business with a very gross secret...and that isn't all. There's a podcast too (Bodkin perhaps?).
As is required in this type of series the tiny town (Population 12, now 11) has an inordinate amount of goofballs, weirdos and sexual deviates. Which makes finding any of them relatable, much less likable, nearly impossible. That heavy lifting is left to Andy, an admittedly corrupt bank employee, and Cassie, who has a hidden agenda. And while both are charming they don't reveal their softer sides until the last few episodes.
One reviewer notes that the series "tries too hard", and I've got to agree. Pare back a half dozen sub plots and work on character.
I fast forwarded through most of the second half (12 episodes) and really felt like I hadn't missed much.
The payoff at the end...feels less like a payoff than a warm glass of water. Nothing startling, revealing or satisfying.
While I don't recommend it, I have to say I wish it had cashed some of the checks it wrote in the first two episodes. Could have been good.
But those shows had great writing, and a large cast of good, some great, actors. This one? Not so much.
The writers and showrunner needed to pick a lane, while they tried to drill down to a central storyline.
Instead we get an unsuccessful mish-mash that kept us hoping for more, only to be ultimately disappointed.
Ben Feldman as Andy, our anti-hero protagonist, is surprisingly good, given the goofy plotting and set pieces. Perry Mooney as Cassie is acceptable as his not-quite-love-interest, but she shows up late to the game, and her dimpled charm becomes too muted.
There are so many subplots, a problem in this sub genre, that it's hard to keep track of all of them. Drug running, money laundering, UFO Tour scam, missing dad (dead dad?), crooked and inept cops, strange hobbyists (Welcome To Marwen came to mind), a food business with a very gross secret...and that isn't all. There's a podcast too (Bodkin perhaps?).
As is required in this type of series the tiny town (Population 12, now 11) has an inordinate amount of goofballs, weirdos and sexual deviates. Which makes finding any of them relatable, much less likable, nearly impossible. That heavy lifting is left to Andy, an admittedly corrupt bank employee, and Cassie, who has a hidden agenda. And while both are charming they don't reveal their softer sides until the last few episodes.
One reviewer notes that the series "tries too hard", and I've got to agree. Pare back a half dozen sub plots and work on character.
I fast forwarded through most of the second half (12 episodes) and really felt like I hadn't missed much.
The payoff at the end...feels less like a payoff than a warm glass of water. Nothing startling, revealing or satisfying.
While I don't recommend it, I have to say I wish it had cashed some of the checks it wrote in the first two episodes. Could have been good.
Lo sapevi?
- QuizBased on true events as shown in the Netflix series Last Stop Larrimah
- ConnessioniAlternate-language version of Last Stop Larrimah (2023)
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