Adattamento del thriller poliziesco del 1963 di Akira Kurosawa.Adattamento del thriller poliziesco del 1963 di Akira Kurosawa.Adattamento del thriller poliziesco del 1963 di Akira Kurosawa.
- Regia
- Sceneggiatura
- Star
- Premi
- 17 candidature totali
Ice Spice
- Marisol Cepeda
- (as Isis 'Ice Spice' Gaston)
Riepilogo
Reviewers say 'Highest 2 Lowest' is a divisive film with mixed reviews. Many praise Denzel Washington's performance and Spike Lee's direction, highlighting the film's themes of morality, art, and the music industry. However, significant criticism is directed at the film's soundtrack, which many find mismatched and distracting. The pacing and editing are also frequently criticized, with some reviewers finding the film overly long and poorly structured. Additionally, the supporting cast's performances and the script receive negative feedback, with many feeling the story lacks depth and coherence. Despite these criticisms, some reviewers appreciate the film's attempt to address modern societal issues and its homage to New York City.
Recensioni in evidenza
It's difficult to take this movie in, or take it seriously. Ironically about a music mogul, Spike uses a continuous, distracting, misaligned, wildly inappropriate, cheesy score by Lawrence Manchester. The opening track was pure cringe. Hard to imagine what Spike could've been attempting beyond irony.
The music and the soundtrack makes this an almost unwatchable movie.
Too long.
The secondary roles are poorly acted.
The wife is not believable.
The plot is stretched and makes no sense.
The pacing is slow and hard to digest.
Missed opportunity to make a good movie.
Some scenes drag too long just for the sake of it.
Too long.
The secondary roles are poorly acted.
The wife is not believable.
The plot is stretched and makes no sense.
The pacing is slow and hard to digest.
Missed opportunity to make a good movie.
Some scenes drag too long just for the sake of it.
Spike Lee has always been the perfect definition of a hit or miss as he has made some great movies like Do the Right Thing, Malcolm X, She's Gotta Have It, Jungle Fever, and so on. At the same time, he has made some pretty awful movies, particular Oldboy (2013) and Miracle at St. Anna. With his latest film, based on a reinterpretation of Akira Kurosawa's classic "High and Low", it falls quite flat and rough.
For starters, there are some nice camerawork that helps presents the atmosphere and environment. Creating the vibe and energy of the city of New York. Lee does offer some fresh themes and concepts about it's characters, writing, and the political aspects, however it all feels confused, misplaced, and messy. The writing feels as if this new reinterpretation didn't offer anything special or interesting to the original and book, as if Lee confuses with what he wants to present and display. Alongside with some laughable bad dialogue, the performances are a mix bag. Denzel Washington does provide his best as his energy and personality is good. However some of the other performances are honestly pretty bad, particularly Ilfenesh Hadera. Almost as if the performances are TV levels of acting or being intentionally awful.
The production designs and structure feels cheap and dated, almost as if the movie is having a Hallmark and Lifetime approach. The musical score is one of the worst aspects about this movie as it's presentation, sounding, and how the music is used is all over the place, messy, and atrocious. Regarding pacing, it drags, as the pacing remains uneven and it's first and second act really struggles. However, around it's third act, it does pick up with some interesting and good thrilling moments.
I'm honestly kind of surprised with the positive reviews because audiences and critics have been raving this reinterpretation, however I found it to be tedious and frustrating. I do appreciate it isn't as disgraceful as Lee's remake of "Oldboy" (which I'm glad to hear he has since disowned the movie). However, no matter what, it's pretty clear that it's best to stay away from remaking classics because it ain't worth it.
For starters, there are some nice camerawork that helps presents the atmosphere and environment. Creating the vibe and energy of the city of New York. Lee does offer some fresh themes and concepts about it's characters, writing, and the political aspects, however it all feels confused, misplaced, and messy. The writing feels as if this new reinterpretation didn't offer anything special or interesting to the original and book, as if Lee confuses with what he wants to present and display. Alongside with some laughable bad dialogue, the performances are a mix bag. Denzel Washington does provide his best as his energy and personality is good. However some of the other performances are honestly pretty bad, particularly Ilfenesh Hadera. Almost as if the performances are TV levels of acting or being intentionally awful.
The production designs and structure feels cheap and dated, almost as if the movie is having a Hallmark and Lifetime approach. The musical score is one of the worst aspects about this movie as it's presentation, sounding, and how the music is used is all over the place, messy, and atrocious. Regarding pacing, it drags, as the pacing remains uneven and it's first and second act really struggles. However, around it's third act, it does pick up with some interesting and good thrilling moments.
I'm honestly kind of surprised with the positive reviews because audiences and critics have been raving this reinterpretation, however I found it to be tedious and frustrating. I do appreciate it isn't as disgraceful as Lee's remake of "Oldboy" (which I'm glad to hear he has since disowned the movie). However, no matter what, it's pretty clear that it's best to stay away from remaking classics because it ain't worth it.
Expected more from Spike Lee. Very misfitting score that belonged in a Star Wars type film. We don't need loud distracting music over every scene. The double edited shots were also distracting and over done. Bad acting from many of the supporting cast. Slow start, could have easily tightened the edit. This film didn't seem to know what it was. No clear vision. A little preachy. And a kind of dull story line with no twist!
I was wondering why a Spike Lee/DenzelWashington film was being released with so little fanfare. And then I finally saw the movie. What a stinker.
How bad?
1) Bad dialogue that seems straight from a crappy Law and Order episode.
2) Bad acting from most of the supporting cast. The trio that play the cops are totally unbelievable, with a special call out to the atrocious acting of Dean Winters. He should stick to his Allstate commercials.
3) Bad music. Why didn't Spike hire his trusted composer Terence Blanchard? Instead he went with music that sounded like it came from a bad 1990's drama.
4) Bad editing. Some really strange choices made, including over edited (or badly directed) dialogue scenes and 2 out of nowhere arbitrary wipes. And nothing brings out tension in a paying the ransom scene than cutting away to musical moments from the Puerto Rican parade.
Just awful.
How bad?
1) Bad dialogue that seems straight from a crappy Law and Order episode.
2) Bad acting from most of the supporting cast. The trio that play the cops are totally unbelievable, with a special call out to the atrocious acting of Dean Winters. He should stick to his Allstate commercials.
3) Bad music. Why didn't Spike hire his trusted composer Terence Blanchard? Instead he went with music that sounded like it came from a bad 1990's drama.
4) Bad editing. Some really strange choices made, including over edited (or badly directed) dialogue scenes and 2 out of nowhere arbitrary wipes. And nothing brings out tension in a paying the ransom scene than cutting away to musical moments from the Puerto Rican parade.
Just awful.
Lo sapevi?
- QuizJeffrey Wright plays Elijah Wright's father in the movie. The actors are real-life father and son.
- BlooperIn a studio, like the one shown in the film, if the person in the recording booth takes off their headphones they would not be able to hear the person in the other room who is speaking through the "talk back" mic.
- Citazioni
David King: I been to your house. And I appreciate you naming your son after me.
Yung Felon: Damn! Stupid bitch talk too fuckin' much, B!
David King: Why she gotta be a bitch?
Yung Felon: Fuck!
David King: Why she gotta be a bitch?
Yung Felon: Fuck!
David King: Why she gotta be a bitch?
Yung Felon: Damn, B!
- ConnessioniReferenced in Radio Dolin: Best Movies of the 2025 Cannes Film Festival (2025)
- Colonne sonoreOh, What a Beautiful Mornin'
Written by Richard Rodgers and Oscar Hammerstein II
Performed by Norm Lewis
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Từ Đỉnh Cao Đến Vực Sâu
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 1.500.000 USD
- Lordo in tutto il mondo
- 1.500.000 USD
- Tempo di esecuzione
- 2h 13min(133 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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