Una showgirl esperta deve pianificare il suo futuro quando il suo spettacolo chiude bruscamente dopo 30 anni.Una showgirl esperta deve pianificare il suo futuro quando il suo spettacolo chiude bruscamente dopo 30 anni.Una showgirl esperta deve pianificare il suo futuro quando il suo spettacolo chiude bruscamente dopo 30 anni.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 7 vittorie e 26 candidature totali
Riepilogo
Recensioni in evidenza
I enjoyed it, but it is definitely heartbreaking and hard to watch at times. Makes you think of your priorities in life and how following your dreams doesn't always pay up in the long term. Shelly is 57 years old Las Vegas dancer at the end of her career with nothing else going on for her in life. Her life long dream to be a dancer in the spot lights made her sacrifice everything she had in life. Marriage, the connection with her daughter, life and money stability, health insurance and retirement benefits. She did it all for her passion for the job, but once the show was over her life pretty much ends with it. Its a great movie showing how not everyone makes it ok in life and actually following your dreams can end you with nothing even if you were happy while doing it.
Pamela Anderson acting is great beginning to end! Definitely the right choice for the part. Jamie Lee Curtis is great as ever and even Bautista steps out of his regular character.
Overall great movie, but not everyones cup of tea, for sure!
At a time when movies try so hard these days to be bigger and glossier, both in budget and running time, it's a breath of fresh air to find a film under 90 minutes that tells a relatable human story without needing to resource to hyper stylised visuals or an overcomplicated plot.
This movie is about real people going through real hardships. We are invited to be bystanders as we follow the life of the titular character (Pamela Anderson's Shelly) as she faces the end of a chapter in more ways than one, and she's in fact the last of a kind.
The director Gia Coppola gets close enough to her subjects using handheld cameras but never indulges in the drama talking place. This movie is a drama, no doubt, but it isn't melodramatic. It is profoundly sad but it doesn't linger. It's heart breaking because we all know a Shelly, or we've been one ourselves... We recognise these characters, and the actors do a great job bringing honesty to each and every part.
But lets be clear, this movie works because of Pamela Anderson. Not only she does a great job here; the nuances in her choices as an actress, the physicality, the voice. But it is the old classic Hollywood style of acting that is so rare to see these days that really caught me by surprise and that I'm afraid will pass some viewers by. She reminds me of Marilyn Monroe, Lana Turner, Ingrid Bergman. She is vulnerable jet commanding of the screen. She is the closest to a Katherine Hepburn if she had worked in an indie film. She really is that good, without needing a big tear jerking scene, of which there are many 'close-to' moments. The dinner scene with with Dave Bautista's character is a great example of the complex and layered acting we're talking about here. So is the first scene in which Shelly meets her daughter.
I hope this movie finds its audience and that Mrs Anderson gets her well deserved flowers.
Lo sapevi?
- QuizPamela Anderson's agent turned down the script without showing it to her. Anderson's son Brandon Thomas Lee came across the script by chance and got it to his mother. She read the script quickly and said she wanted to do the film. Soon after, Anderson fired her agent.
- Citazioni
Shelly: I mean, Las Vegas used to treat us like movie stars. The iconic American showgirl. The Las Vegas showgirl. We were ambassadors for style and grace. You know, it was just... the costumes. I mean, it makes you feel like you're stepping out of the pages of Vogue magazine. I think that's why women like to come to the show.The glamour is undeniable.
Mary-Anne: 'The glamour'. I think I can deny the glamour.
Shelly: Well, maybe times have changed, but...
Mary-Anne: [cutting off] Yes, Shell. They've changed. Times are brand-spanking different.
- ConnessioniFeatured in The 7PM Project: Episodio datato 10 dicembre 2024 (2024)
- Colonne sonoreBeautiful That Way
Written by Andrew Wyatt, Miley Cyrus, Lykke Li
Performed by Miley Cyrus
Music by Andrew Wyatt
Produced by Andrew Wyatt
Arranged by Andrew Wyatt
Orchestrator and conductor Matt Dunkley
Orchestra: Chamber Orchestra of London
Musicians contractor: Gareth Griffiths
Music preparation: Simon Whiteside
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- 最後的歌舞女郎
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.800.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.799.804 USD
- Fine settimana di apertura Stati Uniti e Canada
- 77.589 USD
- 15 dic 2024
- Lordo in tutto il mondo
- 6.928.430 USD
- Tempo di esecuzione
- 1h 28min(88 min)
- Colore
- Proporzioni
- 2.39 : 1