Eden

Cause for me the two coolest moments was the fact that Daft Punk was portrayed in the movie and the scenes were lead character Paul had a DJ gig at PS1, which I went a lot to around the same time the movie takes place.

In actuality, it's a good narrative that documents one person's life in this genre of music. The problem I really had with the movie is that I'm not really into the music.

That seems kind of weird, I should be able to enjoy it without liking the music, but the whole tone of the picture reflects the culture of the music which I'm not into.

It's made for those who love this genre of music. It is filled with references only the scene would find really amusing. the only two I fully got was when Paul told one girlfriend sarcastically that they would be alright financially since he's a DJ and she's a writer and another girlfriend attempt to explain to him what type of music he does, while admitting she's more a rock girl.

The sub plot of the movie in which Paul gets caught up in many relationships in his life was interesting, as you got to see them from the beginning and watch as they take it's course, but it's not an interesting enough focus for me to say run out and see it for that.

Plus the movie was long. Not just in length, but in pace and storytelling. When the movie begins they let you know this is part one, and just when you thought this long picture was coming to an end another title care comes up that tells you part two is about to start. Not a good idea.

The movie does not talk about Daft Punk enough for me to be interested in who else was a part of the scene they grew out of, and the movie's reflection on the scene did not make it more interesting.

I admire what the film was ultimately trying to do. But dear god, you'd think a film taking place in the clubs and similar settings would be more fun. This feels its running time and then some. The problem is that at no point did I really care about the story and the main character here, so watching him life his live and us go through the years with him is kinda, well, painful. This was just not a good time, but hopefully others like it more. I like loose narratives, but something about this one just didn't click at all with me. The film was very well structured though. nice sound mixing and great use of colors and camera-work.

what a great film! if you like house and more to the point..French filtered house, then you will love this. its more music orientated than anything else and has some credible DJs doing cameos - Tony Humphries, Arnold Jarvis & a PA by India. it captures the whole vibe of mid 90s clubbing very well - mixed with relationships, drugs and non-stop parties. i like the main actor as a DJ as he is understated and plays it down, keeping the success of his work and the scene on a low key as a lot of DJs are very unassuming. the Daft Punk characters are present and their tunes are well received by clubbers from everywhere. perhaps its time to make a British version of the amazing 90s house scene which captured everyone's imagination to the max. some of the tunes in the film are these classics : Follow Me - Aly Us, The Whistle Song - Frankie Knuckles, Caught In The Middle - Juliet Roberts, Promised Land - Joe Smooth, Sweet Harmony - Liquid, Da Funk - Daft Punk, Finally - Kings of tomorrow, To Be In love - Masters At Work feat India......ENJOY

Being a part time clubber and dance music fan from back in the day I was somewhat looking to this.

The film starts with the gorgeous Plastic Dreams by Jaydee pumping out, I had goose bumps and thought, oh yes, this could be the opposite of Human Traffic, which was as we all know is a film for rave Wan*kers, I've never met anyone in a club who says lets have it, and if I did I would instantly walk away and avoid eye contact with them all night. Back to topic though. This film is a very slow burner, in fact, you have time for a few snooze busters, its only the music that actually keeps you awake.

Our main character is a nice guy, but somewhat of a drip, he mopes around dreaming of the big time. He makes music, although we rarely see this but he appears on dance radio shows and is billed as some kind of legend. Yet, funnily enough, no one notices him when he is in the clubs. The same can be said for Daft Park, who were massive by the time he sold out.

Another big problem I had, was the boy can't dance, my granddad dances better than he does and I've never met him.

The film would have been so much more interesting if it actually was have been about Daft Park.

I get the film, I have been a DJ, and knew what it was like to dream of the big time before selling out, although he didn't have to constantly be bombarded with requests of soulless Rnb!!

Problem with this film is it had so much potential, yet ultimately its a total snoozefest. I wanted to walk out thinking of nostalgic house nights, banging tunes & good times, when in fact it just felt like Disney does DJing!

The main criticism I've seen towards this film is that it has a detached approach, but I thought it worked wonders here, surprisingly. Thing is, you can handle a story about night life in two ways: by focusing on the frenzy and excitement, that ephemeral state of euphoria non-stop party and excess will do to you, and that's probably what most films of this kind do, and thus have little lasting power beyond the final credits. Or you can go for that other feeling often associated with such activity, which is one of emotional vacuum, of estrangement and low mood, which is more profound and permanent. This is what Løve is going for and succeeds in portraying: the life of someone who wants to be a DJ at all costs, and stick to it throughout the years, while knowing he won't be able to afford living like that. So he often feels unsatisfied and lacking in some kind of deeper personal realization.

On the other hand, those around him do move forward, in one way or another, and so his relationships with all of them reach some kind of closure, making it even more depressing to him that in over a decade he pretty much hasn't gotten anywhere, hasn't really grown up nor learned anything from when he was a teen. An adequately long runtime, encompassing various states of the main character's life and various locations to where his work takes him, also contribute in making his frustrating journey so believable. Technically the film is a marvel, moving so naturally, so organically, from one sequence to the next, from one set piece to another, with a flow that is obviously aided by a powerful and almost constant soundtrack. If you like house music, it's pretty much guaranteed you'll love this film. But it has a lot of other qualities that really make it worth watching. I hope those of you who haven't seen it do soon.