Rosemary's Baby

I found the movie not as bad as people are trying to say it is. I think people are saying it's bad because they didn't make it exactly like the first film in every single detail or because they expected it to have certain things that it did not. I believe the point of a remake is to make your own version of something, not copy the first film so we all know what'll happen every time. In my opinion, this film did a good job at keeping the main parts of the first film, which is all any remake should do. Outside of the main parts, little things were changed, such as different settings and different groups of people, which original serious fans threw a fit about.

Zoe is a beautiful and talented actress and I don't think it was wrong for her to play Rosemary in the film. Zoe is one of Hollywood's new hits, starring in lots of new film, she was perfect for just advertising the movie alone.

If you're a serious fan, like you know every single detail from the book and/or the first movie, this film might not be for you in all honesty. If you want to see a modernized version of a film you saw in the past with new famous faces, give this a watch. If you don't know anything about Rosemary's Baby, you should definitely give this a watch. I also thought it was creative how they turned the movie into two parts, I hadn't seen that done yet, but that may just be myself.

Out of respect for Ira Levin's novel and Roman Polanski's film, my wife and I watched this two-part miniseries. On the positive side, I actually liked the Paris setting. (The 1967 novel and '68 film version were set in Manhattan). Because of its medieval history, Paris does seem like it would be more accessible for demonic activity. After that, forget it. We know Polanski is alleged to have been a pedophile, but he certainly knew how to plumb the dark corners of human endeavors in his films and his version of this story is far superior. And then there's the casting. Zoe Saldana is a very good actress - but she's no Mia Farrow. Farrow's frail, waif-like appearance perfectly suited a woman with a satanic pregnancy. And why was it necessary to cast an African-American actress? The director seems to be self-consciously reminding viewers that since Obama is president, the protagonist needs to have her race changed. The actor playing Guy, Rosemary's husband, is dull and vapid. However, Carole Bouquet, playing next door neighbor Margaux, is wonderful - sexy and seductive. Final word: Skip this version. Read the novel and watch the original film.

Derivative; Antiseptic; Atmospheric for the sake of tourist/holiday atmosphere (Paris; exotic reference; stock evil; blocked writer making his bones at prestigious institution of learning... .) Yes, the cat is black. This re-imagining of the original rests evidently upon the presumption that there is something to be gained by introducing characters who have no clear connection with the narrative, in addition to larding the product with scenes of gratuitous incoherency and gore. At one level or another, dream-sequence passages of leaps from windows, ad nauseum, detract essentially from the inner core of cinematic verity: We know we are heading down. Otherwise, see the Original. Polanski. Weird. Brilliant. Horrific.

Remaking one of the great films (not just horror) of all time is not a very good idea, and almost certainly was going to be met with resistance and negative feedback and groans of lack of imagination nowadays. But "Rosemary's Baby" does present some interest as a modern updated take on the original 60's set story.

How does the story and Rosemary's actions change in the modern world? What with the internet and cell phones and instant information, and maybe most importantly, a strong independent "modern" woman. The casting of Zoe Saldana as Rosemary, famous for her tough as nails action heroines she's been known to play, would seem to suggest this.

None of this means anything however. The movie does open with Rosemary chasing down a burglar, resulting in a cop calling her brave and reckless, suggesting he needs more cops like her. Yet this leads nowhere. Never again does Rosemary do anything rash or without someone's permission. If the movie were to suggest that her independence had been taken from her, then yes maybe that would be interesting but that's not what's here.

Instead we get a basic retread, expanded upon here and with some added gore there, with a fresh city that really amounts to nothing other than some French accents. Rosemary doesn't every really feel out of place here, except one time near the beginning when she suggest that she can't stay at a party because everyone is speaking French. But then everyone speaks English and that's that. Everything is plot contrivance without any new raison d'etre (I had to). Much like the recent wasted attempt at a "Carrie" remake...

Roman Polanski's 1968 original is my all-time favorite horror movie; to surpass this director is an impossible task;but ,curiosity,I can't help it.

Agniezka Holland is Pole ,like her prestigious colleague and she's made interesting works; she can't begin to touch his genius ,but,against all odds ,her miniseries is not as bad as I expected .

Perhaps Holland had in mind a diptych, for the credits claim :based on Ira Levin's novelS "Rosemary's baby " and "son of Rosemary"; it's a blessing she did not carry on with the second book ,for it was as mediocre as the first one was absorbing .

Polanski was faithful to the story but he transcended it with his peerless directing ; Holland's screenplay has undergone lot of changes :first the action takes place in Paris ,where the non-French can visit the Sorbonne and the Catacombes -you can visit this gruesome place, but the guide won't tell you the far-fetched explanations one hears in the movie.

Exit Hutch (replaced by a friend Julie ,and a priest who briefly appears ),Dr Shand , Laura -Louise McBurney ; Terry (replaced by a pregnant woman who jumps out of her window and whose husband reappears later); the Castevet are younger :Roman is a handsome man in his fifties and his wife is no longer old mischievous Minnie (it was probably impossible to match oscar-winning Ruth Gordon) ,but an attractive chic Margaux ; Dr Hill is replaced by Dr Bernard , who has at his disposal a much more modern technology than his American colleague, but in the end ,plays the same role as in the novel. Shady Dr Sapirstein is one of the rare characters whose part is the same as in Ira Levin's book .And ,yes ,Guy is not the actor chasing after any sort of work :he's a professor longing to become a successful writer.

The miniseries is inevitably too long and sometimes drags on ; the new technology (Dr Bernard)could have opened up new horizons for the screenplay ,but it is not fully exploited ; Zoe Saldana is an OK Rosemary but her husband 's playing leaves a lot to be desired : Patrick J.Adams is bland , harmless and not efficient at all : nothing of the great John Cassavetes 'ambiguity .Both Jason Isaacs and French Carole Bouquet are convincing ;the latter is perhaps the best of the lot ,exuding a scent of a poisoned flower .

When Holland tries to imitate her predecessor (the nightmare, the final scene) it's stating the obvious to write she does not rise to the occasion ; adding gore , horrible scenes and a colossal mistake in the final scenes do not help .

The 1968 movie was a masterpiece ;the miniseries is just OK, watchable if you are curious.