I leader di sette ricche democrazie si perdono nei boschi durante la stesura di una dichiarazione su una crisi globale, affrontando il pericolo mentre cercano di trovare la via d'uscita.I leader di sette ricche democrazie si perdono nei boschi durante la stesura di una dichiarazione su una crisi globale, affrontando il pericolo mentre cercano di trovare la via d'uscita.I leader di sette ricche democrazie si perdono nei boschi durante la stesura di una dichiarazione su una crisi globale, affrontando il pericolo mentre cercano di trovare la via d'uscita.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 8 candidature totali
Zlatko Buric
- Jonas Glob
- (as Zlatko Burić)
Vivien Ferencz
- Bog People Dancer
- (as Vivian Ferencz)
Recensioni in evidenza
Rumours is a surreal, unsettling film that explores the impact of misinformation and societal control filled with dark metaphors, reflects on how power and propaganda can manipulate society, leaving people disoriented and distrustful.
Rumours is a dark, witty political satire with a sharp edge, leaning more into social commentary than typical horror or zombie fare.
It's a twisted comedy that highlights the darker side of our reality -where the "zombies" are actually us, the mindless followers.
Unlike the predictable Hollywood comedy, Rumours delivers biting humor through simple clever dialogue and surreal moments.
Lines like: "You see his pen*s has been severed and hung around his neck.
Sounds like a man to me."
"- Germany caught up into Dramatics. We've seen this before."
"- who is the best swimmer?
Italy: i only can go backwards."
The Huge Brain: symbolizes control over collective knowledge.
The giant brain is a central metaphor representing the source of societal knowledge and collective consciousness. It symbolizes the institutions or entities that control information-potentially a government, media conglomerate, or collective societal mindset. The brain serves as both a keeper of "truth" and a gatekeeper that decides what information reaches the public, emphasizing the idea that whoever controls information holds significant power over people's beliefs and actions.
Where Celestine's connection with the brain leads to an ambiguous fate, symbolizes the dangers and consequences of challenging established systems. Celestine's unique ability to communicate with the brain represents an individual's search for truth in a world clouded by lies, Her fate implies that those who dare to confront the powerful structures behind misinformation or societal manipulation may face suppression or retaliation.
Zombie-like Figures act as eerie representations of the manipulated public,Theys represent society's suppressed or marginalized voices, mindlessly manipulated by higher powers. They are symbolic of how people can be controlled or made to act against their own interests through fear or manipulation.
Rumours can be difficult to watch due to its heavy-handed symbolism and disorienting scenes.
Ending raises important questions about if exposing the truth can truly liberate society or if it merely makes the individual more vulnerable to those in control and how society interprets information and who controls that narrative.
Rumours is a dark, witty political satire with a sharp edge, leaning more into social commentary than typical horror or zombie fare.
It's a twisted comedy that highlights the darker side of our reality -where the "zombies" are actually us, the mindless followers.
Unlike the predictable Hollywood comedy, Rumours delivers biting humor through simple clever dialogue and surreal moments.
Lines like: "You see his pen*s has been severed and hung around his neck.
Sounds like a man to me."
"- Germany caught up into Dramatics. We've seen this before."
"- who is the best swimmer?
Italy: i only can go backwards."
The Huge Brain: symbolizes control over collective knowledge.
The giant brain is a central metaphor representing the source of societal knowledge and collective consciousness. It symbolizes the institutions or entities that control information-potentially a government, media conglomerate, or collective societal mindset. The brain serves as both a keeper of "truth" and a gatekeeper that decides what information reaches the public, emphasizing the idea that whoever controls information holds significant power over people's beliefs and actions.
Where Celestine's connection with the brain leads to an ambiguous fate, symbolizes the dangers and consequences of challenging established systems. Celestine's unique ability to communicate with the brain represents an individual's search for truth in a world clouded by lies, Her fate implies that those who dare to confront the powerful structures behind misinformation or societal manipulation may face suppression or retaliation.
Zombie-like Figures act as eerie representations of the manipulated public,Theys represent society's suppressed or marginalized voices, mindlessly manipulated by higher powers. They are symbolic of how people can be controlled or made to act against their own interests through fear or manipulation.
Rumours can be difficult to watch due to its heavy-handed symbolism and disorienting scenes.
Ending raises important questions about if exposing the truth can truly liberate society or if it merely makes the individual more vulnerable to those in control and how society interprets information and who controls that narrative.
Buñuel's movies might be lacking some zombies (at least I don't recall their presence). But IMHO they're much more to the point when it comes to avant-garde surrealism infused with political commentary. For artful, unconventional, surrealist and political satirical films, Buñuel is probably still the bench mark.
I'd strongly suggest that rather spending your time and money on the quite boring 'Rumours', you try to get your hands on VHS or Disc copy of Buñuel's first movie 'Un Chien Andalou' (The Andalusian Dog) from 1929, an unprecedented collaboration with Salvador Dalí. Or enjoy some of his classics such as 'The Discreet Charm of the Bourgeoisie' (1972) or 'That Obscure Object of Desire' (1977).
I'd strongly suggest that rather spending your time and money on the quite boring 'Rumours', you try to get your hands on VHS or Disc copy of Buñuel's first movie 'Un Chien Andalou' (The Andalusian Dog) from 1929, an unprecedented collaboration with Salvador Dalí. Or enjoy some of his classics such as 'The Discreet Charm of the Bourgeoisie' (1972) or 'That Obscure Object of Desire' (1977).
Giving this an 6/10 rating
So bizarre is this film, six of us were in the screen when I watched it, and three walked out about 40 minutes into it, and too be fair, I can understand, this film is horror, comedy, satire and political drama, you get all of that, thanks to Evan Johnson, Galen Johnson and Guy Maddin. All three writing and directing this madness.
This is Guy Maddin, all over, so I expected it weird and arthouse, not making any real sense neither, well ,some kid of plot, which is there, thanks to the acting of Cate Blanchett, Charles Dance, and others with Alicia Vikander doing a some very odd work here. The cast had some real work to do in this, and with the most strangest dialogue and situations this year, it was not a total loss, not one to walk out on, if you knew what to expect, as I did.
Not in the worst film this year, that goes too 'The Crow', not sure if this is one that really will pull in much crowds, which is why it has such a limited showing. Had to travel a bit for this one and find good time as well, was not doing the 9pm slots that most cinemas are showing it.
So bizarre is this film, six of us were in the screen when I watched it, and three walked out about 40 minutes into it, and too be fair, I can understand, this film is horror, comedy, satire and political drama, you get all of that, thanks to Evan Johnson, Galen Johnson and Guy Maddin. All three writing and directing this madness.
This is Guy Maddin, all over, so I expected it weird and arthouse, not making any real sense neither, well ,some kid of plot, which is there, thanks to the acting of Cate Blanchett, Charles Dance, and others with Alicia Vikander doing a some very odd work here. The cast had some real work to do in this, and with the most strangest dialogue and situations this year, it was not a total loss, not one to walk out on, if you knew what to expect, as I did.
Not in the worst film this year, that goes too 'The Crow', not sure if this is one that really will pull in much crowds, which is why it has such a limited showing. Had to travel a bit for this one and find good time as well, was not doing the 9pm slots that most cinemas are showing it.
I really didn't like this film. Fundamentally, almost nothing here worked for me. The satire can be summed up as 'politicians dumb', the photography is super weird and cheap looking, and the surrealist scenes are done without artistic reason. I have so much to say, and somehow this film has left me speechless.
Perhaps we can talk about some of the good? Cate Blanchett is okay in the lead role, but the material is so weak that it's hard to make heads or tails out of her actual performance. There are actually a couple good jokes sprinkled about its runtime. The jokes about trapping pedophiles and protestors attacking the leaders were pretty good, but only ephemeral glimmers of escape in the time warp that was this film. Perhaps another positive is that the characters in the group are all very distinctive, albeit mostly one dimensional.
On the whole, you can tell that this film is drawing from that Monty-Python-esque tradition of dry British satire, but there is so little endearing about the film. The characters are not particularly likeable, and the film makes no effort to make us want to root for the protagonists. The plot should be a straightforward zombie survival plot, but somehow we meander around with few goals or progress through the entire runtime. I'm sorry to say that the photography is awful. In day scenes, there is an ever present, odd cheesy glow. For the rest of the film, all shots are tight, despite being outdoors for virtually the whole film. It seems like just out of frame are the warehouse lights and HVAC system for the cheap and repetitive looking set. Nikki Amuka-Bird had a very poor showing in performance. Truly YouTube level acting.
Shockingly cheap film for a movie with real Hollywood actors in it.
Perhaps we can talk about some of the good? Cate Blanchett is okay in the lead role, but the material is so weak that it's hard to make heads or tails out of her actual performance. There are actually a couple good jokes sprinkled about its runtime. The jokes about trapping pedophiles and protestors attacking the leaders were pretty good, but only ephemeral glimmers of escape in the time warp that was this film. Perhaps another positive is that the characters in the group are all very distinctive, albeit mostly one dimensional.
On the whole, you can tell that this film is drawing from that Monty-Python-esque tradition of dry British satire, but there is so little endearing about the film. The characters are not particularly likeable, and the film makes no effort to make us want to root for the protagonists. The plot should be a straightforward zombie survival plot, but somehow we meander around with few goals or progress through the entire runtime. I'm sorry to say that the photography is awful. In day scenes, there is an ever present, odd cheesy glow. For the rest of the film, all shots are tight, despite being outdoors for virtually the whole film. It seems like just out of frame are the warehouse lights and HVAC system for the cheap and repetitive looking set. Nikki Amuka-Bird had a very poor showing in performance. Truly YouTube level acting.
Shockingly cheap film for a movie with real Hollywood actors in it.
Rumour has it there's a new movie out written and directed by 3 different people: Galen Johnson, Evan Johnson, and Guy Madden. A Canadian/German production, RUMOURS is a satirical look at the annual G7 summit, gathering together 7 of the world leaders who try to prepare a joint statement to address an unspecified world crisis. I really enjoy weird movies, but this one almost pushed my tolerance to the limit. It took a bit to understand the kind of humour this movie is going for. I appreciate it a tiny bit more now that I've had time to contemplate. Basically, it's a movie that says politicians and world leaders are more focused on drawing up a statement than actually taking any action. There is still one aspect of the movie I still don't understand, which I can't tell you about, just know it's very weird. According to this movie, politics is just one big circle-jerk. A few standout performances from Cate Blanchett, Roy Dupius, and Denis Ménochet carry the film. So much of RUMOURS is strange and surreal, but I feel like it's full of symbolism and metaphors. I understood some of them. By the end, I think I had a fun time?
Lo sapevi?
- QuizCharles Dance was specifically told to use his natural English accent even though he plays the US president in the film. The directors (in Q&A) say this was a very definite decision from early on though the actor can speak with a perfectly good American accent if required. Various reasons were given, but the gist was that they wanted to subvert the audiences' expectations about each character.
- BlooperAround 48 minutes as the G7 group are walking through the woods, the camera angle from behind shows Blanchett (Germany) holding hands with Dupius (France). Then the camera angle switches to the front and Blanchett is at the end of the group and Dupius is still in the front.
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- Rumours
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Botteghino
- Lordo Stati Uniti e Canada
- 571.909 USD
- Fine settimana di apertura Stati Uniti e Canada
- 311.781 USD
- 20 ott 2024
- Lordo in tutto il mondo
- 697.673 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Proporzioni
- 1.66 : 1
- 2.39:1
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