Un'analista della CIA si offre volontaria per inflitrare un'organizzasione di trafficanti di armi e prevenire una catastrofe globale.Un'analista della CIA si offre volontaria per inflitrare un'organizzasione di trafficanti di armi e prevenire una catastrofe globale.Un'analista della CIA si offre volontaria per inflitrare un'organizzasione di trafficanti di armi e prevenire una catastrofe globale.
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Spy knows how to put a fun and modern spin on the spy genre in ways the major franchises would struggle to do. The plot is suitably twisty (some predictable & some unexpected) and even though there are occasional gaps between the laughs, it has more than enough to ensure that isn't a major issue.
Melissa McCarthy has been in some subpar comedies but roles like this offer a reminder that she's one of the best at comedy. This role is so different to her previous collaborations with Paul Feig (for the better) and requires a lot since the undercover work means her character is constantly changing.
Jason Statham is the best thing about this and the only downside is that he could be in it a lot more. It's possible he's only this good because he's in small doses to avoid too much of a good thing however, the major takeaway is that Statham is ridiculously gifted at comedy and it's a real crime that he's not utilised it more often.
Paul Feig's direction runs into his usual misstep of letting some scenes overstay their welcome and yet it doesn't derail it, mainly due to the jokes that do land being proper belly laughs. In the action, it's just a little over reliant on slow motion. Also, the music by Theodore Shapiro really nails the generic spy movie score.
Melissa McCarthy has been in some subpar comedies but roles like this offer a reminder that she's one of the best at comedy. This role is so different to her previous collaborations with Paul Feig (for the better) and requires a lot since the undercover work means her character is constantly changing.
Jason Statham is the best thing about this and the only downside is that he could be in it a lot more. It's possible he's only this good because he's in small doses to avoid too much of a good thing however, the major takeaway is that Statham is ridiculously gifted at comedy and it's a real crime that he's not utilised it more often.
Paul Feig's direction runs into his usual misstep of letting some scenes overstay their welcome and yet it doesn't derail it, mainly due to the jokes that do land being proper belly laughs. In the action, it's just a little over reliant on slow motion. Also, the music by Theodore Shapiro really nails the generic spy movie score.
This is hardly the first or last spy parody movie. Some nail it (Johnny English), and some miss badly (the Austin Powers sequels). This one was just plain perfect. There's nothing original, but every cast member - McCarthy especially - nails every part. Comedies like this work best with real characters and unreal plots. Paul Feig clearly gets that. I laughed. A lot.
Kingsman: The Secret Service started a beautiful new wave of James Bond satire films. It's been done before but never quite as meta as it was in Kingsman, actively referencing how similar the plot and archetypes are to James Bond while still having a refreshing novelty factor and interesting characters of its own - creating this whole new world for the over-the-top James Bond-esque adventures to take place while the real James Bond canon continues its serious, grounded story arc.
While Kingsman was about setting up this elite organization and showing off their penchant for ridiculously elaborate action sequences, Spy has little exposition and throws you right into this hysterical world where Jude Law is the super suave secret agent and Melissa McCarthy acts as his eyes and ears back at headquarters. Jason Statham comes in later as a rogue agent who is as arrogant as he is oblivious. The movie doesn't itself seriously but it never goes into parody territory. These characters, as overblown and ridiculous as they are, still have relatable personalities, and you're willing to go on this crazy adventure with them right from the start.
Spy is very much an action comedy - whether you view it more as an action movie or as a comedy is completely up to you. I found it hilarious within the first minute and was laughing heartily throughout the entire movie, but there's no denying that the action sequences are incredibly well done. Specifically, the fight between Susan Cooper (McCarthy) and a female assassin in a kitchen, the opening sequence of Cooper alerting Bradley Fine (Law) where enemies are while Fine sweeps them up in a rat maze full of baddies, and the scene with the car where Cooper mops the floor with a handful of terrorists with little to no effort. If you aren't laughing at the jokes, you can laugh at how insane and over-the-top the action is - either way, it's an incredibly fun time.
What I find most compelling about Spy is how likable each character is. It's not just McCarthy, Law, and Statham with a bunch of stoic supporting characters. No, even the supporting characters are hilarious and interesting. Miranda Hart plays Cooper's goofy friend who does dumb things with the best of intentions, Rose Byrne plays the villainous daughter of a rich terrorist and has some excellent back-and-forth bickering with McCarthy, and Peter Serafinowicz plays Aldo: a sleazy Frenchman who absolutely loves women and especially their boobs. They all have moments of hilarity; even the main antagonist played by Bobby Cannavale who is supposed to be a classy businessman has quirky one-liners and the funniest villain run I've seen in recent memory. Oh, and 50 Cent is in it playing 50 Cent. Yeah, it's as crazy as it sounds.
As far as lead performances go, this is the funniest Melissa McCarthy has ever been. This is the ideal role for her because her character has a serious job and a serious mission juxtaposed with McCarthy's snarky personality and usual shenanigans, making for some truly hysterical situations. Jason Statham, however, is the real highlight here. The man is brilliant in this role. He's a tough-guy agent that goes around bragging about how badass he is and goes on to do the stupidest things ever while still keeping a straight face and menacing persona - essentially a parody of his usual roles. His rants are comedy gold simply because it's Statham doing them. He proves here that he's not only one of the greatest action stars working today but also one of the funniest. The fact that he even agreed to this movie says a lot about Statham's attitude - he's a great sport and isn't afraid to make fun of himself, and I really hope this earns him more comedic roles in the future.
Spy was everything I wanted it to be and more. I laughed harder at this movie than I did at most comedies in the past decade. The production value was fantastic, the pacing was perfect, and director Paul Feig clearly knows how to do comedy but now can add action to his resume. Everything about this movie works. It also allows James Bond to continue its serious endeavors, Kingsman to handle the classy yet gritty side of secret agents, while Spy focuses on the campy and silly nature of the whole affair. I sincerely hope this gets a franchise because there are too many great things happening for it not to get a sequel. On it's own however, Spy is an absolutely brilliant, perfectly casted satire that should not be missed by fans of action, comedy, or fun.
While Kingsman was about setting up this elite organization and showing off their penchant for ridiculously elaborate action sequences, Spy has little exposition and throws you right into this hysterical world where Jude Law is the super suave secret agent and Melissa McCarthy acts as his eyes and ears back at headquarters. Jason Statham comes in later as a rogue agent who is as arrogant as he is oblivious. The movie doesn't itself seriously but it never goes into parody territory. These characters, as overblown and ridiculous as they are, still have relatable personalities, and you're willing to go on this crazy adventure with them right from the start.
Spy is very much an action comedy - whether you view it more as an action movie or as a comedy is completely up to you. I found it hilarious within the first minute and was laughing heartily throughout the entire movie, but there's no denying that the action sequences are incredibly well done. Specifically, the fight between Susan Cooper (McCarthy) and a female assassin in a kitchen, the opening sequence of Cooper alerting Bradley Fine (Law) where enemies are while Fine sweeps them up in a rat maze full of baddies, and the scene with the car where Cooper mops the floor with a handful of terrorists with little to no effort. If you aren't laughing at the jokes, you can laugh at how insane and over-the-top the action is - either way, it's an incredibly fun time.
What I find most compelling about Spy is how likable each character is. It's not just McCarthy, Law, and Statham with a bunch of stoic supporting characters. No, even the supporting characters are hilarious and interesting. Miranda Hart plays Cooper's goofy friend who does dumb things with the best of intentions, Rose Byrne plays the villainous daughter of a rich terrorist and has some excellent back-and-forth bickering with McCarthy, and Peter Serafinowicz plays Aldo: a sleazy Frenchman who absolutely loves women and especially their boobs. They all have moments of hilarity; even the main antagonist played by Bobby Cannavale who is supposed to be a classy businessman has quirky one-liners and the funniest villain run I've seen in recent memory. Oh, and 50 Cent is in it playing 50 Cent. Yeah, it's as crazy as it sounds.
As far as lead performances go, this is the funniest Melissa McCarthy has ever been. This is the ideal role for her because her character has a serious job and a serious mission juxtaposed with McCarthy's snarky personality and usual shenanigans, making for some truly hysterical situations. Jason Statham, however, is the real highlight here. The man is brilliant in this role. He's a tough-guy agent that goes around bragging about how badass he is and goes on to do the stupidest things ever while still keeping a straight face and menacing persona - essentially a parody of his usual roles. His rants are comedy gold simply because it's Statham doing them. He proves here that he's not only one of the greatest action stars working today but also one of the funniest. The fact that he even agreed to this movie says a lot about Statham's attitude - he's a great sport and isn't afraid to make fun of himself, and I really hope this earns him more comedic roles in the future.
Spy was everything I wanted it to be and more. I laughed harder at this movie than I did at most comedies in the past decade. The production value was fantastic, the pacing was perfect, and director Paul Feig clearly knows how to do comedy but now can add action to his resume. Everything about this movie works. It also allows James Bond to continue its serious endeavors, Kingsman to handle the classy yet gritty side of secret agents, while Spy focuses on the campy and silly nature of the whole affair. I sincerely hope this gets a franchise because there are too many great things happening for it not to get a sequel. On it's own however, Spy is an absolutely brilliant, perfectly casted satire that should not be missed by fans of action, comedy, or fun.
The often brilliant Melissa McCarthy is on top of her game as the mousy Susan Cooper, a behind-the-scenes CIA agent who finds herself struggling to prove herself in the field.
The movie is rather similar to Bob Hope movies like My Favorite Brunette in which he found himself taking on a more exciting life he isn't completely prepared for. Like Hope, McCarthy will be incredibly incompetent when that can get the laughs but other times prove herself as able as more stereotypical heroes. (Although unlike most Hope movies, McCarthy plays someone who stars with some level of competence).
The cast is excellent, with Jude Law doing a fine James Bond impression and very funny performances from Miranda Hart as a goofy fellow agent and Peter Serafinowicz as a sleazebag.
There is also a bit of a feminist theme here, with the movie mocking masculine jerks (particularly Jason Statham's insane egotist). There is also some surprisingly solid action, most notably a Jackie-Chan- influenced kitchen fight.
While the movie is funny and well-acted, the plot leaves something to be desired. It holds together most of the way, but towards the end the writers toss logic out the window and don't even really try to justify what's going on.
Some people are complaining that this movie is foul-mouthed. I'm assuming these people live in small towns where Jimmy Stewart runs the local savings and loan and the Beaver is always getting into trouble. I found it all very funny.
The movie is rather similar to Bob Hope movies like My Favorite Brunette in which he found himself taking on a more exciting life he isn't completely prepared for. Like Hope, McCarthy will be incredibly incompetent when that can get the laughs but other times prove herself as able as more stereotypical heroes. (Although unlike most Hope movies, McCarthy plays someone who stars with some level of competence).
The cast is excellent, with Jude Law doing a fine James Bond impression and very funny performances from Miranda Hart as a goofy fellow agent and Peter Serafinowicz as a sleazebag.
There is also a bit of a feminist theme here, with the movie mocking masculine jerks (particularly Jason Statham's insane egotist). There is also some surprisingly solid action, most notably a Jackie-Chan- influenced kitchen fight.
While the movie is funny and well-acted, the plot leaves something to be desired. It holds together most of the way, but towards the end the writers toss logic out the window and don't even really try to justify what's going on.
Some people are complaining that this movie is foul-mouthed. I'm assuming these people live in small towns where Jimmy Stewart runs the local savings and loan and the Beaver is always getting into trouble. I found it all very funny.
Scrolling through shows and channels and clicked on this one on a whim. I don't recall much hype about this film when it first came out. It FAR exceeded my mediocre expectations! It has a great cast! It's witty, fast-paced, and very clever! Melissa McCarthy at her best. Rose Byrne, much funnier than I've seen her in other comedic roles that she's attempted. Jason Statham playing a parody of himself, HILARIOUS! Allison Janney never disappoints. And you can't go wrong with Jude Law as your James Bond type. And Bobby Cannavale as a perfect villain! Even Melissa McCarthy's husband makes a cameo. This is a very easy to watch and satisfying film! Lots of fun!
Lo sapevi?
- QuizScreenwriter Paul Feig, who once was an aspiring stuntman himself, is a fan of Jason Statham's action movies. Feig tailored Statham's Rick Ford character in the film especially for the actor to play.
- BlooperWhen Susan Cooper steals a moped she is wearing black stilettos. However when she tries to jump from the ramp and the moped lands in the bed of wet concrete the camera angle from the waist down shows she is wearing a pair of flat black shoes obviously indicating where the stunt performer has been substituted for Melissa McCarthy. As the camera cuts back to a medium shot of McCarthy driving through the concrete the stiletto's then reappear.
- Curiosità sui creditiActor Mitch Silpa's character is credited as "Colin (name stricken) Fredrick!"
- Versioni alternativeThe Blu-ray contains an extended cut with 10 minutes of extra footage.
- Colonne sonoreWho Can You Trust
Written by Theodore Shapiro and Craig Wedren
Performed by Ivy Levan
Produced by Theodore Shapiro and Craig Wedren
Vocal production by Patrick Nissley
Ivy Levan performs courtesy of Cherrytree/Interscope Records
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Spy: una espía despistada
- Luoghi delle riprese
- Lake Balaton, Ungheria(as itself & at the beginning as Varna, Bulgaria)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 65.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 110.825.712 USD
- Fine settimana di apertura Stati Uniti e Canada
- 29.085.719 USD
- 7 giu 2015
- Lordo in tutto il mondo
- 235.666.219 USD
- Tempo di esecuzione2 ore
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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