Before I Disappear

Shawn Christensen's Oscar Winning Curfew was a wonderful piece of filmmaking, and I was worried that the feature version "Before I Disappear" would be just more of the same. I was pleasantly surprised and this expanded version took wonderful to extraordinary.

One of Shawn's many accomplishments in this film was his deft transition of the Sophia character from precocious little girl to self-realized adolescent, who has it together a hell of a lot more than her uncle.

It took me a little time to warm up to Emmy Rossum's character -- as in how could she have a child that old -- but a few lines to clear that up -- and boom, all taken care of. Emmy's vulnerability and willingness to go to a very raw place near the end of the film was beautiful to watch.

Shawn's expanding the characters I loved in the short and adding new characters, played by Paul Wesley and Ron Perlman was terrific. Who knew that Wesley could bring such depth to a character that could have come off as horribly one-note?

The cinematography was brilliant. The choice of color was truly inspired.

This is definitely a virtuoso piece of indie filmmaking, and deserving of every award it has picked up on the film festival circuit. My only regret is that this film should be opening in a hell of a lot more theaters this awards season.

If you love indie filmmaking, you need to see this film as soon as possible,

Before I Disappear (2014)

I almost didn't give this a chance because it starts with a lot of moments—and scenes— made for effect. I was worried that it was all about creating a party scene underworld in Brooklyn and the characters and plot would suffer. Wrong. It clicks by the end.

One problem might be (at first)—there are no sympathetic characters. I know we are supposed to relate to the lead, Richie played by Shawn Christensen. But he's so abusive and violent at times, and frankly stupid (or misguided), it's hard to be on his side. More likely we just watch and marvel.

In a way, the little girl who is the pivot around which everything eventually moves is also annoying—a little brat. She's played by Fatima Ptacek, and we eventually warm to her, too. Her mother (Richie's sister) is completely annoying, and the various "friends" and work associates of Richie are also unpleasant.

But that's part of the idea. Richie is surrounded by an ominous, negative world. He works as a janitor in a lively late night club, and the throbbing darkness there wears everyone out—the club owner, the patrons (one of whom is found dead), and Richie. It's a terrific setting for a movie however, and one of the amazing qualities of this film is the way it creates these sleazy, drugged up—and no doubt exciting—scenes so well.

By the end of the movie I was totally into it. I wish I hadn't had to wait to long to like it so much, but sometimes the best movies demand a little perseverance. I suggest giving this a long-sighted try.

I saw this film at NorthEast Film Festival in NJ and from the moment this film started I was swept up and there is not a second that your mind wanders, every second of this film is visually stunning and diverse. You can't help but root and fall in love with Richie (Shawn Christensen) as he struggles through the evening's events. The dynamic between him and Sophia (Fatima Ptacek) is like catching lightning in a bottle, they make a fantastic duo. Fatima does a wonderful job of transitioning the younger Sophia from 'Curfew' to a more mature Sophia in 'Before I Disappear'. Even though the story is about a lot struggles and heartache, there are moments that have you laughing out loud. Each supporting character to Richie and Sophia's journey is so well cast. Paul Wesley as Gideon is simply phenomenal, as he creates a very diverse character within only a few appearances on screen. He manages to create so many subtle undertones with a performance that doesn't hit over the head with it, but leaves you with a deeper understanding of the character. Emmy Rossum as Maggie does an outstanding job of creating a real and emotional counterpart as the mother to Sophia's character. Ron Perlman is as fantastic as always and creates a very chilling presence on screen. Hats off to the multi talented Shawn, for directing, starring, writing and composing for this beautiful surprise of a film.

I stumbled across it on Netflix, not expecting much, and was wildly surprised. It's beautiful and very well written and executed. A gorgeously poignant mood permeates the piece throughout, creating a near perfect setting. What could be a timeless story has just the right amount of contemporary sheen and grime and it delivers charm, heart, tears and pain all in enveloping beauty. Well directed, well shot and acted; just lovely really. If you can relate to equal amounts of hopelessness, depression and the blissful joy of life, you'll love this. What a gem by this new filmmaker. No gunfights, no car chases and no explosions, true. It was all done with an engaging story, cast and setting. Nicely sprinkled doses of subtle dark humor are also used just when they're needed. I love this film.

Firstly, I came to this movie without having seen "Curfew". Several commentators have pointed out that that is important in the way you see this movie so I'll get that out of the way to start with. I checked out the user score (7.2 at time of writing) and the Meta score (47/100 at time of writing). A bit of a mismatch I thought and maybe it was down to the film being "upped" by users. (We all know it happens right? Reviewers who come out of nowhere and submit one review giving a film 10 / 10 and then disappear as quickly as they appeared. All's fair in love and marketing). Anyway, as a result I decided to take a chance on it but with some reservations at the back of my mind and not really expecting anything that would really get me. What followed was rare, the realisation that the users had nailed it and the critics had really come down way too hard on this movie for all the wrong reasons. "Underwhelming, inconsistent, superfluous, bloated, meandering, posey, abrasive, over amped" to mention a few of the words used. I really don't know what film they were watching. Shawn Christensen, the writer, director and star of this film has already picked up an Oscar in 2013 for best Live Action Short but this film is dismissed as "not a bad freshman effort"? Ignore the critics and take a chance on this one. If you go in with an open mind and let yourself go with it's unusual flow you might really enjoy it. Finally, the cast were uniformly good. Fatima Ptacek, who I hadn't come across before, was brilliant, certainly one to watch, and Ron Perlman was Ron Perlman, nobody does that better than him.