Maa

This movie is dull and slow. The story is very basic and doesn't have anything new or exciting. It feels like it was just put together without much thought. The main cast seems to have been picked based on popularity, not actual acting talent.

Kajol, in particular, looks outdated and shows very little range in her acting. In the past, her weak performances were easy to overlook because stronger male actors carried the films. But in this movie, her limitations are very clear.

Surprisingly, the extras and background actors do a much better job. They feel more real and help move the story along more than the leads do. There are also some truly talented actors in the film, but their roles are so small that their skills go to waste.

The pace of the movie is another big issue-it drags on and on. It takes forever for anything meaningful to happen. Overall, this movie is a missed opportunity and a disappointment.

There is not much I wanna say, My Rating is 6.5/10... This movie is not something very Extraordinary but a Good Movie I Can say. One of the best things was its background score which will make you feel the gravity of the scenes. Also, Camera Work is great. This Movie could be better if it wasn't lazy... Laziness is the biggest flaw of this movie in my opinion... CGI was like, acceptable for me but AI videos.... I was seriously Irritated because of those Ai scenes, There is a full sequence which was made by AI and it disappoints... and Another Flaw is Set Pieces, which looked very, very artificial... Now Talking about Horror, this movie had jump scares, and many spooky moments... TBH, I wasn't really much affected by jump scares or any other cinephile will not be much affected, but still I can't complain much about it because I saw the effort they made on the Horror element! Now, What's the best Thing I saw in this movie was using mythology to set up its plot which was not much greater but also not bad... it was good, I liked It... Overall, this is a good watch but not something extraordinary, obviously better than most of the SO CALLED HORROR MOVIES OF BOLLYWOOD.

Honestly Kajol should retire, she is destroying her legacy. Surely she would've read the script and must've thought what is this no scares all about promoting a cult and not concentrating on the film itself. The movie is all about a religious promotion and the story has so many holes in it. The ghost is a tree yes a tree the director must be drunk when he came up with this concept. The movie is an absolute disgrace and seriously one of the worst films I have ever seen if it had minus then I would give it a minus 10. People actually walked out i Should've done so the film is all to do with promoting kajols beliefs which am sorry lost the film.

Maa had the potential to be a genre-bending experience, but it stumbles despite Kajol's stellar performance. She brings depth and emotional gravitas, making you feel every ounce of a mother's fear and desperation. Unfortunately, the film's uniqueness is undercut by its painfully predictable plot and reliance on tired horror tropes. The jump scares are formulaic, and the visual effects barely meet the mark. Worst of all, the villain looks like a budget Vecna knockoff from Stranger Things, more laughable than terrifying. Maa tries to be profound, but ends up being a stylishly packaged, hollow echo of better horror films.

Maa (2025) : Movie Review -

Maa is marketed as a film from the Shaitaan universe, but honestly, it has nothing to do with it. The only connection I can make is that both films revolve around parents saving their daughters. Yes, it has to be a daughter-a female character-because that's how it has been for years in Bollywood's horror genre. Another shared trait is a male antagonist. Maa is essentially an original story that tries to blend mythological themes into a modern horror framework-but with very little logic. We've all heard or read the tale of Rakhtabeej and Kaali Maa. We know that the demon was killed by Kaali Maa. Now, this film tells us he wasn't. Instead, one drop of his blood gave birth to a new demon. Ridiculous. Sorry, but I'm not buying that. The film's basic foundation is flawed, and despite having an original and somewhat intriguing idea, it collapses due to its TV-serial-like execution. Moreover, the Vishal Furia curse continues, post-Chhorri and Chhorri 2. He desperately needs to move beyond the female foeticide trope.

Maa follows Ambika (Kajol) and her daughter, Shweta (Kherin Sharma). Ambika's husband is killed by a tree-dwelling demon called Amsaja. Later, she's asked to visit Chandarpur to sell their ancestral mansion. The demon notices Shweta but must wait until she hits puberty. Meanwhile, Ambika recounts the legend of Rakhtabeej, reborn as Amsaja, who now seeks a daughter from their bloodline. Predictably, Amsaja abducts Shweta after her first period, but this time he's in for a fight-Ambika, the mother, won't let him succeed. Will Ambika defeat the demon?

The screenplay makes Maa a tedious watch, especially in the first half. It takes more than an hour to arrive at anything meaningful. The most interesting segment is the interval block, but that mostly introduces the mythos rather than any real conflict. After yet another boring act, the actual story kicks off in the final quarter as a few secrets unfold. But even they aren't strong enough to reduce the predictability. A tighter screenplay could have elevated this into a solid horror piece. As it stands, it's disjointed and slow almost throughout. Add to that some daily soap-like tropes, a melodramatic background score, and over-the-top aggressive action sequences-and the entire dish falls flat. The final 15 minutes somewhat salvage the film from dipping below average. Logical reasoning is missing, and the pieces fail to fall into place. The linear storytelling takes a dull route, dragged down further by Vishal Furia's thematic repetition from his previous works. In short, this is another Chhorri, only with Kajol and a bigger canvas-haunted by the same mediocrity.

Kajol looks graceful in the beginning, and her character gets a substantial arc towards the climax. We're not accustomed to seeing female characters grow this heroic, but here it works because of one powerful word: MAA. A mother can go to any lengths for her child, and that's what gives Ambika's character conviction. Kajol performs well, though it doesn't touch the heights of her Salaam Venky act. This role leans more toward mass appeal, so the lack of finesse is understandable. Kherin Sharma delivers an immature performance, especially when compared to Janaki Bodiwala, who was stunning in Shaitaan (and even better in Vash). The difference is glaring. Ronit Roy's Bengali dialogues come without subtitles, which is disappointing, though he delivers a punch in the climax. It's a shame to see an actor like Dibyendu Bhattacharya wasted in such a hollow role. Indraneil Sengupta, Gopal Singh, Surjasikha Das, Vibha Rani, Yaneea Bharadwaj, and others merely pass the time.

Maa fails to grasp the essence of effective horror filmmaking. The scares are few and far between, turning it into more of a family drama than a horror experience. Even technically, the film underperforms. The background score lacks bite. The cinematography is strictly average, and the editing isn't sharp either. The few things that work are the art and production design-the atmosphere feels authentic. The real problem lies in storytelling, which leans too heavily on artificial cinematic tools to simulate realistic effects. That contradiction is something Vishal Furia hasn't been able to manage smartly. The best thing about him remains his ability to draw ideas from mythology and history, instead of copy-pasting plots like Shaitaan. However, the recurring issue is his inability to break out of the Lapachhapi zone, even after eight years. That film set high standards for Marathi horror and for Furia himself-standards that he hasn't met since. In fact, with each new attempt, he seems to be sliding downward. The only good part is that Maa has its own identity and a few standout ideas that hint at future potential. But for now, you're left enduring mediocrity-or better yet, just wait for a better film, as we cinegoers have sadly grown accustomed to doing nowadays.

RATING - 4/10*