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Le Meraviglie

Titolo originale: Le meraviglie
  • 2014
  • T
  • 1h 50min
VALUTAZIONE IMDb
6,7/10
6491
LA TUA VALUTAZIONE
Le Meraviglie (2014)
Guarda Trailer originale italiano [OV]
Riproduci trailer1: 58
3 video
99+ foto
Drama

Una famiglia di apicoltori che vive nella campagna toscana trova la loro famiglia sconvolta dall'arrivo simultaneo di un adolescente silenziosamente turbato e da uno spettacolo televisivo ch... Leggi tuttoUna famiglia di apicoltori che vive nella campagna toscana trova la loro famiglia sconvolta dall'arrivo simultaneo di un adolescente silenziosamente turbato e da uno spettacolo televisivo che vuole mostrare la loro vita quotidiana.Una famiglia di apicoltori che vive nella campagna toscana trova la loro famiglia sconvolta dall'arrivo simultaneo di un adolescente silenziosamente turbato e da uno spettacolo televisivo che vuole mostrare la loro vita quotidiana.

  • Regia
    • Alice Rohrwacher
  • Sceneggiatura
    • Alice Rohrwacher
  • Star
    • Alba Rohrwacher
    • Maria Alexandra Lungu
    • Sam Louwyck
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    6491
    LA TUA VALUTAZIONE
    • Regia
      • Alice Rohrwacher
    • Sceneggiatura
      • Alice Rohrwacher
    • Star
      • Alba Rohrwacher
      • Maria Alexandra Lungu
      • Sam Louwyck
    • 18Recensioni degli utenti
    • 134Recensioni della critica
    • 76Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 12 vittorie e 18 candidature totali

    Video3

    Trailer originale italiano [OV]
    Trailer 1:58
    Trailer originale italiano [OV]
    Official Trailer
    Trailer 1:57
    Official Trailer
    Official Trailer
    Trailer 1:57
    Official Trailer
    The Wonders: Can We Take Part? (US)
    Clip 0:54
    The Wonders: Can We Take Part? (US)

    Foto109

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    Interpreti principali20

    Modifica
    Alba Rohrwacher
    Alba Rohrwacher
    • Angelica
    Maria Alexandra Lungu
    Maria Alexandra Lungu
    • Gelsomina
    Sam Louwyck
    Sam Louwyck
    • Wolfgang
    Sabine Timoteo
    Sabine Timoteo
    • Cocò
    Agnese Graziani
    • Marinella
    Luis Huilca
    • Martin
    • (as Luis Huilca Logroño)
    Eva Lea Pace Morrow
    • Caterina
    Maris Stella Morrow
    • Luna
    Monica Bellucci
    Monica Bellucci
    • Milly Catena
    Carlo Tarmati
    • Carlo Portarena
    Margarete Tiesel
    Margarete Tiesel
    • Second Life Representative
    André Hennicke
    André Hennicke
    • Adrian
    Alessandro Genovesi
    • The Judge
    David Cadena II
    • Igor
    Lisa Piciollo
    • Gioia
    Stefania Lorenzi
    • The Doctor
    Maria Pampana
    • Grandmother
    Francesca Menicocci
    • Portarena's Mother
    • Regia
      • Alice Rohrwacher
    • Sceneggiatura
      • Alice Rohrwacher
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti18

    6,76.4K
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    Recensioni in evidenza

    7jveravivar

    In the same vein as her other films, can see the seeds

    I just finished watching this film and I must say that the naturalistic style is very well done in this one. There is a certain tension in the air, even tough nothing happens most of the time on the exteral world but everything is going on inside their heads. The idea of everyday life of people who are anonymous is there, and how that may become source material of appreciated ruins with what they leave behind is in the same vein as La Chimera. There is a certain charm of the italian countryside that becomes evident and I would thoroughly recommend it for anyone who loved La Chimera and needs more context on the subjects that this director loves to explore.
    5JvH48

    Failed portrait of Italian farm and family life, in spite of what the Cannes jury said. Too many ingredients won't make a good stew

    Saw this at the Film Fest Ghent 2014, expecting something remarkable or novel, given what Cannes jury had to say about it. Alas, for me it failed on several counts, mainly because I don't think that throwing in an ample variety of ingredients does produce a good stew. It seems that the film makers tried to follow a complicated recipe, but could not come to a consistent and balanced product. The best example of something completely out of tune was the bee produced by Gelsomina out of her mouth on two occasions, the last one as part of the TV show she signed up her family for. It should be possible to find something better for this purpose, and still having a relationship with their bee keeping business where it was all about.

    The synopsis on the festival website stated that Gelsomina was the center of the bee keeping business, and particularly the honey extraction process, but I found that not so clearly shown while watching the movie. Yet she is mentioned several times as "head of the family", while all signs seem to point in different directions. Also, when the boy Martin is introduced, everyone points to Gelsomina as the responsible person, and again I don't understand as it is the father who introduced the boy in the first place. I apparently did miss something important.

    An annoying aspect of this movie is that it happened a few times that the scenery jumped to several hours later in time, without being clear about the change. For example: after the day that the boy was lost on the island, we suddenly see Gelsomina in action on the farm, requiring us to take some time noticing we are at a different time and place now, and adjust our focus accordingly. It happened to me several times, but this was the most prominent occurrence that I still remember.

    While this film's Grand Prize of the Cannes jury rises expectations, I'm disappointed because of my overall feelings that the end product is not in any way remarkable, all things considered. It happened many times before that I didn't agree with festival juries, however, so this may become a fact of (my) life. It may be so that the jury admired the portraying of life on a farm, being a non-issue for me grown up on a farm myself. So all the tedious tasks and the inherent dangers in animals and machinery were merely deja-vu for me, nothing out of the ordinary. Similarly, the mixed household and the assortment of very different people having to work together, is normal on a farm and standard operating procedure. In other words, I'm prejudiced in duplicate, on one hand to find something that the Cannes jury found remarkable, on the other hand seeing a portrait of farming that offers nothing special for me. I'm inclined to forget about the jury and let aforementioned faults weigh in to arrive at a negative conclusion.
    7Megan_Shida

    Beautiful Film, A Little Too Understated

    The Wonders is really a beautiful film. There is great cinematography and interesting shots, meaningful themes to ponder, and an interesting story, but I wonder if it isn't a bit too understated. The director's more meandering and whimsical style won't be for everyone and I feel like the beats of the story could have been punched in a little bit more, because afterwards I'm left pondering about many interesting ideas the film only briefly touched upon.
    8unsoldino4

    sweet as honey

    I didn't expect a similar plot. But the plot itself it not the important part of this movie. The Cannes Festival have create some interest about this little incredible surprise, and it worth entirely the attention. It is all about life. Filmed in a very strange and unusual location, a farm in a poor area (Tuscany, but could be everywhere). About a very strange and unusual family (the center of it is a young teenager, Gelsomina by a unbelievable in her great acting Maria Alexandra Lungu), and a very strange business (honey and bees). But all these unusual choices results in a so strong, so sweet, so touching, little masterpiece. We feel fully involved, interested, part of this world that is, in fact, the world: love, young expectation, economic difficulties, pollution, family affairs, all is inside, but with no drama because the look used in this opera is a colored one, full of the hope of young people.
    8Reno-Rangan

    Being a child of a farmer and the rural life.

    I begin by saying it was a sweet little Italian movie. It is not here to entertain you, but to give an alarming message. The world's human population is growing rapidly, but within, the farmer's counts are shrinking. Hunger will be one of the future's biggest concerns to deal. This film is about a farmer family that depicted from the perspective of what's causing for the people like them to disappear. There are a very few movies on this theme, in that, all the farmer's movies won't illustrate harvesting and hardworks rather focuses on romance, revenge and other subplots. I think this was true to what it was promised and you would feel glad watching this if you are capable to realise the facts.

    A 12 years old girl, Gelsomina, with her parents and three younger sisters lives in a rural Italy. They are the bee farmers, living with a strict order of the life, especially when it comes to the profession. And this story was told from the Gelsomina's viewpoint about everything she and her family goes through. After her father who got no son, she has to carry on the family's tradition to the next generation. She's absolutely on it as she's naturally gifted and stronger than anyone in the family, including her father who's no match for her. Moreover, she's already running the family with moral. But when they reach a crossroad, some unexpected decisions have to be made which is basically the remaining portion.

    "You would need a slave. Instead of 4 daughters."

    I can't say it is a must see, because it is still a movie and looks for an opportunity in between to amuse you. Either, it is not afraid to unfold the reality, that's the best of this film. It had an amazing cast, but I don't know anyone of them, of course, except Monica Bellucci in a cameo. Cinematography was great, they were not trying to seduce the viewers with the beautiful countryside scenic rather presenting as it is. Beside the film let you know about bee keeping and honey extraction. It is not an easy job, thinking bees do all the work and we just snatch it using protection costume. But surrounding environment and all matters. There's no CGI, some of the dangerous scenes were shot under the guidance of the real pros with a specialised documentary crew.

    It proves a coming-of-age story can also be told in this manner. Urbanising, hunters, tourism influx, name it... all these are affecting peace in the rural life. This film covers most of the factors in a simple fashion, It was not that easy for everyone to understand the end part as it contained two way meaning, literal and metaphor. One is a report card for the actuality and the other one is a cinematic conclusion. Overall, it tackles on the matured contents and children are the part of it, especially the last quarter all about them. And finally, everyone won't desire for a movie like this, but IMO certainly worth spending time for it.

    8/10

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Because the scenes with the bees were so delicate and required the presence of trained people when it came to handle them, all the scenes depicting the apiarist work were shot in one day with a special documentary crew.
    • Citazioni

      Adrian: And you, Gelsomina? Milan?

      Gelsomina: OK.

      Adrian: Yes? Really? Look out, this daughter's gonna run away.

    • Connessioni
      Featured in Women Make Film: A New Road Movie Through Cinema (2018)
    • Colonne sonore
      T'appartengo
      Written by Assolo, Franco Migliacci, Stefano Acqua and Ernesto Migliazza

      Performed by Ambra Angiolini

      Courtesy of Sony Music Entertainment Italy S.p.A

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    Domande frequenti17

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    Dettagli

    Modifica
    • Data di uscita
      • 22 maggio 2014 (Italia)
    • Paesi di origine
      • Italia
      • Svizzera
      • Germania
    • Siti ufficiali
      • Archivio del Cinema Italiano (ANICA)
      • Filmitalia page
    • Lingue
      • Italiano
      • Francese
      • Tedesco
      • Inglese
    • Celebre anche come
      • Quando nascesti te
    • Luoghi delle riprese
      • Sovana, Sorano, Grosseto, Tuscany, Italia(Etruscan necropolis)
    • Aziende produttrici
      • Tempesta
      • Amka Films Productions
      • Rai Cinema
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 2.500.000 € (previsto)
    • Lordo Stati Uniti e Canada
      • 73.378 USD
    • Lordo in tutto il mondo
      • 2.836.034 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 50 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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