Marching Powder
- 2025
- 1h 36min
VALUTAZIONE IMDb
5,4/10
2636
LA TUA VALUTAZIONE
Jack, di mezza età, arrestato per droga, si sforza in 6 settimane di riparare il matrimonio, di tenere a freno i suoceri prepotenti e di guidare il fratellastro Kenny Boy, ma i suoi sforzi f... Leggi tuttoJack, di mezza età, arrestato per droga, si sforza in 6 settimane di riparare il matrimonio, di tenere a freno i suoceri prepotenti e di guidare il fratellastro Kenny Boy, ma i suoi sforzi falliscono mentre la vita va fuori controllo.Jack, di mezza età, arrestato per droga, si sforza in 6 settimane di riparare il matrimonio, di tenere a freno i suoceri prepotenti e di guidare il fratellastro Kenny Boy, ma i suoi sforzi falliscono mentre la vita va fuori controllo.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Phillip Ray Tommy
- Ziggy
- (as Philip Ray Tommy)
Riepilogo
Reviewers say 'Marching Powder' is a bold British dark comedy exploring redemption and toxic masculinity. Danny Dyer's performance is praised for charisma and timing. The film's coarse humor and portrayal of hooliganism and drug use receive mixed reactions. Relationship dynamics are central, though some find the plot lacking depth. Profanity and violence are points of contention, dividing opinions on its execution and message.
Recensioni in evidenza
Marching Powder: A laugh a minute serious comedy, the serious elements are rather dark. Jack (Danny Dyer) is 45, a cokehead, heavy drinker, still into getting into fights with rival football firms. His mates really lead him astray, so he claims. He is arrested, up before the beak who gives him 6 weeks to clean his act up or it's prison time. Jack still loves his wife Dani and his son but it's hard to stay straight. Especially when his father in law wants him to look after his crazed brother in law who has a habit of attacking and robbing drug dealers. Dani also wants more from life and goes back to Art College. An extremely violent, foulmouthed film, a romcom, a dark comedy, just a comedy anyway at times. The backstory really demands for Jack and Dani to be 35 for it to make sense but even the great Danny Dyer can't pass for 35 without CGI. Still, it's worth watching. Written and Directed by Nick Love. 6.5/10.
Marching Powder is a lot of fun as it nobly tries to be a romantic comedy with a darker edge due to its subject matter. There's no mistaking what you're going to get here and the opening sequence (both animated and live action) ensures you know exactly what the next 90 minutes are going to be like. It covers quite a bit within that shorter run time and always remains engaging even if it's undoubtedly frustrating to watch the cycle repeating itself so many times.
Danny Dyer's character doesn't make a strong case for any potential redemption or forgiveness so his natural charms are working overtime to keep him likeable which is the sole reason he remains a watchable presence. Every time he breaks the fourth wall it works and his self deprecating nature is also a big help. Stephanie Leonidas is the sole heart of the film as she gives Dyer too many second chances without being naive about the chances of success.
Nick Love's direction manages to maintain the playful nature throughout, starting strong with an animated fairytale opening and then finding various ways to include equally fantastical flourishes. It's a hard tone to balance, moving back and forth between brutal gang violence and more lighthearted relationship shenanigans but it does a pretty good job of handling the tonal shifts. Simon Stolland's cinematography definitely helps by employing chaotic camerawork for the fights.
Danny Dyer's character doesn't make a strong case for any potential redemption or forgiveness so his natural charms are working overtime to keep him likeable which is the sole reason he remains a watchable presence. Every time he breaks the fourth wall it works and his self deprecating nature is also a big help. Stephanie Leonidas is the sole heart of the film as she gives Dyer too many second chances without being naive about the chances of success.
Nick Love's direction manages to maintain the playful nature throughout, starting strong with an animated fairytale opening and then finding various ways to include equally fantastical flourishes. It's a hard tone to balance, moving back and forth between brutal gang violence and more lighthearted relationship shenanigans but it does a pretty good job of handling the tonal shifts. Simon Stolland's cinematography definitely helps by employing chaotic camerawork for the fights.
Powered by copious amounts of lager and cocaine, Marching Powder will do little to quell the stereotyping of middle-aged football hooligans but does admittedly provide the occasional laugh amidst the gratuitous violence and drunken punch-ups. In some regards, it feels like it's harkening back to the early days of Guy Ritchie, however, not even Danny Dyer's boyish charm and undeniable screen presence - when he does manage to recapture the raw intensity that made him a star in the first place - can redeem Director Nick Love's script. Maybe one day I'll actually bring myself to watch his remake of The Sweeney if only for the car chase the Top Gear lads directed. For all the foul-mouthed aggro, the predominant tone is one of mollycoddled smugness, aiming to shock by reviving taboo language and jokes about sitting on Gary Glitter's lap, it's more toothless than dangerous but I can't deny I still had a degree of fun watching Marching Powder. It's awful, don't get me wrong, but in that oh-so-special way that makes it endearingly crap than outright crap but maybe Danny Dyer should stick to popping up on Celebrity Gogglebox now and then.
Marching Powder starts off strong with a captivating animated opening that effectively sets up its backstory with vibrant visuals and a hint of humor, providing a foundation for the rest of the film.
However, the tone shifts abruptly with a rapid-cut, handheld fight scene that becomes uncomfortable to watch, especially on the big screen. The frantic pacing and shaky camera work is disorientating, pulling you out of the otherwise immersive experience.
Despite what the trailer might suggest, there's much more to this film than meets the eye, and a large part of its emotional depth comes from the character of Dani, the wife. Her story and emotional journey add a layer of nuance to the narrative, making the film more than just a spectacle. Her strength and resilience give the movie a heart that might otherwise be lost amidst the chaotic scenes.
In summary, Marching Powder is an unexpected gem with a unique opening, jarring but necessary fight sequences, and a powerful emotional core thanks to Dani's character. Don't let the trailer fool you-there's a compelling story here beneath the surface.
However, the tone shifts abruptly with a rapid-cut, handheld fight scene that becomes uncomfortable to watch, especially on the big screen. The frantic pacing and shaky camera work is disorientating, pulling you out of the otherwise immersive experience.
Despite what the trailer might suggest, there's much more to this film than meets the eye, and a large part of its emotional depth comes from the character of Dani, the wife. Her story and emotional journey add a layer of nuance to the narrative, making the film more than just a spectacle. Her strength and resilience give the movie a heart that might otherwise be lost amidst the chaotic scenes.
In summary, Marching Powder is an unexpected gem with a unique opening, jarring but necessary fight sequences, and a powerful emotional core thanks to Dani's character. Don't let the trailer fool you-there's a compelling story here beneath the surface.
'Marching Powder' is exactly what one would expect from a Danny Dyer (and Nick Love) movie. I'm a little split on how I feel about it though. Most of the comedy is quite lazy and forced, though a couple of jokes did get a chuckle out of me; e.g. Dagenham.
The fourth wall breaking is questionable, it kinda works for a few moments but is mostly ill-fitting and cringey. On the other hand, there is surprisingly one touching scene; it involves Kenny Boy on the blower, I genuinely felt it in the feels - very unexpected for a movie of this sort.
As for the cast, Dyer is mostly good in the lead role; far from perfect, but he gives largely what you'd anticipate. Stephanie Leonidas does well, while Calum MacNab is initially iffy as the aforementioned Kenny but ends up being one of the better aspects of this 2025 release.
All things considered, I think I do have to file this one under 'average' - rather than 'good'. It's somewhat of a close call granted, but I do believe that the cons outweigh the pros. The deciding factor is the plot, which basically finishes as it starts; barely any progress is made.
The fourth wall breaking is questionable, it kinda works for a few moments but is mostly ill-fitting and cringey. On the other hand, there is surprisingly one touching scene; it involves Kenny Boy on the blower, I genuinely felt it in the feels - very unexpected for a movie of this sort.
As for the cast, Dyer is mostly good in the lead role; far from perfect, but he gives largely what you'd anticipate. Stephanie Leonidas does well, while Calum MacNab is initially iffy as the aforementioned Kenny but ends up being one of the better aspects of this 2025 release.
All things considered, I think I do have to file this one under 'average' - rather than 'good'. It's somewhat of a close call granted, but I do believe that the cons outweigh the pros. The deciding factor is the plot, which basically finishes as it starts; barely any progress is made.
Lo sapevi?
- QuizHis son in the movie is his own son Artie.
- BlooperThe same blue 2002 Jeep Liberty is shown in 3 separates scenes; Initial football riot, when Kenny-boy attacks drug dealers, when Jack leaves the court near to the end of the film. Not sure if continuity is the right category, but it's hard to imagine that the same jeep would be in Tranmere once and twice in South London area.
- Versioni alternativeThe UK release was cut, the distributor was required to make a compulsory change to one scene to remove a potentially indecent image involving a child. The original version of the scene showed a child in the same shot as some explicit material playing on a laptop behind him. The distributor addressed this issue by substituting the images on the laptop screen with non explicit images, in order to obtain an 18 classification. Cut made in accordance with the Protection of Children Act 1978. No footage was removed as the cuts were made by digital substitution. An uncut classification was not available.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
Botteghino
- Lordo in tutto il mondo
- 4.056.048 USD
- Tempo di esecuzione
- 1h 36min(96 min)
- Colore
- Proporzioni
- 2.39:1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti