Rurouni Kenshin: The Legend Ends
Titolo originale: Rurôni Kenshin: Densetsu no saigo-hen
VALUTAZIONE IMDb
7,5/10
15.552
LA TUA VALUTAZIONE
Shishio è salpato sulla sua nave corazzata per abbattere il governo Meiji e riportare il Giappone nel caos, portando con sé Kaoru.Shishio è salpato sulla sua nave corazzata per abbattere il governo Meiji e riportare il Giappone nel caos, portando con sé Kaoru.Shishio è salpato sulla sua nave corazzata per abbattere il governo Meiji e riportare il Giappone nel caos, portando con sé Kaoru.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Takeru Satoh
- Kenshin Himura
- (as Satô Takeru)
Recensioni in evidenza
After sleeping three days and dreaming with his master Seijuro Hiko (Masaharu Fukuyama), Kenshin Himura (Takeru Satô) wake up and finds that he was saved by Hiko. Kenshin asks to learn the Hiten Mitsurugi technique, "Amakakeru Ryu no Hirameki", to defeat Shishio, and Hiko agrees and trains him. Meanwhile Makoto Shishio (Tatsuya Fujiwara) meets the Prime-Minister Hirobumi Ito (Yukiyoshi Ozawa) that is forced to betray Kenshin declaring that he is a wanted outlaw; otherwise Shishio will destroy Tokyo and the government. What will Kenshin do?
"Rurôni Kenshin: Densetsu no saigo-hen", a.k.a. "Rurouni Kenshin: The Legend Ends" is one of the best trilogies of cinema industry ever. The duel between Kenshin and Shishio is too long but in the end, the good wins the evil. The ending is very sweet and fortunately Kaoru Kamiya has survived. Fortunately the producers have not made another sequel despite the number of fans. It is better off missing Kenshin than seeing a commercial weak sequence only for the box office. My vote is nine.
Title (Brazil): "Samurai X 3: O Fim de Uma Lenda" ("Samurai X 3: The End of a Legend")
"Rurôni Kenshin: Densetsu no saigo-hen", a.k.a. "Rurouni Kenshin: The Legend Ends" is one of the best trilogies of cinema industry ever. The duel between Kenshin and Shishio is too long but in the end, the good wins the evil. The ending is very sweet and fortunately Kaoru Kamiya has survived. Fortunately the producers have not made another sequel despite the number of fans. It is better off missing Kenshin than seeing a commercial weak sequence only for the box office. My vote is nine.
Title (Brazil): "Samurai X 3: O Fim de Uma Lenda" ("Samurai X 3: The End of a Legend")
As an advent fan of the Kenshin animated series, I found this film and other the films a great live action adaptation. Everyone played their role spectacularly. I rarely write reviews but I felt that it was worth mentioning and I hope their sales do extremely well.
One of the best things I enjoyed about the movie(s) was obviously the action sequences costume designs and how the settings mimic'ed Tokyo & Kyoto was portrayed in the series. It felt like I was in that time line. Some hardcore fans would be disappointed that it was not EXACTLY like the series as far as the plot but how much can you condensed from a series into a 3-part movie. I thought it was well done.
The biggest difference between the anime series and the movie is that, in the series they focus on how techniques work and analyze fighters style in great detail & length. There is none of that in the movie which was not a big deal whatsoever.
I would LOVE to see if they could make a movie of the OVA series with Kenshin being the Manslayer (Hitokiri Battousai) and tell the story of the cross scar on his face.
Any one else agrees?
One of the best things I enjoyed about the movie(s) was obviously the action sequences costume designs and how the settings mimic'ed Tokyo & Kyoto was portrayed in the series. It felt like I was in that time line. Some hardcore fans would be disappointed that it was not EXACTLY like the series as far as the plot but how much can you condensed from a series into a 3-part movie. I thought it was well done.
The biggest difference between the anime series and the movie is that, in the series they focus on how techniques work and analyze fighters style in great detail & length. There is none of that in the movie which was not a big deal whatsoever.
I would LOVE to see if they could make a movie of the OVA series with Kenshin being the Manslayer (Hitokiri Battousai) and tell the story of the cross scar on his face.
Any one else agrees?
10Holt344
Keishi Otomo returns with the conclusion to the Kyoto arc, the writing and directing, and honestly everything with the production design holds up in Rurouni Kenshin: The Legend Ends. The reason being that it was shot back to back with Kyoto Inferno which was the first part of this duology. I decided to watch this film a day after Kyoto Inferno because of how the story takes place immediately after as Kenshin recovers following losing Kaoru at sea, and that was the right choice to do. I don't have anything bad to say about the writing, it keeps the same level as Kyoto Inferno and the characterization as well. But one thing that I felt they fixed even more so than the previous movie was how they shot the dialogue and more drama sequences, the first film (Origins) had the tendency to not be engaging in the drama sequences but it feels like the director and actors got better with the experience, as with the previous film I found it engaging and The Legend Ends keeps up with engaging character interactions and dialogue. The scenes with Kenshin Himura and Hiko Seijuro were great, containing some of the best acting of the film. Tatsuya Fujiwara's performance as Makoto Shishio is another highlight in terms of acting. I'm glad Ryunosuke Kamiki who plays Seta Sojiro got more time to shine, especially in the fight sequences, the rematch was astonishing and epic like a lot of the fights are. There's one more character I want to write about and it's Saiko whom is important to the Kyoto duology but doesn't really have a big character arc, but I have loved him since his first appearance. The way he fight and the skills he posess, he is just so entertaining to watch and the actor does a phenomenal job.
Though the first act isn't as action packed like Kyoto Inferno first act was, I found it extremely well written and truly a strong point of the long length, it did everything it needed to do to build up for the climax and ending fight with Kenshin and Shishio. It tells us more about our main character and hero, and the darker characterization is truly perfect here. The second act is where The Legends Ends truly begin to shine, story and individual character arcs that Kyoto Inferno started come full circle, and it's where Aoshi Shinomori makes his anticipating return. Something that have been in the ten years making and something he told us in dialogue multiple of times, his need to kill Kenshin. I would actually say the fight sequence between them was way better than the one Aoshi had with Okina "Elder", it was fast and engaging but also epic in terms of quality and how the music played into it. The second act is stronger but the act that truly brings this samurai film to a 10 is the third and final act. Everything about it is breathtaking and incredible, a satisfying and action packed climax.
The fighting choreography and action sequences are like the previous film, truly superb and also beautifully shot. The sets that are used in this film are great, especially where Kenshin trains with his old master. Many sets and locations in these two films are beautiful, this second installment of the duology having the most stunning ones. The musical score during action sequences and in other scenes, are like Kyoto Inferno, quite brilliant. The music is powerful and memorable, edited well into the scenes so it flows really well.
Now this is far from the best film I have ever seen, but these two films together are some of the most entertaining films I've seen. Not a single minute went by that I found myself bored, Keishi Otomo created a film worth coming back to. If not just for the brilliant and epic action sequences, Kyato Inferno and The Legend Ends will become classics in the samurai/action genre. Without a doubt.
Though the first act isn't as action packed like Kyoto Inferno first act was, I found it extremely well written and truly a strong point of the long length, it did everything it needed to do to build up for the climax and ending fight with Kenshin and Shishio. It tells us more about our main character and hero, and the darker characterization is truly perfect here. The second act is where The Legends Ends truly begin to shine, story and individual character arcs that Kyoto Inferno started come full circle, and it's where Aoshi Shinomori makes his anticipating return. Something that have been in the ten years making and something he told us in dialogue multiple of times, his need to kill Kenshin. I would actually say the fight sequence between them was way better than the one Aoshi had with Okina "Elder", it was fast and engaging but also epic in terms of quality and how the music played into it. The second act is stronger but the act that truly brings this samurai film to a 10 is the third and final act. Everything about it is breathtaking and incredible, a satisfying and action packed climax.
The fighting choreography and action sequences are like the previous film, truly superb and also beautifully shot. The sets that are used in this film are great, especially where Kenshin trains with his old master. Many sets and locations in these two films are beautiful, this second installment of the duology having the most stunning ones. The musical score during action sequences and in other scenes, are like Kyoto Inferno, quite brilliant. The music is powerful and memorable, edited well into the scenes so it flows really well.
Now this is far from the best film I have ever seen, but these two films together are some of the most entertaining films I've seen. Not a single minute went by that I found myself bored, Keishi Otomo created a film worth coming back to. If not just for the brilliant and epic action sequences, Kyato Inferno and The Legend Ends will become classics in the samurai/action genre. Without a doubt.
.... is that you need an even bigger movie to kill them.
A story so big it steals from the characterization and the development of the themes that made the Kenshin tale so interesting in the first place.
I have already questioned why anyone in their right mind would want to spend the better part of 6 hours building up to the "final fight" behind Kenshin and the super-baddie (who is so overdrawn he could just as easily have appeared in a Bond film) ....?
And I see in the IMDb, at least so far, one or two fans have been brave enough to make the very same points I am making.
To be honest, I enjoyed the children's TV series more than this opus. Whether that makes me a poor critic or a child at heart is another matter entirely.
I repeat my view that the point of film is to entertain. If a film fails to entertain, it fails, period.
In this film, the only one who seems to be having fun is Masaharu Fukuyama, playing Kenshin's original Master, conveniently appearing to assist a very tricky plot arc.
The first time he finds Kenshin on the beach, almost dead, he remarks how astonished he was to see his "stupid student" again after almost 15 years.
But he says it with a smile, and we know he is happy to see Kenshin.
At that single juncture, I thought, for one brief shining moment, that this saga was finally going to be fun.
And it was. For the 15 minutes or so that Masaharu Fukuyama appears on camera, we get a peek at what this film might have been.
But just a peek.
A story so big it steals from the characterization and the development of the themes that made the Kenshin tale so interesting in the first place.
I have already questioned why anyone in their right mind would want to spend the better part of 6 hours building up to the "final fight" behind Kenshin and the super-baddie (who is so overdrawn he could just as easily have appeared in a Bond film) ....?
And I see in the IMDb, at least so far, one or two fans have been brave enough to make the very same points I am making.
To be honest, I enjoyed the children's TV series more than this opus. Whether that makes me a poor critic or a child at heart is another matter entirely.
I repeat my view that the point of film is to entertain. If a film fails to entertain, it fails, period.
In this film, the only one who seems to be having fun is Masaharu Fukuyama, playing Kenshin's original Master, conveniently appearing to assist a very tricky plot arc.
The first time he finds Kenshin on the beach, almost dead, he remarks how astonished he was to see his "stupid student" again after almost 15 years.
But he says it with a smile, and we know he is happy to see Kenshin.
At that single juncture, I thought, for one brief shining moment, that this saga was finally going to be fun.
And it was. For the 15 minutes or so that Masaharu Fukuyama appears on camera, we get a peek at what this film might have been.
But just a peek.
Fans of the manga may have issues with the story, but since I don't know the source material, it didn't bother me.
The key moments are well done, but in between those key moments things tend to drag on. I understand these are manga characters, so they tend to be on the unrealistic side. But something just feels off in the delivery of the dialogs, they seemed... disconnected. But once I got to those key moments I was thoroughly entertained.
The fights are fantasy style katana combat, but very creative and well choreographed. As a fan of martial arts movies, I enjoyed them very much. The "final boss fight" was fantastic and worthy of the climax of the trilogy. Bravo.
If you like action, especially martial arts action, I say this trilogy is worth a watch, but just keep in mind this came from comic books. As with most action movies, if you look too deep everything falls apart, so just sit back and enjoy.
The key moments are well done, but in between those key moments things tend to drag on. I understand these are manga characters, so they tend to be on the unrealistic side. But something just feels off in the delivery of the dialogs, they seemed... disconnected. But once I got to those key moments I was thoroughly entertained.
The fights are fantasy style katana combat, but very creative and well choreographed. As a fan of martial arts movies, I enjoyed them very much. The "final boss fight" was fantastic and worthy of the climax of the trilogy. Bravo.
If you like action, especially martial arts action, I say this trilogy is worth a watch, but just keep in mind this came from comic books. As with most action movies, if you look too deep everything falls apart, so just sit back and enjoy.
Lo sapevi?
- QuizOtomo said the final fight scene was the most difficult scene to shoot, mainly due to how Satoh and Fujiwara did not use stunts. Nevertheless, the director found it as an "epic" scene.
- Citazioni
Seijuro Hiko: Cherry blossoms in Spring. Stars cover the sky in Summer. Full moon shines in Autumn and in Winter, the snow covers the ground... All these things make sake taste good. If it tastes bad, it's because there is something wrong with you
- ConnessioniFollowed by Rurouni Kenshin: The Beginning (2021)
- Colonne sonoreHeartache
Written by Takahiro Moriuchi (as Taka) and Arnold Lanni (as A. Lanni)
Performed by One Ok Rock
Courtesy of A-Sketch
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- Lãng khách Kenshin: Kết thúc một huyền thoại
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- 41.900.000 USD
- Tempo di esecuzione2 ore 14 minuti
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- 2.35 : 1
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