Quando il loro malvagio nemico riemerge dopo 16 anni, un gruppo di ex rivoluzionari si riunisce per salvare la figlia di una delle loro.Quando il loro malvagio nemico riemerge dopo 16 anni, un gruppo di ex rivoluzionari si riunisce per salvare la figlia di una delle loro.Quando il loro malvagio nemico riemerge dopo 16 anni, un gruppo di ex rivoluzionari si riunisce per salvare la figlia di una delle loro.
- Regia
- Sceneggiatura
- Star
- Premi
- 141 vittorie e 317 candidature totali
Dijon Duenas
- Talleyrand
- (as Dijon)
Brooklyn Demme
- Sober Rick
- (as Brooklyn Trueheart Demme)
Riepilogo
Reviewers say 'One Battle After Another' is a groundbreaking cinematic experience with ambitious style, strong performances, and complex themes of resistance and rebellion. Many praise the film's political commentary, dark humor, and thrilling action sequences. Paul Thomas Anderson's direction receives high praise, as well as the film's cinematography, soundtrack, and innovative use of VistaVision. However, some criticize its disjointed pacing, underdeveloped characters, and tonal inconsistencies. Overall, it's celebrated as a bold, thought-provoking, cinematic experience.
Recensioni in evidenza
I saw 'One Battle After Another' last night, and I'm still not sure I get the hype. On paper, the film has everything: social commentary, action, radical politics, immigration, parenthood, even extremism. It tries to juggle so many weighty ideas at once - and I do applaud that - it's ambitious, topical, clearly trying to stir the pot. But ambition alone doesn't make for satisfying cinema, and this one ends up messy.
At nearly three hours long, it's a slog when you still don't really know the people you're meant to care about. Not a single character feels grounded - Benicio del Toro aside (and even then, his screen time is frustratingly short). The rest make decisions that have zero logic in the absence of backstory, leaving them feeling exaggerated and hollow. So many talented actors, yet I wasn't rooting for anyone. The "big message" moments - racism, political division, systemic power, identity - land far too on the nose, skimming the surface without ever cutting deep.
If I'm being fair, one thing I did love was the soundtrack - tense, pulsing, and full of nervous energy, it injects more urgency than the script ever does. But pace and tone overall are uneven. PTA's usual offbeat humour is basically MIA, and without it, long stretches drag and feel oddly dull. The film indulges its own grandeur, with sprawling chases and spectacle, but without clarity or cohesion. Honestly? It's his weakest film yet. It wants to be grand, relevant, provocative - and in parts it succeeds - but just doesn't hold it together. In the end, there's no clear overall message, just a lot of battles, one after another, that feel thrown at you without being stitched into something coherent.
At nearly three hours long, it's a slog when you still don't really know the people you're meant to care about. Not a single character feels grounded - Benicio del Toro aside (and even then, his screen time is frustratingly short). The rest make decisions that have zero logic in the absence of backstory, leaving them feeling exaggerated and hollow. So many talented actors, yet I wasn't rooting for anyone. The "big message" moments - racism, political division, systemic power, identity - land far too on the nose, skimming the surface without ever cutting deep.
If I'm being fair, one thing I did love was the soundtrack - tense, pulsing, and full of nervous energy, it injects more urgency than the script ever does. But pace and tone overall are uneven. PTA's usual offbeat humour is basically MIA, and without it, long stretches drag and feel oddly dull. The film indulges its own grandeur, with sprawling chases and spectacle, but without clarity or cohesion. Honestly? It's his weakest film yet. It wants to be grand, relevant, provocative - and in parts it succeeds - but just doesn't hold it together. In the end, there's no clear overall message, just a lot of battles, one after another, that feel thrown at you without being stitched into something coherent.
Paul Thomas Anderson's One Battle After Another is a film that wants to be epic but ends up didactic. There's no denying its technical accomplishments: the cinematography is vivid, almost painterly at times, and Leonardo DiCaprio and Sean Penn deliver performances that are magnetic, commanding your attention even when the story falters.
And falter it does. The film's ambition - to comment on political extremism - is undercut by its simplistic moral universe. One side of the conflict is portrayed as entirely evil, with no redeeming qualities or relatability. Every action they take is chaotic, violent, or manipulative, leaving the audience with no one to sympathize with on that side. This lack of nuance turns the movie from a story into a political lecture, making it feel less like cinema and more like ideological instruction.
In a moment when America feels more divided than ever, the timing of such a film is jarring. Its portrayal of chaos and extremism is so stark that it risks being taken too seriously by audiences at either extreme, rather than prompting reflection. More troublingly, it underscores how out of touch Hollywood can be with most Americans, presenting a world of ideological extremes that few viewers would recognize in real life.
Still, the film isn't without merit. Anderson's eye for detail, his visual inventiveness, and the sheer force of DiCaprio and Penn's performances make it watchable even when it preaches. But for a director capable of deep, character-driven storytelling, this attempt at political commentary feels like a missed opportunity.
And falter it does. The film's ambition - to comment on political extremism - is undercut by its simplistic moral universe. One side of the conflict is portrayed as entirely evil, with no redeeming qualities or relatability. Every action they take is chaotic, violent, or manipulative, leaving the audience with no one to sympathize with on that side. This lack of nuance turns the movie from a story into a political lecture, making it feel less like cinema and more like ideological instruction.
In a moment when America feels more divided than ever, the timing of such a film is jarring. Its portrayal of chaos and extremism is so stark that it risks being taken too seriously by audiences at either extreme, rather than prompting reflection. More troublingly, it underscores how out of touch Hollywood can be with most Americans, presenting a world of ideological extremes that few viewers would recognize in real life.
Still, the film isn't without merit. Anderson's eye for detail, his visual inventiveness, and the sheer force of DiCaprio and Penn's performances make it watchable even when it preaches. But for a director capable of deep, character-driven storytelling, this attempt at political commentary feels like a missed opportunity.
Paul Thomas Anderson's 10th feature film may as well be his most amusing & entertaining one to date. An incendiary adventure that comes brimming with a charged atmosphere, laced with rebellious spirit, packed with relevant themes and bolstered by a potent ensemble, One Battle After Another incorporates much of what's happening in present-day America to tell its tale of defiance & resistance.
Also written by Anderson (Phantom Thread & Licorice Pizza), the story concerns a group of ex-revolutionaries who reunite to rescue the daughter of one of their own when their past nemesis resurfaces. Volatile from the get-go, the film gathers momentum right away while exhibiting an undercurrent of tension & urgency that the picture not only sustains with effortless ease but also sprinkles with hilarious bits along the way.
The technical aspects are sound throughout, be it the steady camerawork, smooth pace, neat editing, interesting score & some expertly choreographed action set pieces. It is also an acting powerhouse, with the entire cast contributing with excellent inputs. Leonardo DiCaprio renders his role with stoned perfection and he's brilliantly supported by Sean Penn's intense showcase, Benicio del Toro's zen act & Chase Infinity's fiery performance.
Overall, One Battle After Another is crafted with controlled aggression, unfolds with a sense of chaos & emergency and delivers a thoroughly fun ride despite its politically & thematically rich layerings. Presenting the esteemed auteur in complete control of his craft and also impressive enough to rank amongst the best all-round films of the year, Anderson's latest feature further affirms his status as one of the preeminent filmmakers of his generation.
Also written by Anderson (Phantom Thread & Licorice Pizza), the story concerns a group of ex-revolutionaries who reunite to rescue the daughter of one of their own when their past nemesis resurfaces. Volatile from the get-go, the film gathers momentum right away while exhibiting an undercurrent of tension & urgency that the picture not only sustains with effortless ease but also sprinkles with hilarious bits along the way.
The technical aspects are sound throughout, be it the steady camerawork, smooth pace, neat editing, interesting score & some expertly choreographed action set pieces. It is also an acting powerhouse, with the entire cast contributing with excellent inputs. Leonardo DiCaprio renders his role with stoned perfection and he's brilliantly supported by Sean Penn's intense showcase, Benicio del Toro's zen act & Chase Infinity's fiery performance.
Overall, One Battle After Another is crafted with controlled aggression, unfolds with a sense of chaos & emergency and delivers a thoroughly fun ride despite its politically & thematically rich layerings. Presenting the esteemed auteur in complete control of his craft and also impressive enough to rank amongst the best all-round films of the year, Anderson's latest feature further affirms his status as one of the preeminent filmmakers of his generation.
Went to see the movie because of the cast, but the promise, the delivery, and the highly confusing message was disappointing. No coherence anything at all, ended up walking out before the end.
-The movie seems to glorify revolution but "not really" and for no apparent reasons.
Would not recommend.
-The movie seems to glorify revolution but "not really" and for no apparent reasons.
Would not recommend.
Would recommend:) entertaining, might be one of the best movies I've seen in this year.
Very good movie.
Good acting.
Amazing actors.
Funny.
Leo just don't disappoint.
So go watch this movie and you will not be disappointed I've haven't seen a good crime movie in a long time.
I have nothing more to say just go watch it.
Very good movie.
Good acting.
Amazing actors.
Funny.
Leo just don't disappoint.
So go watch this movie and you will not be disappointed I've haven't seen a good crime movie in a long time.
I have nothing more to say just go watch it.
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Lo sapevi?
- QuizLockjaw's second-in-command and chief interrogator, Danvers, is played by a non-professional actor: James 'Jim' Raterman, a security consultant and former HSI Special Agent.
- BlooperBob keeps a 1G phone for security purposes. 1G networks were all phased out in the US in the early 2000s. The phones would not work in any era that also had iPhones.
- Citazioni
Col. Steven J. Lockjaw: I believe she was a sperm thief.
Sandy Irvine: A semen demon.
- Curiosità sui creditiAt the end of the credits there is a dedication to producer and assistant director Adam Somner with a photo and sound from a set.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Una batalla tras otra
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 130.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 71.468.736 USD
- Fine settimana di apertura Stati Uniti e Canada
- 22.000.387 USD
- 28 set 2025
- Lordo in tutto il mondo
- 205.168.736 USD
- Tempo di esecuzione
- 2h 41min(161 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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