The Prosecutor

The Prosecutor, directed by the talented Donnie Yen, is an intense Hong Kong action thriller based on a true story from 2016. It follows Ma Ka-kit (Mason Fung), a young guy who gets wrongfully accused of drug smuggling after he rents out his address for some extra cash.

The cast is fantastic, with Donnie Yen taking the lead as Fok Chi-ho, a former narcotics detective who becomes a public prosecutor. Fok's relentless pursuit of justice for Ma is both motivating and gripping as he navigates the tricky waters of the Department of Justice, guided by his mentor Bao Ding (Kent Cheng) and chief prosecutor Yeung Dit-lap (Francis Ng).

Edmond Wong's brilliant screenplay, paired with Donnie Yen's direction and production, creates a suspenseful vibe that keeps you on the edge of your seat. The film dives into the corruption within the legal system and the struggle for justice, making it both thought-provoking and emotionally impactful.

The supporting cast, featuring Shirley Chan as defense attorney Li Sze-man and Julian Cheung as legal executive Au Pak-man, brings depth to the narrative, ensuring every character feels essential to the story.

The Prosecutor is a must-see for anyone who loves action thrillers and legal dramas. With its engaging plot, outstanding performances, and expert direction, this film showcases the strength of perseverance and the vital need to fight for justice against all odds.

Donnie Yen is truly one of the greatest box office draws in the world. His contributions to martial arts and action films is immeasurable. His star status transcends continents, language, and generations. In his latest film release his skills as both a dramatic actor and martial arts action hero are on full display. This film is based upon unbelievable real events.

The Prosecutor is unique in that it could have easily been done as a courtroom drama or a martial arts action film. However, the filmmakers, Yen included, decided to combine the two to make a courtroom drama that is also a martial arts action film. This highly risky gamble really paid dividends in the final result; this film is fantastic.

Yen plays the lead character; a police officer turned Prosecutor whose overarching tenant is Justice, not a mere conviction for political sake. He goes against the establishment in his pursuit of justice for a young man wrongfully convicted to a twenty (27) year sentence for drug trafficking.

The story not only puts him at odds with his own Department, whose characters are adeptly played by the Kent Cheng and Francis Ng, but also with the real drug traffickers he is looking to uncover.

Yen is also the Director on this one and he does a very good job balancing the drama inside the courtroom with the high flying, gritty, martial arts action that takes place in the police chase scenes, and the other fight scenes that The Prosecutor has no shortage of. The courtroom scenes are as good as any courtroom drama films or television productions you will see. Julian Cheung's performance in this film is also notable.

The martial arts fight choreography in this film are first rate. Yen has made a career of consistently innovating and reaching new heights of action choreography in his films. The unique and visually stunning fight scenes in this film make for a highly watchable martial arts action film. Yen never rests on the body of work that has catapulted him to stardom. The fight sequences in The Prosecutor are memorable. The climactic scene on the train is an homage to Sean Connery's From Russia With Love, and it is spectacular.

This international martial action drama is distributed by Well Go USA and is in Cantonese with English subtitles.

The film uniquely respects the two very different genres it lives in and the viewer is winner in this successful merger. We highly recommend The Prosecutor as a great way to start the New Year.

This movie is a decent option for those looking for light entertainment, especially if you're bored and just want to kill some time while hanging out at the mall. It's the kind of film that requires very little effort or emotional investment, making it a casual watch rather than something truly memorable. However, it's hard to recommend it to anyone who has to go out of their way to see it, as the plot and execution feel overly conventional and lack originality.

The story plays it safe by sticking to the predictable formula of good triumphing over evil, which has been done countless times before. While Donnie Yen's fight scenes are undoubtedly a highlight, they can't fully compensate for the lack of depth in his performance. His acting feels stagnant, as though he hasn't challenged himself to grow or explore new dimensions in his craft. Once you strip away the action sequences, you're left with a film that feels hollow and uninspired, catering more to mainstream expectations than delivering something fresh or impactful.

In short, this is a film that serves its purpose as a casual time-filler but doesn't offer much more than that. If you're a die-hard Donnie Yen fan or just love action choreography, you might still find some enjoyment. Otherwise, it's a passable experience but not one worth going out of your way to watch.

When I saw the trailer to the movie, I was hyped because Donnie Yen's character looked desperate and the title suggests he needs more than his expert martial arts skills to succeed. This is what makes the movie work. In all of Donnie Yen's movie, you know he can use his fists and kicks to solve problems, so to raise the stakes,not only should there be a formidable nemesis but something that even Yen's superb fighting skills will not suffice. In The Prosecutor, Donnie Yen plays a former cop on his first case as Prosecutor and decides to investigate a possible framing of an innocent teen. Of course, he has to fight multiple henchmen and there are great fight scenes but, he still needs to find evidence and keep people alive. So that the challenge is in ensuring people live because Donnie's character can always overcome his enemies but not everyone is him. For me, balancing the action with the story worked to raise the stakes. While there are prolonged dialogues with very in your face lecturing about the duty of a Prosecutor, you can feel Yen's character's desperation because he can't do it alone. Furthermore, Yen is also emphasizing his age. His character admits he can't run after thieves anymore, and we see him taking beatings, but all the fight scenes are still intense and brutal. Yen can still move fast and deal powerful blows. However , playing and aging character, his fights are more tactical and employs use of the surroundings a lot. Yen, being the director, also allows his co star to shine in a few fight scenes. This shows that he is generous as an action star too. I would love to see more movies like this from him, where he is not only physically challenged but intellectually or emotionally challenged. Moreover, Yen consistently tries new techniques in his movies. There is the use of POV camera, to wide-screen shot over a rooftop, to the cramped space of a subway train. It's like he is using his experience in John Wick to use in the movie.

The Prosecutor is a legal crime action thriller directed by and starring Donnie Yen, reteaming with Ip Man producer Raymond Wong, and features a star-studded ensemble cast.

While it is not on par with the iconic status of the Ip Man film series, it is a modern Ip Man in spirit: Donnie Yen beating justice into a lawless world. Different robes, same job!

In its promotional trailer, it was baffling to see Donnie Yen, presumably the prosecutor in the title, holding a revolver running through a subway car like a police officer.

How would the story explain his fighting abilities and gun training? It's embarrassing to admit, but this ridiculous little hairball intrigued me for a month leading up to the film's release.

After a violent drug bust gone wrong, police officer Fok Chi-ho is disappointed with the criminal system, and quits the police force to become a government prosecutor...The answer I was looking for!

It was this precise moment ten minutes into the film, my expectations were firmly set. There was no use thinking how long it would take for a career policeman to quit, attend law school, and switch immediately to being a government prosecutor. Nor would I think about whether the film will portray the court of law authentically. It's not that kind of movie.

Under this mindset, The Prosecutor is an action-packed and entertaining popcorn film that's worth seeing once.

The ensemble cast, including Michael Hui, Francis Ng, Ray Lui, Julian Cheng, Kent Cheng and Lau Kong provide great support and keep the dramatic scenes engaging. There wasn't any feeling of waiting for the dialogue scenes to end so the fights can commence.

In fact, Francis Ng steals the movie in a hilarious reportedly-improvised scene where he openly challenges Donnie Yen to a fistfight, which was so close to a fourth wall break (whio challenges Donnie Yen in a movie?) that it had me cackling for a whole minute.

Julian Cheng completely morphs as the refined salt-and-pepper-haired businessman villain, a role that would normally played by Michael Wong. Cheng stands out, but falls short of being awards worthy.

The action choreography by Donnie Yen's Stunt Team, is noticeably more audience-friendly and less brutal than Yen's past MMA-themed films, like SPL, Flashpoint and Special ID.

In the past, Donnie Yen's priorities as star and fight choreographer were set on showcasing martial arts authentically. Whether it was police, wuxia or comic book action, he strived to deliver a sense of martial arts realism, notably power.

I see a maturation in Donnie Yen in The Prosecutor.

The Prosecutor felt like a culmination of Donnie Yen's filmmaking experience being applied in full as a director, with Raymond Wong supplying him all the proper resources.

This time, Yen is working with cast and crew he's familiar with and integrating the drama and action together to deliver a solid movie, and not just a movie with great fight scenes.