The Water Diviner

One does not have to be Turkish or an ANZAC descendant to be interested and touched by this film.. doesn't need to be necessarily interested in history, either. The Water Diviner offers something for everyone who carries a heart and soul. It offers a beautiful yet heart-wrenching journey to all those that love the art of cinema.

If I were asked "what is this movie about?" I'd say it's an epic tale of love and hope, a beautifully crafted story inspired by real life, and a breath-taking masterpiece that makes you forget where you are, or what time/day/year it is. It really is a captivating film. The story itself may sound rather simple to some, but in my opinion it's a spectacular mix of reality and art. Hats off to Andrew Anastasios and Andrew Knight for their great work, the Water Diviner tells a magical tale and reminds us what wars do to people, to families.. and to our humanity. I cannot imagine anyone who won't be touched by this film, touched very deep inside, that is. Whoever that ever loved somebody or lost a beloved one –sibling, parent, child, significant other, or friend, you name it– may have their heart shattered during certain scenes of the Water Diviner.

Apart from the story, the characters too felt so "real", and the cast performances were nothing short of what one would expect from such brilliant names. Russell Crowe, as always, seemed to "live" the role, not "just act" it.. and I'm so very glad that Cem Yilmaz has been in such a special project. In an attempt to keep my review as short as possible, and choosing to comment on acting after I see the movie more than once, I won't go into detail of each and every name. But.. I have to say that Ryan Corr's performance was outstanding! He and James Fraser certainly nailed it, causing a flood of tears among the audience –during a certain scene of this duo, I could hear sniffles and see shoulders shaking among the audience.. and I'm not exaggerating one bit. Speaking of the scenes that certainly leave a mark on the viewer, I'd like to say that certain scenes from the battle field were spectacular – both technically and artistically. The scenes are so "real" that they take you from your seat and put you on Lone Pine battlefield , feeling scared.. helpless.. angry.. and questioning what a war is.. and if it's even worth it. And then, there is a specific scene which reflect how a war can make people lose their humanity and surface the ferocity of human nature. As my favorite scene from the epic Noah, the creation scene, reminded us all: "Brother against brother. Nation against nation. Man against the creation. We murdered each other. We broke the world, we did this. Man did this."

The fascinating art is not limited to battle scenes, though. Andrew Lesnie simply works miracles, turning the movie into a feast for the eyes –from the dust storm in Australia to the breath-taking views of Istanbul, the Water Diviner presents top-quality cinematography *thumbs up* Before I wrap up my words on this beautiful piece of art, I'd like to mention two of the many special scenes which may well be extra-touching for the Turkish: i) The scene where Jemal (portrayed by Cem Yilmaz) raises a toast to Mustafa Kemal: During the screening at the Istanbul premiere, the audience responded to this by loud and clear applause, and it certainly will remain an unforgettable scene for many, many Turks. ii) Another special part of the movie that I really loved is the old Turkish folk song Jemal sings –an old song called "hey fifteen year olds", telling the story of 15 year old boys leaving home to join the battle of Gallipoli.

Taken together, the Water Diviner tells a tale of love mingled with adventure, delivers a sea of emotions from grief to hope, and works the magic of cinema, reaching the viewers' heart and mind in a way that crosses all barriers of language, different cultures, politics, and history.

PS: the Water Diviner was rewarded standing ovation, and I believe this was not only because it's a great movie, it was also a heart-felt "thank you" to the director for such an honest story which the Turkish audience isn't used to seeing in foreign films about Turkey and its history.

Kudos and hats off to Russell Crowe & the entire cast and crew. The Water Diviner (Turkish title: Son Umut, i.e. 'the Last Hope') is a spectacular movie, a must-see, a masterpiece.

First of all, I am neither Australian nor Turkish. I'm from Rio, as far away as it can get from either country - not only in terms of geography, but also, and most importantly, in culture. I enjoyed "The Water Diviner" enormously nonetheless (watched it in Mediterranean Turkey on a trip), for this jewel of a movie is built upon universal themes of common appeal to our shared humankind.

This is the first film from an English-speaking country with a huge budget and world-famous actors that thoroughly succeeds in overcoming jingoism and achieving a perfectly harmonious, cross- culture balance of fairness that I have ever watched in my entire life.

The story has an amazing soul, a mesmerizing spiritual power, and a refreshing perspective on History. As a scholar of History, I'd say it treats a noble Turkish nation victim of absolutely unprovoked aggression from all sides during World War I with long-overdue justice after a 100 years, while retaining the dignity of ANZAC soldiers who fought with great bravery and loyalty for a dubious British cause.

"The Water Diviner" is not only a cinematographic masterpiece of rare beauty. It is a powerful statement of tolerance, a testimony of endless hope and love.

The preview did not hint at the complex and gripping tale in store for us, beyond that of a father seeking his sons' fate on the battlefields of Gallipoli. Crowe clearly sought to make a powerful statement about war (my wife was moved to tears during the battlefield scenes) but did not overdo it at the expense of an engaging plot. We left the cinema with a new insight to the Gallipoli story, that being the cost to the Turkish people.

Crowe was very convincing in his role of the grieving, relentless father. Fantastic support role by Yilmaz Ergodan and, although brief, Ryan Corr was very moving.

Don't wait for this to come to DVD, it is best appreciated on the big screen.

Right from the beginning, Russel Crowe's directorial debut, THE WATER DIVINER, is already sweeping with unfathomable amount of emotions, gathering affection the moment it flashes grim representations of war and what follows at its heels. From there, it treads through compassionate subjects of ambitious scale, stumbling upon its own entanglements at times, but gets saved by towering affectionate performances from its actors.

The film follows the story of miraculous farmer (he knows where to find water underneath the arid earth) Joshua Connor (Crowe), whose three sons were sent to the war in Turkey. Years later and none of them has ever come home. His wife mourns over their presumed death, and succumbs to fatal depression. Swearing at his wife's grave to bring their sons' remains home, Connor voyages to Turkey, not even knowing what exactly to expect and see.

There is much to admire in Crowe for helming such historical romance, teeming with bold themes about love, family, and war. His directorial inexperience screams with some odd choices he made, like the forced romance between Connor and Olga Kurylenko's widow character, and the mostly ill-woven narrative his screenwriters knitted, but the sentimental performances of his actors and himself, are overwhelming enough to make up for the narrative inconsistencies. These solid heart-shattering performances summon the affection they truly deserve, and make the film, amid of its script's evident flaws, able to relay its sincere intentions, to the audience. Also a key factor for its effective delivery, is an exquisite cinematography that is able to capture the dreadfulness of the war, the sorrow of a grieving and longing father, and the breathtaking sceneries of countryside Australia, assuming incredibly toned palettes that shifts along the landscapes of the story.

This movie could have been perfect with an excellently-written script, but considering it's just Crowe's first directorial assignment, I'd say this is one hell of an epic job. Sincere, heart-wrenching, and beautifully-acted, THE WATER DIVINER, packs an incredible wallop of searing emotions, sending the most striking of sentiments, despite the faults in its storytelling.

Not going to give it 10 out of 10 stars, because you should always save your 10. However, this movie is close to perfect. Very loosely based on what might have been a true story (a war record that mentioned that 'only one father came looking for his sons' at Gallipoli after the war). Really well acted. The war scenes conveyed some of the horror without being gratuitous in the violence or gore. There was some shown, but only briefly, and really just enough to set the scenes. The movie is well- paced, well edited and doesn't drag. The lead actors (including the young Turkish boy) were all perfectly cast. At the start of the 100th anniversary year of the Gallipoli landings, this is a story that was well worth telling. Great job, Russell Crowe.