The Water Diviner

Russell Crowe has absolutely outdone himself with this film; it had me entranced from the start. Beautifully shot, amazing casting and the time and effort put into the making of this film really shone through. I feel the costumers deserve an Oscar nomination for this one - everything was spot on which for a period drama is almost impossible:) Flawless casting and great character development leads the viewer through the story; this film will bring out emotions and provoke thought. I loved the perspective of the film; it is an exceptional sensitive retelling of an historical story from both perspectives and I think this is one of the absolute highlights of this film.

See it - you won't be disappointed!Take the tissues though...

Set in 1919 The Water Diviner tells the story of an Australian father of three young men all of whom have enlisted with the ANZAC's in the Gallipoli campaign in World War 1. Subsequent to the battle in which the Allied forces were defeated all three have failed to return home and are now presumed dead. Joshua Connor (Russell Crowe) their father, a Victorian Outback farmer with a gift for divining water makes a promise to his wife to bring them home and heads off on a quest to Gallipoli to find them.

This is the reasonably promising premise laid out in the first 20 minutes of the film. I didn't envisage a swash-buckle fest at this stage; nor is it true to say it becomes this, but the film does veer in that direction once or twice over the ensuing hour and thirty minutes. It seems like a betrayal of the seriousness of the subject matter because of this.

The Water Diviner is relatively entertaining but it falls short of what I was hoping for and I think this is because it neither all-out delivers as a full on ravages of war redemption story or as an all- out high-spirited adventure. Having said that some of the battle- scenes (shot in flashback) are unflinching and are probably the best scenes in the film.

The cinematography is beautiful to the eye but the end effect here is that it feels too sanitised at times. There are other things that rankle as well- a burgeoning love story which comes over as too shoe-horned and heavy handed for my liking and in my view steals the central story of its import. There are two scenes in particular where the viewer is required to make the jump from believing in the power of the diviners hand to believing in altogether more mystical powers or insights divined by the same hand (also to do with powers of location). Another thing to watch out for; the film plays host to a stock character or two- witness the very officious English officer who speaks in stereotypical clipped tones, previously seen in countless other films.

Right from the beginning, Russel Crowe's directorial debut, THE WATER DIVINER, is already sweeping with unfathomable amount of emotions, gathering affection the moment it flashes grim representations of war and what follows at its heels. From there, it treads through compassionate subjects of ambitious scale, stumbling upon its own entanglements at times, but gets saved by towering affectionate performances from its actors.

The film follows the story of miraculous farmer (he knows where to find water underneath the arid earth) Joshua Connor (Crowe), whose three sons were sent to the war in Turkey. Years later and none of them has ever come home. His wife mourns over their presumed death, and succumbs to fatal depression. Swearing at his wife's grave to bring their sons' remains home, Connor voyages to Turkey, not even knowing what exactly to expect and see.

There is much to admire in Crowe for helming such historical romance, teeming with bold themes about love, family, and war. His directorial inexperience screams with some odd choices he made, like the forced romance between Connor and Olga Kurylenko's widow character, and the mostly ill-woven narrative his screenwriters knitted, but the sentimental performances of his actors and himself, are overwhelming enough to make up for the narrative inconsistencies. These solid heart-shattering performances summon the affection they truly deserve, and make the film, amid of its script's evident flaws, able to relay its sincere intentions, to the audience. Also a key factor for its effective delivery, is an exquisite cinematography that is able to capture the dreadfulness of the war, the sorrow of a grieving and longing father, and the breathtaking sceneries of countryside Australia, assuming incredibly toned palettes that shifts along the landscapes of the story.

This movie could have been perfect with an excellently-written script, but considering it's just Crowe's first directorial assignment, I'd say this is one hell of an epic job. Sincere, heart-wrenching, and beautifully-acted, THE WATER DIVINER, packs an incredible wallop of searing emotions, sending the most striking of sentiments, despite the faults in its storytelling.

The preview did not hint at the complex and gripping tale in store for us, beyond that of a father seeking his sons' fate on the battlefields of Gallipoli. Crowe clearly sought to make a powerful statement about war (my wife was moved to tears during the battlefield scenes) but did not overdo it at the expense of an engaging plot. We left the cinema with a new insight to the Gallipoli story, that being the cost to the Turkish people.

Crowe was very convincing in his role of the grieving, relentless father. Fantastic support role by Yilmaz Ergodan and, although brief, Ryan Corr was very moving.

Don't wait for this to come to DVD, it is best appreciated on the big screen.

After the Battle of Gallipoli, in 1915, an Aussie farmer called Connor (Russell Crowe), travels to Turkey after the Battle of Gallipoli to attempt locate his three sons , allegedly missing in action . At a hotel he meets a beautiful widow (Olga Kurylenko who learned Turkish for her character), and later on he tries to find out a way in arrive to Gallipoli , where reportedly died his children . As he must travel across the war-torn landscape with the help of a British Lt Colonel called Hughes (Jai Courtney) and a Turkish Officer (Erdogan) . Meanwhile , there takes place the Greek-Turkish war and the invasion of Smirna by the Greeks . As it is set during the Turkish War of Independence, in revolutionary days during fall of the Ottoman Empire . The War resulted the defeat of Greece in Western Turkey (Greco-Turkish war), on the East, Armenian state and Britain, France and Georgia.

This is a family story in which is treated thought-provoking issues with a tough man holding onto hope, fighting for a desire , and bringing to life a promise . Australian Russell Crowe gives an acceptable actiing as the Aussie father who goes out to find his 3 missing sons and while staying at a hotel in Istanbul, he falls in love with a gorgeous widow. The charming Olga Kurylenko is good as the attractive widow mistreated by his brother-in-law who wants to marry her . Support cast is pretty well , such as Jai Courtney , Isabel Lucas and Jacqueline McKenzie who also starred with Crowe in the 1992 hit Romper Stomper . And some fine Turks actors as Cem Yilmaz and Yilmaz Erdogan who are both comedy actors in Turkey . It displays a colorful and evocative cinematography by Oscar-winning cameraman Andrew Lesnie , being his final movie . Sensitive as well as thrilling musical score by David Hirschfelder , helped by Lisa Gerard .The motion picture was stunningly acted/produced/directed by Russell Crowe .

The picture gives an interesting portrayal about the bloody campaign and battle of Gallipoli . There happened the following : The Gallipoli Campaign, also known as the Dardanelles Campaign, the Battle of Gallipoli, or the Battle of Çanakkale , was a campaign of the First World War that took place on the Gallipoli peninsula (Gelibolu in modern Turkey) in the Ottoman Empire between 17 February 1915 and 9 January 1916. The peninsula forms the northern bank of the Dardanelles, a strait that provided a sea route to the Russian Empire, one of the Allied powers during the war. Intending to secure it, Russia's allies, Britain and France, launched a naval attack followed by an amphibious landing on the peninsula, with the aim of capturing the Ottoman capital of Constantinople (modern Istanbul).The naval attack was repelled and after eight months' fighting, with many casualties on both sides, the land campaign was abandoned and the invasion force was withdrawn to Egypt.The campaign was the only major Ottoman victory of the war. In Turkey, it is regarded as a defining moment in the nation's history, a final surge in the defence of the motherland as the Ottoman Empire crumbled. The campaign is often considered to be the beginning of Australian and New Zealand national consciousness; 25 April, the anniversary of the landings, is known as "Anzac Day", the most significant commemoration of military casualties and veterans in the two countries, surpassing Remembrance Day , Armistice Day .The struggle formed the basis for the Turkish War of Independence and the declaration of the Republic of Turkey eight years later, with Mustafa Kemal (Kemal Atatürk) as President, who rose to prominence as a commander at Gallipoli. Mustafa Kemal, Attaturk commanded the Turkish national movement in the war of independence. His successful military campaigns led to liberation of the country and to the establishing of Turkey. He transformed the former Ottoman Empire into a democratic, modern, secular nation-state , his reforms are referred as Kemalism. Ankara became the new capital and Kemal abolished the Caliphate and Sultanate. .