La figlia di un mercante lascia la sua famiglia e avvia un'attività di peonia con il ministro Jiang Changyang. Tra i disordini politici, crea rifugi per donne, sostiene il servizio di Jiang ... Leggi tuttoLa figlia di un mercante lascia la sua famiglia e avvia un'attività di peonia con il ministro Jiang Changyang. Tra i disordini politici, crea rifugi per donne, sostiene il servizio di Jiang e tra loro nasce una relazione sentimentale.La figlia di un mercante lascia la sua famiglia e avvia un'attività di peonia con il ministro Jiang Changyang. Tra i disordini politici, crea rifugi per donne, sostiene il servizio di Jiang e tra loro nasce una relazione sentimentale.
- Premi
- 2 vittorie e 2 candidature totali
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Zi Yang
• 2025
Xian Li
• 2025
Zheming Wei
• 2025
Yaqin Zhang
• 2025
Jie Dong
• 2025
Mengshi Tong
• 2025
Songyan Tu
• 2025
Yue Guan
• 2025
Mengchen Shen
• 2025
Adeline Xu
• 2025
Kun Yang
• 2025
Si-si Chen
• 2025
Han Shumei
• 2025
Miao Tian
• 2025
Hanjin Ni
• 2025
Yun Shao
• 2025
Ran Yuan
• 2025
Recensioni in evidenza
Apparently, too many fans have come here just to hate Yang Zi. FLOURISHED PEONY is an excellent drama! Don't listen to other if you haven't even try to watch this. Flourished Peony has a strong start. It excels in every aspect, whether it's the pacing, storyline, character design and performance, historical setting restoration, OST, or cinematography. It's TANG DYNASTY. It is truly a masterpiece!
From kneeling and begging for help, to the shock of being exposed, then breaking down in tears confiding in Yulu, and finally erupting in anger and despair upon hearing Liu's father and Liu Chang, exclaiming, "She is not my servant; she is my sister!"-it was all seamless and absolutely perfect. The emotional transitions were executed flawlessly, and Yang Zi's acting is truly the biggest draw of the show. It's so moving; I was completely wrecked and in tears.
Also, passerby's reflection on the depiction of the sensitive topic of domestic violence in #FlourishedPeony and how it reflects the limited protection of women's rights during the Tang Dynasty
"Every word and every action of He Weifang is not to magnify the helplessness of the victims, but to let the audience see the resistance and rebirth after violence. This writing style is not divorced from the historical truth, but also shows the rare modern progress."
Yang Zi's drama will always assure you one thing, SHE WILL NEVER DISAPPOINT YOU when it comes to acting. Sometimes the script aren't that good but it will always be her who will keep the audience watching. When you see her act, you'll want more and more from her. Now that she have her own studio, she can choose whatever drama she wished to be in to. Also, never undestimate her as an actress. Even her "Love Endures" did great despite the lack of promotion and was aired in different countries TV including South Korea and trended on SNS when the twists happened. How versatile Yang Zi is what makes the viewer hooked and stay.
From kneeling and begging for help, to the shock of being exposed, then breaking down in tears confiding in Yulu, and finally erupting in anger and despair upon hearing Liu's father and Liu Chang, exclaiming, "She is not my servant; she is my sister!"-it was all seamless and absolutely perfect. The emotional transitions were executed flawlessly, and Yang Zi's acting is truly the biggest draw of the show. It's so moving; I was completely wrecked and in tears.
Also, passerby's reflection on the depiction of the sensitive topic of domestic violence in #FlourishedPeony and how it reflects the limited protection of women's rights during the Tang Dynasty
"Every word and every action of He Weifang is not to magnify the helplessness of the victims, but to let the audience see the resistance and rebirth after violence. This writing style is not divorced from the historical truth, but also shows the rare modern progress."
Yang Zi's drama will always assure you one thing, SHE WILL NEVER DISAPPOINT YOU when it comes to acting. Sometimes the script aren't that good but it will always be her who will keep the audience watching. When you see her act, you'll want more and more from her. Now that she have her own studio, she can choose whatever drama she wished to be in to. Also, never undestimate her as an actress. Even her "Love Endures" did great despite the lack of promotion and was aired in different countries TV including South Korea and trended on SNS when the twists happened. How versatile Yang Zi is what makes the viewer hooked and stay.
I find the female main character to be a bit fragmented. When she interacts with others, she often comes off as overly optimistic. She reassures those around her that everything will be fine in the future and that success in her career will lead to better days. While I appreciate her positivity, I sometimes feel overwhelmed by these repeated affirmations. It makes me wonder: why is she so confident? It's like I have a special insight, knowing that she's the main character who is destined to succeed. However, the tone of her dialogue feels a bit off; she seems a little too soft, which can take away some excitement from the plot. Additionally, her success doesn't appear to come from her hard work or intelligence but rather from the good conscience of the male protagonist.
YZ's facial expressions are a bit stiff. I feel unemotional when she acts, but when she cries, it feels like overacting. I recall my memories of other dramas she has been in.
YZ's facial expressions are a bit stiff. I feel unemotional when she acts, but when she cries, it feels like overacting. I recall my memories of other dramas she has been in.
The drama "The Blooming Beauty" feels like a cure for insomnia. Its slow pacing, repetitive dialogue, and lack of engaging plot twists make it a tedious watch. Despite its lavish costumes and set designs, the story struggles to hold attention, leaving viewers yawning rather than captivated. Even the characters feel underdeveloped, making it hard to connect with their journeys. Overall, it's a visually appealing but emotionally hollow production that fails to deliver the excitement or depth one might expect. Also the overly smoothed skin of the actors, particularly the lead, Yang Zi, gave them an unnatural and plastic-like appearance.
In costume dramas, it's easy to miss important points. The female main character often goes through a lot of suffering that leads to tears, but not many moments create real emotion. Instead, the story relies heavily on suffering rather than meaningful character development.
The predictable plot and weak performances get a lot of praise, but they are confusing and uncomfortable to watch. The excitement around the series makes it hard to enjoy; each episode feels more like a task than fun. I want more depth and authenticity, but instead, I find an experience that only increases my discomfort. It's stressful.
The predictable plot and weak performances get a lot of praise, but they are confusing and uncomfortable to watch. The excitement around the series makes it hard to enjoy; each episode feels more like a task than fun. I want more depth and authenticity, but instead, I find an experience that only increases my discomfort. It's stressful.
The film boasts an impressive texture from start to finish, captivating viewers with its striking visuals. Each scene is enriched by a beautifully crafted setting that immerses the audience in the enchanting world of Flourished Peony, where vibrant flowers bloom and stunning landscapes unfold. However, despite these aesthetic strengths, Yang Zi's performance falls short of the emotional depth the drama requires. Her portrayal lacks the nuance and expressiveness needed to fully engage the audience, particularly due to her technologically enhanced appearance, which seems to restrict her range of facial expressions. Furthermore, the storyline feels predictable and dull, lacking the originality to elevate the drama beyond visual allure.
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