La figlia di un mercante lascia la sua famiglia e avvia un'attività di peonia con il ministro Jiang Changyang. Tra i disordini politici, crea rifugi per donne, sostiene il servizio di Jiang ... Leggi tuttoLa figlia di un mercante lascia la sua famiglia e avvia un'attività di peonia con il ministro Jiang Changyang. Tra i disordini politici, crea rifugi per donne, sostiene il servizio di Jiang e tra loro nasce una relazione sentimentale.La figlia di un mercante lascia la sua famiglia e avvia un'attività di peonia con il ministro Jiang Changyang. Tra i disordini politici, crea rifugi per donne, sostiene il servizio di Jiang e tra loro nasce una relazione sentimentale.
- Premi
- 2 vittorie e 2 candidature totali
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Zi Yang
• 2025
Xian Li
• 2025
Zheming Wei
• 2025
Yaqin Zhang
• 2025
Jie Dong
• 2025
Mengshi Tong
• 2025
Songyan Tu
• 2025
Yue Guan
• 2025
Mengchen Shen
• 2025
Adeline Xu
• 2025
Han Shumei
• 2025
Miao Tian
• 2025
Si-si Chen
• 2025
Kun Yang
• 2025
Zhe Guo
• 2025
Hanjin Ni
• 2025
Haofeng Cheng
• 2025
Yun Shao
• 2025
Recensioni in evidenza
Modern issues are incorporated into costume dramas in a way that can feel like they're simply shouting for slogans. The plot revolves around Yang Zi's familiar portrayal of the heroine, but it often falls into predictability with the stereotypical storyline. While the makeup and visual presentation are undeniably appealing, the story is monotonous.
Yang Zi's performances have become quite formulaic. Despite the time that has passed, she hasn't demonstrated significant growth in her acting skills, and her approach now feels exaggerated at times. Her expressions can leave the audience unsure if she's laughing or crying. Li Xian delivers solid acting, but even his talent isn't enough to lift the overall production.
Yang Zi's performances have become quite formulaic. Despite the time that has passed, she hasn't demonstrated significant growth in her acting skills, and her approach now feels exaggerated at times. Her expressions can leave the audience unsure if she's laughing or crying. Li Xian delivers solid acting, but even his talent isn't enough to lift the overall production.
Originally, I was intrigued by the premise of this drama and had high hopes for it. However, the leading actress's makeup was too heavy, and during the emotional scenes, I couldn't help but think of "Lost You Forever" because her acting was strikingly similar. It became so apparent that it was hard for me to enjoy the performance. Additionally, it seems that crews specializing in ancient idolized love dramas struggle to handle business-themed narratives effectively. The plot often feels trivial and overly drawn out, leading to increasing boredom. Furthermore, dramas with female protagonists are becoming standardized and formulaic, which is very similar to other dramas. The pacing is slow and the lack of novelty. The characters' interactions feel stiff and difficult to relate to.
I find the female main character to be a bit fragmented. When she interacts with others, she often comes off as overly optimistic. She reassures those around her that everything will be fine in the future and that success in her career will lead to better days. While I appreciate her positivity, I sometimes feel overwhelmed by these repeated affirmations. It makes me wonder: why is she so confident? It's like I have a special insight, knowing that she's the main character who is destined to succeed. However, the tone of her dialogue feels a bit off; she seems a little too soft, which can take away some excitement from the plot. Additionally, her success doesn't appear to come from her hard work or intelligence but rather from the good conscience of the male protagonist.
YZ's facial expressions are a bit stiff. I feel unemotional when she acts, but when she cries, it feels like overacting. I recall my memories of other dramas she has been in.
YZ's facial expressions are a bit stiff. I feel unemotional when she acts, but when she cries, it feels like overacting. I recall my memories of other dramas she has been in.
This series truly stands out with its highlights. Unlike other costume dramas, it adopts a bold and unique approach to costumes and makeup. It shuns the extravagant and unrealistic styles typical of ancient immortal dramas, instead focusing on a faithful representation of the attire found in cultural relics. From the characters' hairstyles and makeup to the intricate patterns and styles of their clothing, the presentation masterfully captures the essence of the Tang Dynasty. The creators have also meticulously crafted the settings. In the night scenes, the soft glow of oil lamps creates a captivating ambiance, while the muddy streets effectively transport viewers back to that era. However, despite my appreciation for these artistic choices, I have some reservations about the character portrayals. I find Yang Zi's acting lacking, especially when compared to Li Xian, who clearly outshines her performance.
Yeah I don't really like this genre of drama, although I like Yang Zi and Li Xian. But the previous drama was better, maybe I was also quite dependent on the make-up that was adapted to that era. But my yangzi is still beautiful, it just feels awkward. Miles' role is somehow more wow and makes you irritated .
So far I will still watch and see the development. Maybe in the future this drama will present something unexpected. For now I stop and save the episode first. For the rest I like especially the setting and editing I have no doubts about the background used in Chinese dramas. Very beautiful.
So far I will still watch and see the development. Maybe in the future this drama will present something unexpected. For now I stop and save the episode first. For the rest I like especially the setting and editing I have no doubts about the background used in Chinese dramas. Very beautiful.
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