The Guvnors

This film has been written off by some lazy press reviewers as just another mockney fighting movie, probably due to its slightly unfortunate title and cover art.

The reality is that couldn't be further from the truth. Although I sat down expecting to watch some kind of sub-Nick Love fluff (which isn't setting the bar very high at all), this was a far better film than I had expected.

The cinematography, music, performances and pacing were all very good, and the story is far from the kind of nonsense you'd associate with most standard football hooligan-style movies. It has nuance, depth and some great twists. It's a proper film, basically, and not just a load of fighting. Though there's a fair amount of that too.

I don't normally write reviews but I felt compelled to defend this movie because on reading some reviews (after I'd seen the film) it seemed that a lot of people had got it completely wrong and probably prejudged it because from a glance at the box, you'd think it was a bit dim. But it isn't.

Good work all round.

Predictable. Contrived. Far-fetched. Ridiculous. Nonsense. And about as detailed and dramatic as this review. It gets a 5 from me though, but only because I've seen worse.

It's not that great to start with but it looked like it had potential. The incessant sniffing by the main character adds to the annoying viewing. Made on the cheap and in places it shows.

Guvnors is a predictable "what is violence?", "when do men grow up?" type movie.

There is no match day aggro, any of that is just shown in brief flashbacks, so you'll be disappointed if you were looking for another The Firm or Football Factory. While we're on the subject, the violence acted out is good, well choreographed and mostly believable.

No, this is a tale of an old nutcase in retirement who comes up against a rising young nutcase, so far so clichéd. We're expected to believe that one guy (played by one of Rizzle Kicks lol) who inexplicably sniffs a lot and his multiracial cartoon character pyschos can become feudal lords of a half deserted London estate. The son of our antihero is threatened by a clichéd giggling blond loony, all weird head tilting and playing with knives, so the retired Guvnors firm are rounded up and pressed into action.

Are they saving their community? Participating in primal scream therapy? Mid life crisis? It's never clear, but the main catalyst is 70s songster David Essex, incredulously, flooring the sniffing gang leader in Britain's darkest pub then his later fate at the hands of our young Scarface.

I cannot buy the gang, it's leader, what they actually do (who buys their drugs, nobody lives there?), the sketchy flashbacks to "something" happening in the past...but to be fair Doug Allen does a fair job portraying the bored, uptight Guvnors top boy and we also bizarrely, considering this is London, get real life old Zulus top boy Barrington Patterson in his first geezer movie appearance.

Summing up - OK for a hungover morning or a sick day off work, but don't expect The Firm.

Turner writes and directs this passionate movie about football firms and clans of South East London and the interaction of different generations on a violent estate. We follow ex-hooligan Mitch (an impressive Doug Allen channelling a bit of Christian Bale in his performance) whose family life is disrupted when young sadistic Adam (played by Harley Sylvester, one half of pop duo Rizzle Kicks) and his gang of youths terrorise the established order. As Adam slashes and shoots his way to respect, he's taken down a peg or two by the unrecognisable David Essex playing Mickey Senior who once trained Mitch and the old clan. When Adam gets his wild revenge on Mickey, it pulls Mitch out of retirement and back to the brutal and bloody life he left behind before eventually finding out a cruel twist of family fate. From alpha males to unchecked aggression, the film flips between the modern day and flashbacks to Mitch's past which helps explain the different paths of the protagonists. The movie also throws in flashes of comedy amongst the nastiness – a scene with a traffic warden was an hilarious highlight – but the furious flying fists are done with a painful realism which may not be for those with a faint heart. With small but well acted support roles from the likes of Richard Blackwood, Barrington "One Eyed Baz" Patterson (with a real-life past to match the character on-screen) and Vas Blackwood (Lock Stock's Rory Breaker) helping to round out the cast, this slice of street life from the UK gives us some new angles on an established genre plus some funny moments to counteract the knock out fight scenes. With a cool soundtrack and Harley Sylvester showing some impressive acting chops, you may think you know what the film will be about but there's enough new ideas here to shake up your view in this violent thriller. 7.5/10 Midlands Movies Mike