Young Detective Dee - Il risveglio del drago marino

I may be late watching this but boy am I glad I did!

It really is a rare phenomenon when a sequel outshines its predecessor but I strongly feel that this is one of those occasions.

The original Detective Dee, starring Andy Lau as the uber detective in ye olde China (Tang Dynasty), was a love hate affair for me. I liked the premise of watching a genius Sherlock Holmes style detective in ancient China, incredibly smart, adept at martial arts; it had all the ingredients for a brilliant character. The outcome, although not bad, just felt underwhelming and never quite lived up to my expectations. There was very little super intelligent crime-solving going on; the crime itself was not that interesting and the end result was just another Andy Lau movie.

It looks like director extraordinaire, Tsui Hark, has since then really perfected the character. He's taken all the best elements from the original and fine-tuned them to produce this excellent movie.

The story opens with an impressive attack on a royal fleet of ships by a mysterious sea monster, the eponymous beast of the title. This of course leads to high alert and panic in the city as towns-folk worry they have upset the gods. In a bid to make the gods happy, the simple towns folk plan to sacrifice the beautiful courtesan Yin (Angelababy). Meanwhile, detective Yuchi (Feng Shaofeng) is given a mandate and time limit within which to find out what is really going on by Empress Wu (Carina Lau). Failure to break the case within the allotted time will mean his death.

Our hero, Dee Renjie (Mark Chao), arrives in the capital of Imperial China with a special commendation to be enlisted as part of the cities special police force. Before our young hero can even formally introduce himself to head Detective Yuchi, he stumbles on a plot to kidnap Angelababy by not only a group of thugs but also by a swamp monster man.

Dee's superior intellect is apparent right from the outset, he can see things others can't, sees connections and figures out puzzles quicker than anyone else. This of course does not go unnoticed by Empress Wu.

Much to detective Yuchi's annoyance, Dee is soon appointed head detective in charge of the case. But the humble detective Dee makes it clear he is not in the Imperial city for power, he simply wants to help people and uphold the law. He makes it clear that they must work together. Can Dee's intellect, Yuchi's fighting skills and help from their trustworthy assistant Dr. Watson Dr. Shatuo Zhong (Lin Gengxin), break the case??

I really enjoyed this movie. At first I was concerned that a younger cast may make the on-goings less believable, but quite to the contrary, they got the age skew of the cast just right. The cast was fresh and, in the absence of baggage associated with big name leads, allowed for the characters to be realized and fleshed out much better. There is excellent chemistry between our lead, his doctor assistant and rival lead detective Yuchi. It's great watching them work together to break the case. Angelababy is great as eye candy but that's all she really is this time round, much less proactive than her character in Tai Chi Zero and much more the classic damsel in distress.

Special mention needs to be made of the special effects, especially in the end sequence. I believe Tsui Hark enlisted the help of South Korean special affects maestros and the outcome is really pretty great.

The movie may be a tad long, but I never felt it was lagging or getting boring in the way I did with the 2010 movie. In fact, I really didn't want the movie to end! I really enjoyed watching the story unfold, watching the trio investigate and piece together the puzzle. The excellent direction and acting ensured I was right there with them as the mystery unfolded. Some moments of perfectly timed humour (make sure you stay for the post-credits scenes) helped to further ensure I was hooked from start to finish.

Dee is a great character, ultra smart, righteous and street savvy. He may be excellent at fighting but he's not the best. This just served to make the character more believable than the Andy Lau incarnation who was just too good at everything.

A great movie and a really great character, this movie managed to hit all the points the original missed. I can't wait for the next Detective Dee movie!

The only thing that would be better is a Sherlock Holmes and Detective Dee team up movie, but I guess I should keep dreaming.

Highly recommended!

Rating 9 out of 10

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This is the first time i write a review at IMDb, please go easy on me, thanks! I was not expecting high on this movie because i was accompany my friend to watch it, what this movie got? High def quality in video & audio - checked! Good kungfu fighting scene - checked! Battle with sea monster(better than Pirate of the Caribbean) - checked! With these 3 factors, it already worth my money and time spent in the cinema! Acting is average among the casts, but Carina Lau definitely nailed it, WuZheTian is alive with her acting! The story is average, although it want to be like Sherlock Holmes, but the case they investigating didn't left much clue, just waiting the director to show us. Overall, it is the best Chinese WuXia film i watched in the recent years!

There are plenty of entertaining action scenes in this movie, ranging from wire fu fighting to large scale CGI-monster fighting. These are imaginatively filmed and have some nice touches, even if here's nothing as good as the best action scenes from the previous Detective Dee movie, Phantom Flame.

In between action, there is a very poorly told story.

Actually, "story" is an exaggeration. It's more like a collection of incidents told in a particularly order. Everything just kind of happens. A ship battle results in disaster! A woman in a mask is in trouble! There's a merman! There are bandits! There's a new detective! There's a swimming horse! There are poison flowers! Everything is introduced by someone just saying, here is this thing that we need right now.

There's a general rule in film that if the hero is going to pull out a gun in the final act, you want to establish that he owns a gun earlier on. That doesn't happen in this movie. Instead, there's a problem, and suddenly someone says, I know who can help, or, I've got the solution right here, or, the solution is at this place let's go right now.

This is how a ten-year-old writes a story.

No character development, little motivation, no real coherence. Dee's Sherlock Holmes deductions are generally unpersuasive.

It's a dumb story, badly told, but the action scenes almost make up for that. Almost.

Young Detective Dee is the adventures of a youthful Sherlock in Medieval China with state of the art CGI and a sea monster.

The film starts with warships sent by Empress Wu destroyed by an unseen monster. Young Dee arrives in the capital city intending to become a detective with the Da Lisi police force. He already has a rival in Yuchi.

However there is another monster attacking the city linked with a courtesan. Dee links up with a medic to find answers and gets the attention of the Empress.

The film is fragmented with many plot lines, its a while before we see Yee's ability in detective work. What we do get is a sprawling adventure with gargantuan set pieces mixed with impressive CGI and some sly humour.

At times the action overpowers the film which could had done been with being more concise. In some sense Young Dee is overshadowed in his own movie.

It is still an impressive introduction of recent Chinese action- adventure cinema.

Legendary Hong Kong director Tsui Hark returns to the Tang Dynasty Sherlock Holmes character which, three years ago, gave his then-flailing film career a much needed shot in the arm. A prequel that sees Taiwanese actor Mark Chao stepping into the titular role once played so memorably by Andy Lau, 'Young Detective Dee: Rise of the Sea Dragon' also sees Tsui Hark building on his much-lauded maiden stereoscopic movie 'Flying Swords of Dragon Gate' by delivering a 3D spectacle that puts many of its Hollywood counterparts to shame. Yes, this is one of the rare films which boast of the 3D format that we will actually recommend paying to extra dollars just to see it with a pair of glasses on - and that is, we may add, from watching the 2D version no less.

Following a rousing prologue that sees the mighty navy of the Tang Dynasty decimated at sea by a massive underwater creature, Chao's opening narration establishes the time and place of the events that follow. It is 665 AD, the joint reign of Emperor Gaozong (Sheng Chien) and the Empress Wu Zetian (Carina Lau) during a time when the country is at war with the Fuyu kingdom. Dee is set to take a job as a magistrate at the Dalisi based in the capital of Luoyang, an organisation whose mission is to keep the peace and investigate any disturbances.

No thanks to the superstition of the common folk, the beautiful courtesan Yin Ruiji (Angelababy) is held as sacrifice to the sea monster at a temple. After he lip-reads a plot by some bad men to hold her ransom, Dee rushes to her rescue, only to be confronted by a human-like reptilian beast that slips away in the melee. Unfortunately for Dee, he isn't that lucky, his initiative to take action on his own earning the wrath of the head of the Dalisi, Yuchi Zhenjin (Feng Shaofeng), who throws him into prison.

Dee's rivalry with Yuchi is one of the recurring themes of the story, which pits the two as intellectual equals racing to crack the case before Zetian has the latter's head for incompetence. It is in prison that Dee meets the Uighur prison doctor Shaluo Zhong (Lin Gengxin), who will become an effectual sidekick Dee relies on for advice - especially as it becomes clear that the explanations he seeks to the phenomena going on around them are medical in nature.

Reunited with his 'Dee' scribe Zhang Jialu, Tsui Hark spins an intriguing mystery revolving around a nefarious conspiracy to overthrow the entire kingdom and its noblemen by an obscure fishing tribe known simply as the Dongdoers. Tsui's penchant for the fantastical remains intact here; and while the earlier 'Dee' had a talking deer, this one figures to throw in a white horse that can swim above and under water on its way to uncovering the origins of the 'Kraken'-like gargantuan monster as well as the half-human, half-reptile animal that seems obsessed with Ruiji. Granted that it does require some suspension of disbelief on the part of its viewer, but Tsui ultimately leaves no stone unturned in rationalising every single detail of his twisty plot.

More so than in the first 'Dee' movie, this one finds Tsui on a much more assured directorial footing juggling a detective story with a good bit of palace intrigue and even tongue-in-cheek humour thrown in for good measure. One of the most amusing bits of the movie is the antidote Shaluo and his master (Chen Kun) comes up with to purge the palace officials of the parasitic infestation taking root in them, a truly delightful little detail that Tsui even uses to end the movie on a high note in a special scene in the middle of the closing credits. Tsui's storytelling is brisk and engaging from start to finish, connecting the dots ever so fluidly from clue to clue as he pieces together a mesmerising tapestry of schemes and secrets.

Enabling his work at top form is an excellent technical team, most notably Kenneth Mak's exquisite production design, Lee Pik-kwan's opulent costumes and Bruce Yu's overall immaculate image design. It is as sumptuous a period epic as you have ever seen, and a most exciting one at that thanks to veteran action director Yuen Bun's cornucopia of gravity-defying wire-ful sequences. Bun and Lam Feng's choreography here most resembles that of Tsui's earlier 'wuxia' pictures, their integration with plenty of impressive CGI work clearly a product and testament of Tsui's vivid - and rather awe-inspiring - imagination that had also undoubtedly conceived the action in 3D right from the get-go.

Amid the visual spectacle, it is to the actors' credit that their characters remain more than one-dimensional. Feng does solid work as the stern Yuchi whose initial strong distrust of Dee gives way to admiration and even respect. Carina Lau doesn't have much screen time as the Empress, but where she appears, is never less than captivating in her regalness. But perhaps the greatest surprise here is Chao, who tempers Andy Lau's showiness with quiet charisma and wry intelligence that gives the titular character a more down-to-earth but no less humbling stature.

And once again therefore, Tsui Hark is back at the very top of his game with yet another outing of this Tang Dynasty sleuth. Coupling a finely spun mystery with splendid visuals and spellbinding martial arts action, Tsui cements his 'Dee' franchise as Asia's answer to Guy Ritchie's 'Sherlock Holmes'. Indeed, the title of this movie is a befitting metaphor of Tsui's own work here, he the metaphorical sea dragon that has risen from the depths of his own doldrums to set the gold standard in blockbuster entertainment for Chinese cinema.