Aggiungi una trama nella tua linguaAfter the tragic death of his mother, a teenage boy turns to a life of crime in order to make ends meet.After the tragic death of his mother, a teenage boy turns to a life of crime in order to make ends meet.After the tragic death of his mother, a teenage boy turns to a life of crime in order to make ends meet.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Ben Dilloway
- Greg
- (as Benjamin Dilloway)
Anton Valensi
- Fence
- (as Anton Saunders)
Recensioni in evidenza
An incredibly fluid narrative which powerfully portrays the on-going confusion and despair faced on a daily basis by the central character. Whilst the people out to get him continually change, his living in perpetual fear and anxiety doesn't. The radical approach to the storytelling feels exciting and original, adding a very believable, claustrophobic feel to a life lived in a grim reality. There is nothing Tim can do and nowhere he can go to change his situation because, like the audience, at no point does he have the whole picture. Instead he has to deal with everything that is thrown at him without any support or understanding. The performances are excellent and the film is a devastating watch.
Watching Bypass really brought me into the lives and experiences of Tim and Lilly, played respectively by George Mackay and Charlotte Spencer. The feeling of being helpless to whatever fate befalls you is enduring, and a reflection on the current malaise of Britain's youth who have been abandoned by today's ambitious, quick fix society. The film was well crafted, with excellent cinematography, soundtrack and foley that helped to create the atmosphere and prevailing sense of unease, and which was complemented excellently by the superb performance of George Mackay, and actor who will surely achieve great things. There is no generic start or ending to Tim's story, but a snippet of the lives of the characters that surround him, and it leaves you with a feeling of compassion for the characters and their future.
Bypass is not the kind of movie I usually go to, but I'm glad I did. It is a gritty, compelling story about a boy trying to become a man, trapped within a society that marginalises and ignores him. He is trying to do good but outside pressure forces him into bad decisions which cause his life to spiral out of control.
The performances were all superb and the cinematography was impressive. It is a shame that it wasn't available in more theatres, for the beauty of the imagery may lose some of its impact on a small screen. That being said, I will be ordering a DVD when they become available, for this is a film I will want to rematch and share with friends. The film forces the audience to think and consider not only the lives of the characters on screen but their own as well. Post theatre discussions continued for hours. It is a rare film these days that makes the viewer think, and Bypass is one such film.
The performances were all superb and the cinematography was impressive. It is a shame that it wasn't available in more theatres, for the beauty of the imagery may lose some of its impact on a small screen. That being said, I will be ordering a DVD when they become available, for this is a film I will want to rematch and share with friends. The film forces the audience to think and consider not only the lives of the characters on screen but their own as well. Post theatre discussions continued for hours. It is a rare film these days that makes the viewer think, and Bypass is one such film.
A Q&A session with the producer directly after the screening just reinforced my view of the movie. It was very self indulgent and, for me, missed the mark. The film techniques were very obvious and very contrived. The random, untied threads, that came and went without particular reason were nothing other than irritating. The story was a straightforward one and the subject matter interesting. However "Bypass" neither went anywhere worthwhile, nor offered hope or engagement. Rather a disappointing offering. The only thing that made it worthwhile was George MacKay's performance. He clearly inhabited the character; the pity was that for the viewer we didn't get to see inside his head or heart (or maybe he didn't have one).
George MacKay is still stellar as always. He became that character. His hurt, guilt, confusion, sorrow are all very real in the film and guy feel it. Also his physical transformation as a youth with an undisclosed illness is so heartbreaking. You can see that he slimed down quite a bit to play the role. Unfortunately Duane's "poet/dreamlike/arthouse" sequences, lack of dialogue, lazy directing, terrible editing and drawn out visuals really take you out of the experience and emotion and it just works against the film. I get that the filmmakers wanted to convey the bleakness of it all in a very artistic fashion but it just didn't work story wise. Such a shame because George is such a talented actor.
Lo sapevi?
- QuizDirector Duane Hopkins started work on this film while making his first feature film Better Things. The starting point was the question 'Is morality a luxury?'.
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Dettagli
- Tempo di esecuzione
- 1h 45min(105 min)
- Colore
- Proporzioni
- 1.85 : 1
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