Monster

It's no spoiler that this film doesn't contain any dialogue -- or maybe it is, but one that is given by Netflix themselves right from the onset. Not knowing this would have given the film more tension, something that this Indonesian made for television movie is sadly lacking.

No cliche is left untouched here. Repetitive scenes abound (the heroine hides under the bed, behind a door, in a cupboard, and this time and again). There is no surprising twist (oops, was that another spoiler?). There are no intricate plotlines to be unraveled. No attempt is made to give the capturer and his partner personality; the house with its bland interior doesn't even look like it's their own.

In conclusion, despite its rating this is essentially a children's movie, in both senses of the word, and childish at that. Would have been more effective when shortened to, let's say, twenty minutes.

I am a fan of the idea of having a film use no dialogue. (Characters only sometimes say the names of other characters, so at least the main actors are more likely to get fairly compensated as speaking parts.) I don't mind the campy fake blood as long as there is suspense and a good storyline. Cinematography definitely had good moments of creating suspense. Only twice in the film did I find myself in a moment that seemed laughable and took me out of my immersion. One was a "The Shinning" spoof of the "Here's Johnny" scene that played out impressively well, especially by a young child actress in the place of Duvall, but even in its abbreviated form, the scene is just too long to not be a bit dull and out-of-place. The other moment was when our main character stops herself from stealing some french-fries left behind by an antagonist and pouts. I can see how they intended to make this a moment of showing human-ness and generating pity for the child, but it instead came off as an out-of-place moment of levity. I can forgive those things however. The thing that really irked me was the stereotypes used to depict the "badguy" archtype; Joint-smoking, beer-drinking gamer playing violent MMO shooters late into the night, has long unkempt hair and a black baseball cap or hoody with open jacket and ripped jeans, sustaining on cup noodle and fast food, neglecting an otherwise gorgeous home that is taken for granted and absolutely infested with cockroaches. And let's not forget this is supposed to be a child predator. It's just hitting every checkmark for a bad stereotype. When we got our second villain in the story, things started to pick up with suspense.

If you seen the US movie "The Boy Behind the Door" then you know what I am talking about. This is literally a replica with no dialogue. Not sure if they intended for this to be a remake or not but this version is terrible. I do give kudos to the girl in the movie, she can definitely go far with her acting when she gets older. The suspense in the beginning is good at times but then I'm like, this is giving me Deja vu because I've seen this already. This movie shouldn't have been made but I guess when there's nothing else to watch on a Friday night and you want to kill time then this is it lol...

"Monster" is an okay movie, I guess. Wait, on second thought, it's not that great. It starts out as a rather unpleasant watch. Then after while, it gets repetitious. It never gets boring but it does get stuck in second gear. The first half of the movie is better than the second half. The no dialogue is fine for a while but then it ends up being a silly, rather ineffective gimmick. For a movie with a very friendly running time (86 minutes), "Monster" begins to feel like a long movie. 86 minutes long or not, it should have been about twenty minutes shorter. "Monster" is another straight-to-Netflix dud.

I recently watched the Indonesian film 🇮🇩 Monster (2023) on Netflix. The storyline follows two friends who are kidnapped after school, thrown into a trunk, and driven to a remote mountainside shack. One of the friends manages to escape, but instead of fleeing, she sneaks back into the house to try and rescue her friend from the monster...

Directed by Rako Prijanto (The Clerics), the film stars Marsha Timothy (The Raid 2), Alex Abbad (The Raid 2), Anantya Kirana (Beautiful Pain), and Sultan Hamonangan (Tira).

Monster is a film with a solid concept that could have been executed better. The opening does a great job of setting up the circumstances, with a strong atmosphere and minimal dialogue that suits the premise. However, while the setup is effective, the intensity is lacking. The horror and torture elements fall short, with a chainsaw sequence that could have been much more impactful. The storyline and conclusion are fairly straightforward and predictable.

In conclusion, Monster has a solid premise but stumbles in its execution. I would rate it a 5/10 and recommend it only with tempered expectations.