La Maison

This is worth watching because of the stunning architecture, interiors and some interesting artwork that flashes by. The fashion is okay if you like black, black and more black. The characters are nasty and there is a lot of homosexual passion with both sexes, which is overplayed. There is also a lot of generational tension. All this reminds me of the old soap operas like Dallas. Fortunately, fast forward gets past the annoying stuff. The conflict of values between the generations is the most interesting storyline. It's an important struggle, conversation and ultimately has to do with our collective human survival. It is life or death especially for younger people who are inheriting a sick planet. And yes the issues of racism, gender politics, classism, sexism etc are all present too.

I would have loved to see a fun, soapy, behind-the-scenes tale of what 'really' goes on in a French couture house, but this is not it.

Every character is ripped from the cliché attic: the house's art director is foppish and authoritarian, oblivious to what's happening in the world of style outside his microcosm. His sister, a former model, obsessively records her weight daily in a series of hundreds of notebooks dating back to her glory days. The head of La Maison's rival fashion house is comically villainous.

Then there is the 'new girl', who designs raggedy clothes that literally look like rubbish - but is suddenly appointed the fashion house's new art director because of her amazing talent.

Awful. An absolute slog to watch.

The characters of this show are very dramatic. You will either love or hate the show. I doubt that there is something in the middle. The show is engaging but there is so much focus on sexual activity that the story seems to be lost at times. The show is obviously showing a very different side of life. There are many parts where the FF key is very useful. Some scenes are simply uninteresting and may be termed fillers as they add nothing to the story other than what one would say is pushing the envelope. There are many parts that are hard to follow because of this. In the end, those who like it will praise it and write a good review. Many who object to the content will stop after 2 episodes and not bother to write anything.

Great locations, wonderful architecture, feminine and LGBT support, but where is the fashion?

Beside the evilnees in Vincent, and the wicked Diane, the rest of the cast are out of the shape, no soul at all.

The character of Paloma is what France trying to tell the world like (the Olympics): we are mixing everything with everything, just swim the wave no strings attached, no rules, no history, no nothing.

Come on guys, if you want to stick feminine and LGBTQ in every hole, do it nicely, softly, and professionally. Can anyone make something like (The devil's wear prada) again?!

Or those days are gone.

In the brilliant, and still greatest series ever, 'The Sopranos', Christopher says to Adriana, in response to her saying to him that they could leave the life and start over and he could be a male model: "As far as male modeling goes, I'd probably be a success, but I don't want to be around those fkn' people."

Now, Christopher was a junkie, woman beater, and a made Mafia guy, but no truer words were ever spoken regarding the fashion industry!

I made it up to the 'eco-warriors.' I am sick-to-death with these self-indulgent ankle-biters thinking they own the patent on self-righteousness!

I'll take the mob over these fashion effete poseurs!