Veera Dheera Sooran: Part 2

I am my biggest enemy, that's how this movie ends. After building a good storyline, they end up ruinning it in the end with stupid action scenes that have no need in this movie other than to get a few whistles and claps in the theater. The ending is an absolutely cringe and lets the movie down horribly. The lighting throughout the movie was jarring and over bright, made it look like a TV serial. Sooraj (the Malayalam actor) did a very poor job, someone like Fahad fasil was needed for this role, but he would have over powered Vikram, maybe that's why they did not approach him. This is supposed to be a part 2 movie and at the end of it you are supposed to be high on anticipation to know what is in the prequel but, this ending makes you feel like, who cares?? This movie could have been so much better but it was a big let down at the end. Horrible camera work, horrible lighting, horrible action. Big let down at the end.

Director S. U. Arun Kumar Unleashed a powerhouse-raw, unfiltered Vikram in his primal glory. This isn't just a film; it's full of Chiyaan nostalgia, from the "Sethu"-inspired title font to the "Dhool" song tribute, this is a full-throttle VIKRAM's unrelenting swagger. A masterclass in controlled chaos. Mad respect. Now, let's be clear: if you're expecting "Dhool 2.0" or the emotional depth of "Chithha", you're looking in the wrong place. This is a wild, crazy ride, and Vikram as Kaali? He's an absolute beast.

The premise? Deceptively simple. Picture this: a normal dude, just running his shop, gets sucked into this crazy criminal mess during the village festival. And his old boss, Ravi, played by Prudhvi, is reuesting him to save his son, Kanna, from this cop, Arunagiri (SJ Suryah), who's out for blood. Turns out, this cop wants to take them down hard, like, "encounter" level, because humiliation runs deep, and retribution is best served bullet-riddled. What follows is a single, chaotic night-a high-octane action.

If you crave that conventional mass entertainer, you'll eat this up. The entire cast crushes it, but SJ Suryah as the cop? Man, he's next level. And Suraj Venjaramoodu? Creepily brilliant. And the camera work? Brownie points for the single shot will be remembered as one the best sequence in the film.

GV Prakash's music? Straight fire. It amps up the mass scenes, and there's a throwback to Vikram's "Madhura Veeran," and the crowd went wild. Theatre was shaking, for real. Now I'm hyped for what he does with Ajith's "Good Bad Ugly."

In closing, "Veera Dheera Sooran: Part 2" is a banger. It has a few rough edges and loses momentum in places, but that doesn't diminish the overall movie experience. Just go in with the right expectations, ready for a wild ride, and you won't be disappointed to see Chiyaan back in a full-blown mass role. I'm already waiting for the prequel!

The film boasts a captivating screenplay filled with intense, gripping scenes and powerful dialogues that leave a lasting impact. The stellar performances of actors like Vikram, SJ Surya, Sukumaran, and Prudhvirajan add depth and authenticity to their respective roles, showcasing their versatility and talent. Balaji's portrayal of the character Venkat stands out for its natural and effortless execution, making the character relatable and believable. The background score plays a crucial role in enhancing the emotional weight of the film, seamlessly complementing the narrative and taking the cinematic experience to a whole new level. Director Arunkumar deserves special recognition for crafting a compelling story, skillfully directing the cast, and ensuring that every character is portrayed with precision and without any flaws, resulting in a truly remarkable film.

Ven though the story itself is not anything new, the screenplay brilliantly makes it feel fresh. The way, the film shows the events of one night slowly giving the audience information piece by piece and letting us solve the puzzle for the most part while keeping the tension alive was so fun. The rawness of everything around was elevated by the great performances, obviously expected from Vikram but also most of the other cast. The flashback portion in the middle felt a little bit unnecessary and slowed down the film but the way it ended was satisfactory. The drama and the rawness were strong points of the film but the action itself was mostly just okay when everything surrounding it was really great. The action scene near the end was a bit of a mess. Narratively, it makes sense because how even at that point the characters are revealing their intents and character by their actions but it was shot in a weird way. The way a lot of small, small things are connected to the main story, a reveal at the very end which shows how everything happened because of coincidences that were meant to be and connected to each other way more than we thought was very interesting as well as giving a bit of levity after all the brutality.

The decision to call this Part 2 still feels a bit gimmicky and just a promotion tactic. There's not really much need for a part 1 but if they make it, they better make it worthy of this.

I am happy to finally watch a Vikram film from the theater and be satisfied. The screenplay was brilliant but there were a few compromises without which this could've been truly great.

Synopsis With tense scenes that offer thrills and mas moments, SU Arun Kumar's Veera Dheera Sooran - Part 2 soars in its first half but comes crashing to the ground with a routine third act

Veera Dheera Sooran - Part 2 Movie Review: A solid action thriller undone by a conventional, weakly written third act.

Veera Dheera Sooran - Part 2 Movie Synopsis: A gangster who has given up his violent ways agrees to take up one last hit job to save his former boss' son, who is the target of a police officer seeking to settle an old score. With all three using his family as a threat to bend him to their will, can he outsmart them all and remain the last man standing?

Veera Dheera Sooran - Part 2 Movie Review: SU Arun Kumar's Veera Dheera Sooran begins in a most intriguing manner. The filmmaker drops us in the middle of a developing situation with hardly any setup to give us an idea of why things are happening. This instantly makes us get involved with the film - even though we hardly know anything about its plot or character. A woman lands up at the door of Periyavar/Ravi (Prudhvi Raj, cast against type in a serious role), a local big shot with criminal links, of doing away with her husband. Her husband, meanwhile, complains to SP Arunagiri (SJ Suryah, fine balancing the greyness of the character to keep us guessing) that his wife and daughter are missing. This provides the cop with the ammo that he's been looking for to take down Periyavar and his son Kannan (Suraj Venjaramoodu, making an impressive debut in Tamil), who had played dirty with him a decade ago. Arunagiri plots an encounter killing prompting Periyavar to reach out to his erstwhile viswasi Kaali (a robust Vikram who offers a peek into the mass avatar of his Dhool and Saamy days), who has given up his violent ways and is now leading a peaceful life with his wife Kalai (a competent Dushara Vijayan even makes us overlook the huge age gap between her and the male lead) and their two children. Arun Kumar keeps the tension alive by making Kaali vulnerable as he pits him against three individuals who he cannot trust and yet do their bidding as they slyly use his family as a threat in their own ways. At least until the intermission, the director holds back from giving us any peek into their shared history. All we get are mere mentions of events and names from their past - especially an incident that they refer to as 'Sudhakar sambavam' - which has led them all to this powder keg of a situation. This actually forces us, the audience, to individually imagine what might have happened, and pick characters to root for as well as hate.

And tense action keeps unfolding as there are cat-and-mouse-game-like scenarios and near-miss episodes that keep us hooked. One particular scene, involving landmines (or "kezhangu", as the characters call it) delivers edge-of-the-seat thrill, and another, which marks the meeting of Kaali and Arunagiri gives us a whistle-worthy mass masala moment. The film would have remained unique and engaging (and also justifying the Part 2 in the title) if Arun Kumar had trusted his audience and chosen to show us only the events that unfold during this one night. Perhaps he felt breaking the convention of providing a flashback would be too risky a move, but the director decides to give us the back story (at least the portions that matter), including the 'Sudhakar sambavam'. This is where the film begins to lose its individuality as the back story that we eventually get doesn't match with what we have all built up in our heads all through the first half; rather, it just feels so routine!

The film does recover from this minor setback when it gets back to the present with an ambitious one-shot set piece (shot with dynamism by Theni Eswar, whose night-time cinematography is one of the film's strong points) that begins with a group of characters discussing who among them could be the black sheep and moves on to a shootout between cops and gangsters, and then to a heroic moment. But then, just when we expect it to soar higher, it helplessly remains stuck on the ground. Like someone painstakingly building a house of cards and finally making a move that brings most of the structure down, Arun Kumar undoes all the earlier good work with a weakly written third act (despite its title, this is not the film where we can willingly suspend disbelief when its hero gets back up after being thrashed and even shot at by over a dozen men) that leaves us with a slightly bitter aftertaste. And the director himself seems to have realised this and decides to bank on nostalgia (yes, with THAT Vikram song!) to inject some energy into his limp climax.

Verdict: Super Hit.