Dard

I can never raise questions about Shakib Khan's acting. He is a genuine pride of our Bangladesh. In Dard, he has given such a good expression that the role of thriller has increased to a large extent.

The way the plot is arranged by the director, writer Mr. Ananya Mamun, is undoubtedly of international standard. I expect more good movies from him.

Funny but ironic, the cinematography is so good that you hold your pee so as not to miss a single part of the movie. VFX , BGM , color grading are in one word outstanding. Everyone tried to give the best from his place. That should be it. Sonal Chauhan's simple, soft Bengali look has impressed me.

Go watch at your near theatre. Happy Watching!

Shakib Khan has always proven his versatility and immense talent as an actor. In "DARD-Dorod", he once again shows that there is no limit to improvement. The film presents Shakib Khan in a more refined and powerful avatar, solidifying his position as one of the greatest actors of our time. Watching him perform in "DARD-Dorod" left me in awe-it's undoubtedly one of his best performances to date. This film feels like a groundbreaking addition to Bangladeshi cinema.

Today, I watched the highly anticipated movie "DARD-Dorod", which has brought a new dimension to Bangladeshi cinema. Psychological thrillers are rare in any industry, let alone in ours. But "DARD-Dorod" introduces this genre with a fresh perspective, exploring the concept of Celebrity Worship Syndrome (CWS)-a psychological disorder characterized by an obsessive fascination with celebrities.

Among all the psychological thrillers I've seen, this is the only film that has tackled CWS as a central theme. It's a unique Genre & applied for the first in any Bangladeshi cinema (I think this is the first ever film with this theme), and it's executed successfully. If you enjoy Psychological Thriller films, you're likely to appreciate "DARD-Dorod".

To truly grasp the film's purpose, you'll need to stay engaged until the very end, as the director masterfully unveils the motivations behind the characters step by step.

What impressed me most was the stellar performance by our Megastar, Shakib Khan. His nuanced acting and expressive eyes make "DARD-Dorod" a memorable experience. His performance in the end scenes is so emotionally compelling that it will leave many in tears. This is the Shakib Khan we want to see more of-one who captivates the audience effortlessly.

The chemistry between Shakib Khan and Sonal Chauhan was amazing; they felt perfectly in sync, despite being from different countries. Everyone will love this pairing, and both delivered flawless performances.

Supporting cast members like Rahul Dev, Payel Sarkar, Alok Jain, and Rajesh Sharma also gave commendable performances. However, I expected a bit more from Payel Sarkar's character. New Bangladeshi actress Safa Marwa also appeared in the film, and she did a good job while adding a touch of glamour to the screen.

The setting of the film primarily revolves around Varanasi, India. The cinematography and visuals were enjoyable, with excellent camera work and soothing color palettes. However, I felt the locations could have been utilized even more effectively to enhance the narrative depth.

The background score was phenomenal, enhancing the emotional depth of each scene. The music during Shakib Khan's walk in the final sequence was especially captivating. The film features three songs, with "Jism Mein Tere" partially used as background music in certain scenes, which blended beautifully with the narrative.

If I were to point out flaws, there are.

After the brilliance of Toofan, expectations for Dard (2024) were naturally sky-high. Unfortunately, the movie doesn't come close to delivering. Directed by Anonno Mamun, it feels like a rushed project with lackluster execution across most areas.

While Shakib Khan's performance is, as always, commendable and the plot had some potential, the rest falls flat. The casting feels uninspired, the cinematography and color grading are dull, and the script is riddled with clichés and glaring plot holes. It's an odd mix of typical Dhallywood melodrama with hints of Tollywood flair, but the execution lacks polish.

Despite Shakib Khan's best efforts to elevate the movie, Dard is ultimately a letdown. If you're a die-hard fan, it might be worth a watch for him alone, but otherwise, it's skippable.

Rating: 4/10.

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Falling for Shakib Khan, "Dorod" is among his best performances. A new discovery in Bangladeshi cinema "Dorod."

Finally, I watched the highly anticipated movie "Dorod" today, and it has introduced a new dimension to Bangladeshi cinema. Psycho-thrillers like this are rare in Bangladesh, and "Dorod" brings something fresh: "CWS" (Celebrity Worship Syndrome) - an obsessive-addictive disorder involving an intense preoccupation with a celebrity. For the first time in Bangladeshi cinema, this genre has been explored, and it's a resounding success as a Bangladeshi film. Those who enjoy psychological genres will particularly love "Dorod."

However, you'll have to stay until the end to fully understand the motive behind the story of "Dorod", and the director skillfully reveals all the motivations behind the character one by one.

What I loved the most was our megastar Shakib Khan's flawless, heartfelt acting. His performance and his expressive eyes - those who see this Shakib Khan will never question his acting again. His eyes alone seemed to act, making it impossible to look away. And in the final scene, Shakib Khan's acting will bring tears to anyone's eyes. This is the Shakib Khan we want to see again and again.

Watching Sonal Chauhan and Shakib Khan together on screen, it didn't feel like they're from two different countries; their chemistry was amazing. Everyone will love this pairing. In short, both Shakib Khan and Sonal Chauhan delivered perfect performances on screen.

Besides them, Rahul Dev, Payel Sarkar, Alok Jain, and Rajesh Sharma also performed wonderfully in this film. Although, I did expect a bit more from Payel Sarkar's character. A new Bangladeshi girl, Safa Marwa, also starred in the film; she did well and looked glamorous.

The film's setting is mainly around Banaras in India. The cinematography and screen visuals throughout were enjoyable, with camera work and color grading that were easy on the eyes. However, the director could have explored the locations in more depth.

The background music in this film was excellent, with each scene's music enhancing the depth of the story. The best part was when Shakib Khan walked in the final scene with that music playing.

The movie includes three songs, and I particularly loved the last one. Additionally, the song sung by Balam was also impressive, and parts of his song were used as background music in some scenes, which I really liked.

If I had to point out any flaws in the film, there are some technical aspects, but I can overlook them. For the first time, a psychological theme (CWS) has been depicted in Bangladeshi cinema, bringing something fresh and valuable to our industry. It's worth watching this Bangladeshi film at least once. As a Bangladeshi film, I found it to be top-notch. Shakib Khan will make your money well spent, and you'll leave having experienced a refreshing new take on Bangladeshi cinema that you'll really enjoy.