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Fonissa

  • 2023
  • 1h 37min
VALUTAZIONE IMDb
7,3/10
2334
LA TUA VALUTAZIONE
Karyofyllia Karabeti in Fonissa (2023)
Drama

Aggiungi una trama nella tua linguaBased on the classic by Alexandros Papadiamantis, "Murderess" takes place on a remote island in Greece, circa 1900. There, Hadoula, trapped in her own mother's rejection, struggles to surviv... Leggi tuttoBased on the classic by Alexandros Papadiamantis, "Murderess" takes place on a remote island in Greece, circa 1900. There, Hadoula, trapped in her own mother's rejection, struggles to survive the dictates of a patriarchal society.Based on the classic by Alexandros Papadiamantis, "Murderess" takes place on a remote island in Greece, circa 1900. There, Hadoula, trapped in her own mother's rejection, struggles to survive the dictates of a patriarchal society.

  • Regia
    • Eva Nathena
  • Sceneggiatura
    • Katerina Bei
  • Star
    • Karyofyllia Karabeti
    • Maria Protopappa
    • Elena Topalidou
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    2334
    LA TUA VALUTAZIONE
    • Regia
      • Eva Nathena
    • Sceneggiatura
      • Katerina Bei
    • Star
      • Karyofyllia Karabeti
      • Maria Protopappa
      • Elena Topalidou
    • 10Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 12 vittorie e 16 candidature totali

    Foto20

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    Interpreti principali48

    Modifica
    Karyofyllia Karabeti
    Karyofyllia Karabeti
    • Hadoula 'Frangoyannou'
    Maria Protopappa
    Maria Protopappa
    • Delcharo (Hadoula's mother)
    Elena Topalidou
    Elena Topalidou
    • Amersa
    Penelope Tsilika
    Penelope Tsilika
    • Delhcaro (Hadoula's daughter)
    Georgianna Dalara
    Georgianna Dalara
    • Hadoula (young)
    Christos Stergioglou
    Christos Stergioglou
    • Priest Nicholas
    Niki Papandreou
    • Krinio
    Dimitris Imellos
    Dimitris Imellos
    • Dadis
    Giannis Tsortekis
    Giannis Tsortekis
    • Lyringos
    Olga Damani
    Olga Damani
    • Priest's wife
    Ersi Malikenzou
    Ersi Malikenzou
    • Lyringos' mother-in-law
    Maria Skoula
    Maria Skoula
    • Perivolas' wife
    Agoritsa Oikonomou
    Agoritsa Oikonomou
    • Moscho
    Michalis Ikonomou
    Michalis Ikonomou
    • Yannis Perivolas
    Rita Lytou
    • Kambanachmakis' wife
    Stathis Stamoulakatos
    Stathis Stamoulakatos
    • Kambanachmakis
    Veronika Davaki
    • Lyringos' wife
    Mania Papadimitriou
    Mania Papadimitriou
    • Hadoula's sister-in-law
    • Regia
      • Eva Nathena
    • Sceneggiatura
      • Katerina Bei
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti10

    7,32.3K
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    Recensioni in evidenza

    1persefan

    A Dull Movie!!

    Lets start with the basics. The same name novel is outstanding!!

    A great thriller novel with ethographic (represents the ethic and customs of a society) elements of a poor agricultural society.

    The novel explores the psyche of an old woman (Hadoula), who lived on the margins of society and suffered a lot from poverty and other people mostly from her mother. The old woman having existential thoughts, starts to "Psilonei o nous tis" that means to embrace madness. These thoughts and her insane believings lead her to become a serial killer of young girls.

    On the other hand the movie has nothing to do with this. On the movie the society not only seems to know about Hadoula killing girls, but also invite her sometimes to kill their girls. There is no suspence, no existential dilemmas, only a sick corrupted society where all the problems comes from the evil slothful Men. And of course the film doesnt explore the psyche of a troubled woman who turns into serial killer, which is amazing on the book, reaching Dostoyevskys explorations of troubled people!!!

    In few words the film has a dull and misleading atmosphere with no suspence and very slow plot. Without any deeper meanings and dilemmas.
    7bob_katsionis-75670

    A very decent Greek movie,one of the few ones.

    Just watched Fonissa in all its glory on the big screen: Great picture and DoP. Costumes,scenery,ligh,props,all really well taken care of.

    The acting as expected was top notch by the star Ms Karabeti,however due to the strange idiomatic 1800s Greek language the rest of the cast felt sub par to me,as expected once again: most actors in Greek movies perform like they are on a theatrical stage rather than on a movie. And they always use the excuse of "that's how we wanted it,it's more dramatic" Well,nope it's just annoying.

    Same goes for the usual problem in 99% of Greek movies: LACK OF CURVES. Films need to have some curves of tension,change of pace,emotion,and have a climax. This one didn't. Same stuff happening to all the film same pace same angles until the last scene when it's ends so abrupt and you re like "ah ok" But in all,a decent movie and bravo to everyone,especially director and DoP and costumes.
    10kosmasp

    Born to be bad

    The movie is killer would be another (no pun intended) summary headline I could have used. And I am quite sure that after I watched it, I had another one in mind. Which I do not remember - but I am content with my choice. Now is the main character content with her choices? Well let's not get ahead of ourselves.

    Let's start with the source (book) material ... I have not read. I was not even aware of it - same is true of the story (or rather true history behind it all). Now while we do not get to see things explicitly ... this still is not for the faint of heart ... this really cuts to the bone ... takes away your breath one might say (again no pun intended).

    Some of the acting may feel ... well not top notch and I understand that the movie also feels low budget and many other things ... but the rawness of it is exhilarating to say the least. With a title like that, you may have some notion of where this might go - if you read the book you already know obviously. But if like me you haven't ... not sure if you will guess it from the start - it took me a minute to realize what this was about and what dark turns it would take.

    When you look back - the way you lived, you handled your life ... you likely will make up excuses for poor choices you made (and I am being a bit nonchalant considering what we are talking about here) ... but everyone is a hero in their own story ... and the same is true for the main character here ... she does not see herself as a bad person ... she thinks she helps. The dialog may be too on the nose, too obvious instead of reading things between the lines ... but the message is strong nonetheless ... a powerful movie/theme ... that is hard to grasp if you have a modicum of empathy ...
    1goutasos

    What a mess!!!

    What misery a bad Papadiamantis story in its bad film adaptation. The case is moving slowly. Very late, you could barely watch it if you have sleep problems. The protagonist saves the situation a little, but in the midst of a bad mess, she too gets carried away. What a bad movie. How Bad interpretations. A mess of an hour and a half that you just want to end before you get a headache. Don't make the mistake of seeing her. Don't press cinema and if you happen to be on TV just change the channel. An attempt by the director to give a dramatic tone to the film is very dark in every scene. The countless overcast shots and the constant black clothing of the actors. A bad music and overall a golden mediocrity.
    6g_bit

    It s a maybe for me

    Nai men alla...

    The story needed more work; as Georgousopoulos once told me when we were having coffee in Kolonaki, if a creator uses Papadiamantis' work they should respect the main structure, and then they may add whatever the heck they wish to add; if they don't, the plot starts to have problems.

    I went to watch the movie hoping it would be a masterpiece. I think they did a good job but something was missing...

    On the other hand I loved the level of production; them cloths; the scenery; the beautiful village; the actresses; Karampeti, in particular.

    Maybe next time a creator makes a movie out of Fonissa they try to use Zoulias' work for "the women of Papadianantis".

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    Trama

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    Dettagli

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    • Data di uscita
      • 1 dicembre 2023 (Grecia)
    • Paese di origine
      • Grecia
    • Sito ufficiale
      • Official Film Website
    • Lingua
      • Greco
    • Celebre anche come
      • Murderess
    • Aziende produttrici
      • Tanweer Productions
      • View Master Films
      • Cosmote TV
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 37 minuti
    • Colore
      • Color

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