Anchakkallakokkan

Anchakkallakokkan Porattu

A sure shot for movie buffs who would love to watch something different from the normal mainstream cinema filled with multiple action sequences.

Before watching the movie I made a visit to Ullas Chembans short film Pambichi to understand his style of making. After watching the short film I came to the conclusion that the director has great potential for making a commercial entertainer.

Coming to the movie, Anchakkallakokkan name itself sounds interesting and mysterious and was looking forward to see what treat director has offered the audience.

Set in the backdrop of Kerala Karnataka border,we can notice influence of Telugu films and Folklore art Theyyam in the movie which he has portrayed in his short film also.

The movie moves through the perspective of Lukmans character who got his first posting to the Police Station in Border area of Kerala Karnataka.

The story revolves around a murder of a landlord that takes place in the village during the election campaign period followed by the police investigation and how Lukman finds the real truth behind the murder and the hands behind it.

The characters played by Chemban Vinod Jose,a senior policeman in a never before seen facial avatar gained attention with his powerful performance.

Lukman played his character naturally and no shades of his role in Unda was noticed. Merin Mary Philips character in the movie was totally a misfit to the story were she had nothing to do. Sreejith Ravis performance as a cunning womaniser landlord was amazing.

Merin Jose Pottakkal(Angamaly Diaries fame) and his brother as Gillappi Brothers,local country boys steal the show with their language accent,dance moves and terrific action sequences throughout the movie and it will be a break for both the artists who played their characters. Their characters got influenced from Western Cowboy styles.

Manikandan Achari,Senthil,RJ Murugan,Megha Thresiamma Thomas and Jojis(Fahadhs brother in Joji movie) performance also stands out in the movie.

When coming to behind the screen performances,Ullas Chemban has convincingly put his vision into screens along with Vikil Venu who has penned the movie,Music by Manikandan Achari synced well in the emotional areas and BGMs in action sequences was a different experience. Cinematography by Ambro and cuts by Rohit V S made the movie a stand out action treat for the audience.

A watchable movie with a different style of making.

Rating - 3/5.

Great cinematography, a plot that unfolds in different levels, Wonderful BGM. A very good mystery and thriller. Director being a debutant made a wonderful effort. Created 1980 s environment very carefully. Even though mystery is revealed by end of the plot there is more to it. Wonderfully made climax fight with unpredictable moves and unexpected ending. It would be very difficult to predict who's the villian in the tale and even if villian is known after some time it would be very unpredictable on how the villian will meet his end and how the hero man up are shown in very unique way that is very whole essence of the film lies in.

Music and background score- super. Direction is good. Editing- not great. Story - not told well. Script - not okay, no depth for any character. Not for the family audience. Completely overhyped movie.

Considering the story involved and charectors portrayed, this movie could have been very exciting and engaging if a tight script was available. Even the main character handled by Lukeman was portrayed poorly which gives the audience a confused and unsatisfactory experience.

Camera work was great on long range shots but failed to impress on normal shots also lacked quality in many frames.

A bit more effort to polish the story and script along with some power for Lukeman's character would have done justice to the audience, at least.

While the screenplay is loose in places (especially in the second half), Anchakkallakokkan benefits from having a fairly strong technical team to back it up. This is a period film (the year is 1986), unraveling in a fictional town on the Kerala-K'taka border. It's also a partial whodunnit, as the film begins with the midnight murder of a prominent landlord in the area. The first act doesn't emphasize this, as it's busy acquainting us with various characters in/around the hillside town's police station. While the film takes the perspective of Vasudevan (Lukman) as a means to introduce the period setting and characters, it gradually becomes clear that deeming him the protagonist is pointless. Each character is a protagonist in their individual stories (or subplots), while we arrive at the key antagonist in a slow-burn, twisty reveal.

The production design and art departments seamlessly recreate a politically wavering era, and the performances hold it all together. The guys who played the Gillappi brothers (one of them is from Angamaly Diaries, and the other reminds you of a young, dancing Vinayakan from Maanthrikam) were entertaining as hell, and whenever the film mildly showed signs of a slow-down, their entry (or re-entry) would fire things up. There's an entire set piece dedicated to them right before the interval, which was both neatly choreographed and captured. The second act is spent in connecting the murder-mystery dots while simultaneously making us understand the relevance of the film's title. Manikandan Ayyappa's score is extremely significant to the proceedings, and a major factor in raising adrenaline levels during the extended fight scenes.

I think where the film failed to hit the bullseye is in its writing. This is clearly the case with Lukman's character transformation, which is quite sudden and unconvincing. The film's title is justified, though the route taken could have been better etched. Also, when the film goes into whodunnit mode, it tries to interweave multiple subplots together, complicating things for a little while before wrapping up nicely. The visual effects are also barely okay, and that's understandable given it's a low-budget flick.

P. S. Ullas Chemban becomes another promising name to watch out for, in the future.

P. P. S. I have a feeling the film will work ONLY in theatres, if at all. OTT reviews aren't likely to be very positive.

The storyline fails to captivate viewers, lacking the depth needed to engage them fully. The performances by the main characters feel clichéd and fail to bring anything new to the table. The fight scenes suffer from lagging and fail to deliver the excitement expected, leaving audiences feeling bored. Additionally, the absence of suspense diminishes any potential intrigue the film could have offered. The climax was disappointingly predictable, leaving much to be desired in terms of creativity and execution. The screenplay, meticulously crafted, seamlessly weaves together intricate plot threads, while the choreography enhances the narrative with its precision and fluidity. Moreover, the judicious selection of shooting locations adds depth and authenticity to the film's backdrop, elevating the overall cinematic experience.