Anchakkallakokkan

Great cinematography, a plot that unfolds in different levels, Wonderful BGM. A very good mystery and thriller. Director being a debutant made a wonderful effort. Created 1980 s environment very carefully. Even though mystery is revealed by end of the plot there is more to it. Wonderfully made climax fight with unpredictable moves and unexpected ending. It would be very difficult to predict who's the villian in the tale and even if villian is known after some time it would be very unpredictable on how the villian will meet his end and how the hero man up are shown in very unique way that is very whole essence of the film lies in.

Music and background score- super. Direction is good. Editing- not great. Story - not told well. Script - not okay, no depth for any character. Not for the family audience. Completely overhyped movie.

Considering the story involved and charectors portrayed, this movie could have been very exciting and engaging if a tight script was available. Even the main character handled by Lukeman was portrayed poorly which gives the audience a confused and unsatisfactory experience.

Camera work was great on long range shots but failed to impress on normal shots also lacked quality in many frames.

A bit more effort to polish the story and script along with some power for Lukeman's character would have done justice to the audience, at least.

While the screenplay is loose in places (especially in the second half), Anchakkallakokkan benefits from having a fairly strong technical team to back it up. This is a period film (the year is 1986), unraveling in a fictional town on the Kerala-K'taka border. It's also a partial whodunnit, as the film begins with the midnight murder of a prominent landlord in the area. The first act doesn't emphasize this, as it's busy acquainting us with various characters in/around the hillside town's police station. While the film takes the perspective of Vasudevan (Lukman) as a means to introduce the period setting and characters, it gradually becomes clear that deeming him the protagonist is pointless. Each character is a protagonist in their individual stories (or subplots), while we arrive at the key antagonist in a slow-burn, twisty reveal.

The production design and art departments seamlessly recreate a politically wavering era, and the performances hold it all together. The guys who played the Gillappi brothers (one of them is from Angamaly Diaries, and the other reminds you of a young, dancing Vinayakan from Maanthrikam) were entertaining as hell, and whenever the film mildly showed signs of a slow-down, their entry (or re-entry) would fire things up. There's an entire set piece dedicated to them right before the interval, which was both neatly choreographed and captured. The second act is spent in connecting the murder-mystery dots while simultaneously making us understand the relevance of the film's title. Manikandan Ayyappa's score is extremely significant to the proceedings, and a major factor in raising adrenaline levels during the extended fight scenes.

I think where the film failed to hit the bullseye is in its writing. This is clearly the case with Lukman's character transformation, which is quite sudden and unconvincing. The film's title is justified, though the route taken could have been better etched. Also, when the film goes into whodunnit mode, it tries to interweave multiple subplots together, complicating things for a little while before wrapping up nicely. The visual effects are also barely okay, and that's understandable given it's a low-budget flick.

P. S. Ullas Chemban becomes another promising name to watch out for, in the future.

P. P. S. I have a feeling the film will work ONLY in theatres, if at all. OTT reviews aren't likely to be very positive.

The last 20 minutes of a movie is a treat, it gives you a a Quentin Tarantino fest. With all of the baddies coming to a one major showdown. The writing could have been a little better the way it ended. The build up was such that u expected a little more tighter finish. Because the expectation bar was raised to a great level during then last action sequence, wish they would have shown the lukman character evolving and his self discovery on a better note.

. Chemban vinod acted well. Cinematography is top notch so is the folk music. The Ending leaves u with a feeling of being rushed thru. However The Overall still a descent watch.

The Story pacing ,Character buildup and Color grading all are not in so called usual ways ; presented with a touch of Western style film making ; excellent from Debutant writer cum director ullas chemban

Three things are standout in this movie , First is ; Stunning Cinematography by armo & Second is Actions ; Very much Impressive and third is Outstanding Bgm work by Manikandan Ayyappa !!!

Well supported acting by strong performances of Chemban Vinod ; his transition scenes of different shades of character is excellent and also fine acts by lukman , Manikandan Achari and meghaakash !

We need every kind of movies ,this one is something Different and Experimental action entertainer presented in a way to enjoy it in Big screen near you.