Aggiungi una trama nella tua linguaElizabeth and Darcy, now six years married, are preparing for their annual ball when festivities are brought to an abrupt halt. An adaptation of PD James's homage to Pride and Prejudice.Elizabeth and Darcy, now six years married, are preparing for their annual ball when festivities are brought to an abrupt halt. An adaptation of PD James's homage to Pride and Prejudice.Elizabeth and Darcy, now six years married, are preparing for their annual ball when festivities are brought to an abrupt halt. An adaptation of PD James's homage to Pride and Prejudice.
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Being a fan of PD James and Jane Austin I was looking forward to watching this show. It took a while to get past Elizabeth being totally out of character...at least from the stand point of Pride and Prejudice 1995 version. They dressed her down and made her look kind of dowdy and act miserable through most of the show. They didn't change the character of Darcy much--as my mother said, it looks like he has a toothache through most of the show. The colonel was also changed to be a rather secretive fellow, unlike his easy going character in P&P. The other characters seemed to mesh well with their original characters. If you have never seen Pride and Prejudice (1995 version) then you won't be disappointed. It is a good little English mystery.
Firstly, I hate fanfic. My teeth start grinding after a few paragraphs, even when it's written by PD James.
Secondly, if you're going to do anything with P&P you have to judge your two main casting decisions with a perfection required almost nowhere else. We all know Elizabeth and Darcy so well. So the producers of two productions which have dared to go off piste, Lost in Austen and this one, must have thought long and hard. Gemma Arterton did extremely well in Lost in Austen, a blend of period drama, summer RomCom and Dr Who, and Anna Maxwell Martin, as you might expect, is simply perfect here, in Austen meets the Poirot Christmas Special.
Anna gives us the mature Elizabeth, holding court at her more informal Pemberley, with an older Darcy who has recovered all his manly confidence in personal relationships and yet is even more deeply smitten. They have a son and are clearly wonderful parents. Both characters have changed in exactly the way Austen predicted in her last chapter. Elizabeth has risen in status and now wears the authority of Mistress of Pemberley, rationally softened, like its master. They are unusually sparkly together and very reminiscent of the Netherfield scenes. This is principally down to the extremely good performances from two actors and an their understanding of their characters which goes way beyond the script.
The whole cast is outstanding, the best in a period drama since Emma09 and the mystery is satisfyingly interesting. There's lots of clever 'dialogue' with the original and arch references to earlier productions (it's the 95 Pemberley).
What's not to like?
Can't wait for the next instalment, as Pemberley itself is challenged and their relationship is tested. I do hope the Bingleys, Caroline at least, turn up soon.
Of course, it isn't Austen. If it hurts to think that it is, then imagine it as a 100-year prequel to Downton Abbey, 10 times better acted and 50 times better written.
Secondly, if you're going to do anything with P&P you have to judge your two main casting decisions with a perfection required almost nowhere else. We all know Elizabeth and Darcy so well. So the producers of two productions which have dared to go off piste, Lost in Austen and this one, must have thought long and hard. Gemma Arterton did extremely well in Lost in Austen, a blend of period drama, summer RomCom and Dr Who, and Anna Maxwell Martin, as you might expect, is simply perfect here, in Austen meets the Poirot Christmas Special.
Anna gives us the mature Elizabeth, holding court at her more informal Pemberley, with an older Darcy who has recovered all his manly confidence in personal relationships and yet is even more deeply smitten. They have a son and are clearly wonderful parents. Both characters have changed in exactly the way Austen predicted in her last chapter. Elizabeth has risen in status and now wears the authority of Mistress of Pemberley, rationally softened, like its master. They are unusually sparkly together and very reminiscent of the Netherfield scenes. This is principally down to the extremely good performances from two actors and an their understanding of their characters which goes way beyond the script.
The whole cast is outstanding, the best in a period drama since Emma09 and the mystery is satisfyingly interesting. There's lots of clever 'dialogue' with the original and arch references to earlier productions (it's the 95 Pemberley).
What's not to like?
Can't wait for the next instalment, as Pemberley itself is challenged and their relationship is tested. I do hope the Bingleys, Caroline at least, turn up soon.
Of course, it isn't Austen. If it hurts to think that it is, then imagine it as a 100-year prequel to Downton Abbey, 10 times better acted and 50 times better written.
I am sorry to disagree with the many fans of this. The dialogue is terribly anachronistic and a million miles from the style of Jane Austen. "Let's not overreact" from Darcy, for example, and worst of all from Lady Catherine de Bourgh, the world's most supercilious and conservative woman of her age, who says to Lizzie, "We need to talk". Need I say more?
I'm not an expert on legal procedures through the ages, but I strongly suspect that the court scenes were anachronistic, too. Others can probably give better information on this.
Also, I noticed very little chemistry between the Darcys, despite what some have claimed.
I'm not an expert on legal procedures through the ages, but I strongly suspect that the court scenes were anachronistic, too. Others can probably give better information on this.
Also, I noticed very little chemistry between the Darcys, despite what some have claimed.
Okay I know this is a piece of fan fiction, and I did enjoy it. It does keep you guessing til the end and it's worth watching. But....
When you use well known and loved characters from something as famous as Pride and Prejudice, they should at least stay faithful to their original characters. Which it does, mostly, but the portrayal of Elizabeth Bennett was just really off. She's supposed to be beautiful, witty and fun loving, whilst perceptive. In this she comes across as a plain, almost miserable woman. I did not like this portrayal at all and it did ruin it for me a bit.
When you use well known and loved characters from something as famous as Pride and Prejudice, they should at least stay faithful to their original characters. Which it does, mostly, but the portrayal of Elizabeth Bennett was just really off. She's supposed to be beautiful, witty and fun loving, whilst perceptive. In this she comes across as a plain, almost miserable woman. I did not like this portrayal at all and it did ruin it for me a bit.
Had this pvr'd so didn't get to watch it until recently. The main characters were mis-cast. Rhys as Darcy just didn't work, but he would have made a great Wickham. Matthew Goode should have been cast as Darcy, and not as Wickham. And seriously, who would have thought to cast AMM as Lizzie? Her presence was paper-thin, and had difficulty carrying the role and the dialogue to make Lizzie spring to life and be the object of Darcy's adoration. And by the end of even the first episode, I was seriously tired of seeing her in the same, ugly blue dress. I was beginning to think it was the only one she owned until they came up with the same dress in episode two, but this time in green. And that little bolero jacket, and the pickle-barrel bonnet was just too much for me. For a woman of means, after 6 years of being married to a wealthy man and representing the estate, you would think she had more than two daytime dresses, that she wore everywhere. Did she get them at the church jumble sale or the bottom of the missionary barrel? And Rebecca Font as Mrs. Bennett? Really??? That was just too painful to watch.
Lo sapevi?
- QuizChatsworth House, the Derbyshire estate where the Pemberley exteriors were filmed for this mini-series, was also filmed for Pemberley's exteriors in the 2005 film version of "Pride and Prejudice," starring Keira Knightley.
- ConnessioniFeatured in MsMojo: Top 10 Best Jane Austen-Inspired Movies (2022)
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- Death Comes to Pemberley
- Luoghi delle riprese
- Castle Howard, York, North Yorkshire, Inghilterra, Regno Unito(Pemberley - ballroom and other interiors)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
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