61
Metascore
37 recensioni · Fornito da Metacritic.com
- 91TheWrapMatthew CreithTheWrapMatthew CreithNuremberg benefits not only from a terrifying performance from Crowe in a larger-than-life role like those that defined the early part of his career, but also from the ensemble of actors.
- 90The Hollywood ReporterMichael RechtshaffenThe Hollywood ReporterMichael RechtshaffenVanderbilt’s commanding Nuremberg couldn’t have arrived at a more consequential time.
- 70Next Best PictureJason GorberNext Best PictureJason GorberThe prevention of the rise of similar evil is an unending project needing similar vigilance and tenacity as expressed by many of those captured here on screen in “Nuremberg.”
- 60The GuardianRadheyan SimonpillaiThe GuardianRadheyan SimonpillaiThe movie reduces Kelley’s psychiatric insights into soundbites, manages to whittle down the proceedings at the Nuremberg trials into the familiar tropes and cliches from classic courtroom movies, and even lets Crowe’s performance surrender its nuances to hammy villainy, all for the sake of reliable entertainment.
- 60Screen DailyTim GriersonScreen DailyTim GriersonThose laudable intentions can too often result in a lethargic narrative. The characters may contain degrees of shading, but they rarely come to life, leaving Nuremberg feeling like a professional but dusty reenactment.
- 60VarietyOwen GleibermanVarietyOwen GleibermanThe film presents itself as lavishly somber and important and includes several not-so-veiled references to the rise of intolerance, and the need to maintain international standards of justice, in the world today. But Nuremberg, competent and watchable as it is, isn’t big on psychological tension or insight.
- 60ColliderRoss BonaimeColliderRoss BonaimeQuite frankly, it never hurts for a film to preach the dangers of Nazis and how they can be anywhere and everywhere, but it is a bit of a shame Nuremberg isn’t finding a more compelling, enticing way to tell this inherently fascinating true story.
- 58IndieWireKate ErblandIndieWireKate ErblandIn both feel and form, Nuremberg is either classic or staid, depending on your stomach for such films. All of it is necessary. None of it is new.
- 50The PlaylistGregory EllwoodThe PlaylistGregory EllwoodThe contemporary allegories are obvious, but too much of Vanderbilt’s screenplay gets lost in literal card tricks and heightened melodrama.
- 50The Film StageEthan VestbyThe Film StageEthan VestbyNuremberg goes down easily enough for the first two acts, but you begin to question the purpose of the whole enterprise by the end, where it tries making a grander point about the pathology of evil that nothing in the rest of the film supported.