Aggiungi una trama nella tua linguaJim - a lonely, troubled young man who works as an apartment superintendent, is replaying his tortured past. Through a series of flashbacks, and interactions with the mysterious tenants he i... Leggi tuttoJim - a lonely, troubled young man who works as an apartment superintendent, is replaying his tortured past. Through a series of flashbacks, and interactions with the mysterious tenants he is surrounded by, we not only learn of his dark secrets, but also what it means to be norma... Leggi tuttoJim - a lonely, troubled young man who works as an apartment superintendent, is replaying his tortured past. Through a series of flashbacks, and interactions with the mysterious tenants he is surrounded by, we not only learn of his dark secrets, but also what it means to be normal. The answers he finds in his journey will shatter not only his perceptions of the past, ... Leggi tutto
Recensioni in evidenza
Richard Griffin's directing was sharp and stylish, and Leonard Xavier Roberts Schwartz's script was ferocious. Add into that a remarkably intense cast of extreme talent, and what followed was a claustrophobic and atmospheric slice of art that was absolutely delicious for the mind. Similar to the way Chabrol would construct quiet mysteries out of anxiety rather than blood, this movie uses close quarters to ramp up the tension, and a color palette that titillates as much as it unnerves. Movies like NORMAL are truly special, as they remind viewers that the realm of low budget has not seen its final hey day, and that great art is out there waiting to be discovered and celebrated. This is a film that deserves to be seen. Do yourself a favor, and track down this remarkable gem.
Other than that, I found everything to be very tough to watch.
The constant, same-volume soundtrack throughout the whole music was an aural onslaught. It didn't allow for times of quiet to collect your thoughts or focus on what was happening in the movie. It sounded like it was going for a "Drive" feel, but it was a little overbearing. It felt like it was a cover up for not having foley editing or sounds that were actually happening in the scenes in some occasions. It felt awkward watching a scene where you were expecting sound effects to be heard at least slightly, but only just the music. Felt a little amateur and unpolished.
The dialogue audio was very difficult to listen to as well. It didn't sound natural and actually made it physically difficult to pay attention to at times.
Now, the writing.. I really couldn't understand what was going on. I think too much was trying to be done. As much as I know they wanted to probably keep some of the story a mystery in the beginning, I felt like it was missing a lot of establishing information. I felt like I was thrown into something and had to spend a lot of energy trying to put the pieces together, more so than you should normally have to do during a movie.
And then there was a lot of what probably was extraneous information being thrown in. References to things that never came up again, probable metaphors that either were so hidden that an average viewer wouldn't be able to pick up on or was never fleshed out.
The movie is all down too. There were no juxtaposing scenes. Which, fine, may be the style he was going for, but it makes it very difficult to watch. It felt like there wasn't a good flow to things, breather scenes, etc. Not that you needed a big emotional breather, but information- processing breather.
In a general sense though, a I didn't really understand what the story was. I couldn't tell what was actually driving the main character. What problem was trying to be solved. There were a few possible threads that I thought were presented, but it also seemed like there were pieces to the puzzle, that were crucial to be known, that weren't exposed. So the characters were able to work through things on their own, but the audience had no idea what had happened.
A lot of of the duologue was awkward and some of the exposition was unnatural. The delivery of most lines didn't help either. Lines were forced, over-dramatic, and generally unnatural.
The one thing that I found impressive was set design. To a degree. I could tell it was all built from scratch, which I always find impressive for an independent production. It felt claustrophobic, but I understand that was the point, and could at least gather that from watching. There were a couple lines that didn't jive with the set that I felt could've been adjusted. A couple in particular was "this is the nicest apartment in the building" and "this is exactly what we were looking for". Given where the apartments were, it could be fine, but I felt like the lines could've been adjusted a bit to not seem so ridiculous to a viewer and thinking "really, THAT apartment?" Maybe a little nit-picky, but that was one thing that stood out to me.
What I felt that all these things distracted from the story itself. If there was one.
I went in with an open mind, I like independent productions and have seen some very good ones. But this, I found myself getting antsy waiting for it to end very quickly into it.
Lo sapevi?
- QuizShot in eleven days.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Luoghi delle riprese
- Providence, Rhode Island, Stati Uniti(main location)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000 USD (previsto)
- Tempo di esecuzione1 ora 24 minuti
- Colore
- Proporzioni
- 2.35 : 1