Un ranger dell'USFS indaga sulla morte di un influencer dei social media e su eventi insoliti nella sua città, portandolo a confrontarsi con la possibilità che l'esistenza di Bigfoot sia leg... Leggi tuttoUn ranger dell'USFS indaga sulla morte di un influencer dei social media e su eventi insoliti nella sua città, portandolo a confrontarsi con la possibilità che l'esistenza di Bigfoot sia legata a questi eventi.Un ranger dell'USFS indaga sulla morte di un influencer dei social media e su eventi insoliti nella sua città, portandolo a confrontarsi con la possibilità che l'esistenza di Bigfoot sia legata a questi eventi.
- Regia
- Sceneggiatura
- Star
- Henry's Father
- (voce)
Recensioni in evidenza
At first glance, this resembles the shot-on-cellphone glut of straight-to-streaming crap that's been flooding the market lately. It was made by a tiny cast and crew on a micro-budget, both the dialogue and acting are a little clunky in spots, and worst of all, it starts off seeming like yet another story about a YouTuber (which has become a whole subgenre of bad horror movies in the 2020s, but thankfully, the found-footage aspect here is fairly miniscule).
Beneath the modern conventions, however, it feels more like drive-in fare from the '70s. It's a character piece that's slow and talky, the humor (mostly provided by an older ranger named Al) is intentionally corny, and it sort of subverts expectations. Also, although this is technically a monster movie, the director opted to only show the Bigfoot in fleeting glimpses, which was probably wise.
I was in the right mindset to get invested in the story, and felt rewarded by the final act, which is where the movie really shines. Despite what others have claimed, I thought it was very well shot, edited, and scored. My one major problem was with the pacing, which could have been tightened up a bit.
People looking for a big-budget, thrill-a-minute flick filled with gore and prolific monsters need to look elsewhere for entertainment. But if you can overlook the various shortcomings, this is a solid little b-movie that's a cut above the other garbage that's coming out these days.
The storyline in the movie was bland and forgettable. I wasn't particularly entertained throughout the course of the 106 prolonged minutes that the movie ran for. Writers Ashley Chick, James Chick and Ryan Stahl just failed to conjure up an overly interesting, much less actually entertaining, script and storyline for director James Chick to bring to the screen.
I wasn't familiar with the cast ensemble in the movie, but the acting performances were fair, though nothing outstanding really.
Visually then you're not in for anything grand. "Feet of Death" was a low-key special effects movie. Not that I think an abundance of great special effects would have mattered much, because the movie was lacking in the story department.
While I did manage to sit through the entire movie, I wasn't particularly entertained. And I can honestly say that I am not returning to watch "Feet of Death" a second time. Nor is it a movie that I would warmly recommend for horror genre fans to rush out and get to watch.
My rating of director James Chick's 2024 movie "Feet of Death" lands on a generous three out of ten stars.
In the end, I was pleasantly surprised. The story is well written, the atmosphere and acting is solid and the characters are well thought of. Some aspects are somewhat predictable but that didn't spoil the fun. A fresh breath in an area which is usually filled with sub par (Indië) productions.
Set in the haunting wilderness of the Pacific Northwest, this film blends cryptozoology and murder mystery to create a slow-burn thriller. The victim, a YouTuber obsessed with proving the existence of Bigfoot, had been investigating a series of bear attacks in the area, convinced they were the work of something much larger and deadlier. His death sets off a tense investigation led by a forest ranger named Jason, who is grieving the loss of his own wife under similar circumstances. Jason teams up with a local sheriff he doesn't quite trust, and together, they delve deeper into the woods to uncover the truth.
Director James Chick delivers a suspenseful atmosphere where the forest itself feels like a lurking threat, with cinematography that captures the beauty and terror of nature's untamed power. The film's pacing may feel slow at times, but it masterfully builds tension, keeping viewers guessing whether the culprit is an unhinged human or the elusive Sasquatch. While the movie doesn't bombard you with constant jump scares, the creeping dread is ever-present, leading to a final act that delivers in unexpected ways.
The creature itself is wisely kept in the shadows for most of the film, which adds to the suspense and allows your imagination to run wild. And when we do catch glimpses, it's clear that the practical effects team put effort into crafting a Bigfoot that feels grounded, yet otherworldly-part ape, part myth. The film embraces its low-budget origins but rises above the usual fare with strong performances and a focus on character dynamics. The tension between Jason and the sheriff, and the personal stakes involved, give the story depth beyond the typical monster movie.
In my opinion, "Feet of Death" manages to stand out from the flood of cryptid horror films out there. It's an atmospheric, character-driven piece that rewards patience with a satisfying payoff. For fans of Bigfoot lore and slow-burning mysteries, this film is a refreshing addition to the genre. And honestly, we were long overdue for a solid Bigfoot movie like this.
Lo sapevi?
- QuizThe caves were remote from the principal shooting locations, and on the day the footage was filmed, the power generator wouldn't start, so they had to use a power bank. Unfortunately, the energy was quickly depleted, so the director had to plug it into his truck and keep the engine running to provide a charge.
- BlooperTutte le opzioni contengono spoiler
- Citazioni
Jennifer: I found human DNA on the lips of the victim... It came back as a Mary Moore. Saliva, and placed on the victim's lips, postmortem.
Jason Easterly: I guess she snuck in a kiss goodbye.
Ken Clark: That's not funny, that's nasty.
Jason Easterly: Yeah, it's probably criminal.
Ken Clark: Well, not technically, but doesn't mean it's right. That's between her and the good Lord.
- Curiosità sui creditiA brief scene follows the closing credits.
- ConnessioniReferences The Beverly Hillbillies (1962)
I più visti
Dettagli
Botteghino
- Budget
- 15.000 USD (previsto)
- Tempo di esecuzione1 ora 46 minuti
- Colore