Nel 1980, un gruppo di giocatori di baseball del college si fanno strada attraverso le libertà e le responsabilità dell'età adulta non controllata.Nel 1980, un gruppo di giocatori di baseball del college si fanno strada attraverso le libertà e le responsabilità dell'età adulta non controllata.Nel 1980, un gruppo di giocatori di baseball del college si fanno strada attraverso le libertà e le responsabilità dell'età adulta non controllata.
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I had great hopes for this, ,knowing Linklater's work. I had great expectations also because I anticipated seeing "my" college era and experience through his lens and view. It did not resonate but I was never a part of a Fraternity or clique. What did sink in and where the movie turned for me was the realization that this was a film about discovery and how this group of misfits are finding their own identity. Once I got over the "Jock Talk" and realized that fact, I started to really like this movie. It was an interesting choice to select a group of Baseball players to serve as the vehicle to discovery and identity. It turned out this film did, in fact, resonate with me as I was a loner in college who had many friends who "belonged" to various groups, never once considering myself a part of any particular group. That diversity was one of the best value propositions I got out of my college experience. The quest for diversity was very well presented in this movie picture show.
Preface,
Richard Linklater has a very unique style of directing. In his more spirited films, Slacker, Dazed and Confused, and now Everybody wants Some; Linklater finds a way to make you enjoy a film that doesn't necessarily have a plot. In each of those 3 amazing movies he's directed, the movies just follow the characters as they develop, without a generic or mainstream plot. It's extremely refreshing to get kind of a lackadaisical, orderless and adaptive type plot.
The movie follows a bunch of college baseball players who will fully commit and do anything to have a good time. Everything they do becomes a competition between themselves.
It won't be everyone's type of humor, but this movie is hilarious and it's an easy watch. I highly recommend this movie! It's extremely underrated.
The movie follows a bunch of college baseball players who will fully commit and do anything to have a good time. Everything they do becomes a competition between themselves.
It won't be everyone's type of humor, but this movie is hilarious and it's an easy watch. I highly recommend this movie! It's extremely underrated.
"Don't be afraid to let the experience find you." Willoughby (Wyatt Russell)
Everybody Wants Some!! is a real comedy, not some reality show knock off about college athletes gone bad. It's 1980, it feels like 1980, and the kids are full of 1980's optimism expressed in their passion for baseball and hot chicks. The "experience" the very high, hippie philosopher Willoughby promotes in the quote above comes for most at college, where new experiences find and transform.
The hero is Jake (Blake Jenner), a freshman pitcher joining the rest of the college baseball team in one of their two houses provided off campus, conveniently unsupervised. He represents the youthful idealism of a former high-school star athlete on scholarship at a small south Texas college. Linklater's plot is so charmingly rambling, like his favorite pinball motif, that character development is acceptably absent. With the pastiche of pranks that serve as episodes, seriousness can't prevail anymore than it did in Linklater's classic, Dazed and Confused.
The most interesting character has to be Finn (Glen Powell), the ladies' man spouting Linklater aphorisms like the one above. He's a woman-con who nevertheless comes out with thoughts for life amidst his clowning.
What makes this film different is that from the beginning these wisecracking jocks know they're not going to be picked up by the pros, but they still talk about that happening with the right realistic attitude. Director Richard Linklater, coming off his Oscar-nominated Boyhood, in which he showed unique insight into a growing boy, now paints a portrait of young men quickly transitioning into men who know what's up.
During this coming of age story, the players play at college life with the same gusto they show for their sport, not always scoring but always in pursuit, as if both games were evidence of their right to success, an American characteristic to be sure. Seeing a possible scout painting a house near the playing field, the realization is that he may not be a scout. All everybody can infer is it's good to be ready when any of life's "scouts" should come by.
The wit is omnipresent and occasionally brilliant, evidenced by these two insults: dipshitification and fuckwithery—used more than once to put someone down and toughen up at the same time.
Amidst Twilight Zone VHS's, Van Halen, and Carl Sagan, Linklater has returned us to 1980). And dare I say it, gives a good name to nostalgia.
Everybody Wants Some!! is a real comedy, not some reality show knock off about college athletes gone bad. It's 1980, it feels like 1980, and the kids are full of 1980's optimism expressed in their passion for baseball and hot chicks. The "experience" the very high, hippie philosopher Willoughby promotes in the quote above comes for most at college, where new experiences find and transform.
The hero is Jake (Blake Jenner), a freshman pitcher joining the rest of the college baseball team in one of their two houses provided off campus, conveniently unsupervised. He represents the youthful idealism of a former high-school star athlete on scholarship at a small south Texas college. Linklater's plot is so charmingly rambling, like his favorite pinball motif, that character development is acceptably absent. With the pastiche of pranks that serve as episodes, seriousness can't prevail anymore than it did in Linklater's classic, Dazed and Confused.
The most interesting character has to be Finn (Glen Powell), the ladies' man spouting Linklater aphorisms like the one above. He's a woman-con who nevertheless comes out with thoughts for life amidst his clowning.
What makes this film different is that from the beginning these wisecracking jocks know they're not going to be picked up by the pros, but they still talk about that happening with the right realistic attitude. Director Richard Linklater, coming off his Oscar-nominated Boyhood, in which he showed unique insight into a growing boy, now paints a portrait of young men quickly transitioning into men who know what's up.
During this coming of age story, the players play at college life with the same gusto they show for their sport, not always scoring but always in pursuit, as if both games were evidence of their right to success, an American characteristic to be sure. Seeing a possible scout painting a house near the playing field, the realization is that he may not be a scout. All everybody can infer is it's good to be ready when any of life's "scouts" should come by.
The wit is omnipresent and occasionally brilliant, evidenced by these two insults: dipshitification and fuckwithery—used more than once to put someone down and toughen up at the same time.
Amidst Twilight Zone VHS's, Van Halen, and Carl Sagan, Linklater has returned us to 1980). And dare I say it, gives a good name to nostalgia.
I enjoyed this movie and love all of Linklater's works. Certain directors just mesh well with your world view and style. His humor works for certain people, and it doesn't translate well for international audiences. For instance, I can't stand Kevin Smith's style of comedy, but many people adore it.
This movie took me back to my college years. I attended the University of Texas and belonged to a fraternity. Although we weren't athletic jocks, there were similar dynamics, characters, and situations as with this movie's baseball team. Looking back it was immature and misogynistic fun, however it happened and I had great memories from then. This movie captured that very well.
That said, there was no tension or arc that this group faced. Everything came to them pretty easy, like on a silver platter. There are people like that in life, yet it doesn't make for compelling cinema. I also thought the lead had little chemistry or charisma with his girl. The character played by Glen Powell was the highlight, as was the soundtrack.
This movie took me back to my college years. I attended the University of Texas and belonged to a fraternity. Although we weren't athletic jocks, there were similar dynamics, characters, and situations as with this movie's baseball team. Looking back it was immature and misogynistic fun, however it happened and I had great memories from then. This movie captured that very well.
That said, there was no tension or arc that this group faced. Everything came to them pretty easy, like on a silver platter. There are people like that in life, yet it doesn't make for compelling cinema. I also thought the lead had little chemistry or charisma with his girl. The character played by Glen Powell was the highlight, as was the soundtrack.
As a fan of Dazed and Confused, when I found out about this film I was ecstatic but it just doesn't deliver; I really wanted it to be great but it never really gets there. The characters are mostly forgettable and not even overly likable. At times it seems like a bad copy of Dazed and Confused, with lines like "that's what I'm talking' about" repeated and characters such as the coach (who seems like a carbon copy of the assistant coach from Dazed and Confused) and Finnegan (who seems very much like an attempt to replicate McConaughey's Wooderson). It's set in the 80s but there really isn't an 80s experience here like Dazed and Confused delivered. Dazed and Confused gave us a look at the cars and some of the iconic things about the 70s, as well as experiences that gave the viewer a look at what being a teen in the 70s may have been like, but Everybody Wants Some never really delivers any of that. The performances here aren't bad (with the exception of one character who, to me, seemed like a parody) and it's not a terrible movie, it just lacks the magic of Dazed and Confused and in the end it's really just a flat film that never really gets the viewer excited or delivers. Of course, this is just my opinion and you may really enjoy it, so check it out yourself and form your own opinion because it's at least worth seeing once.
Lo sapevi?
- QuizRichard Linklater did in fact play baseball in his school years. He always remembered how everyone in his team were competitors and would compete at just about anything to prove who was better. A lot of this film is autobiographical like many of his films and just like in this film, he remembered what was great about those days wasn't just about the baseball games but mainly the things he and his team mates got up to.
- Blooper"Urgent" by Foreigner was not released as a single until July 1981.
- Citazioni
Willoughby: We came for a good time, not for a long time.
- Curiosità sui creditiThe closing credits have a rap by all team members halfway through the credits. They show the whole Sound Machine set and some backstage areas.
- ConnessioniFeatured in Conan: Jon Bernthal/Richard Linklater/Omarion (2016)
- Colonne sonoreMy Sharona
Written by Doug Fieger and Berton Averre
Performed by The Knack
Published by Eighties Music (ASCAP) / Small Hill Music (ASCAP) courtesy of Reach Music Publishing Inc., Wise Brothers Music LLC
Courtesy of Capitol Records, LLC
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Everybody Wants Some!!
- Luoghi delle riprese
- San Marcos, Texas, Stati Uniti(Texas State University)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 3.400.278 USD
- Fine settimana di apertura Stati Uniti e Canada
- 312.355 USD
- 3 apr 2016
- Lordo in tutto il mondo
- 4.644.472 USD
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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