L'astronauta Roy McBride arriva ai margini esterni del sistema solare per trovare il padre scomparso e risolvere un mistero che minaccia la sopravvivenza del nostro pianeta.L'astronauta Roy McBride arriva ai margini esterni del sistema solare per trovare il padre scomparso e risolvere un mistero che minaccia la sopravvivenza del nostro pianeta.L'astronauta Roy McBride arriva ai margini esterni del sistema solare per trovare il padre scomparso e risolvere un mistero che minaccia la sopravvivenza del nostro pianeta.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 10 vittorie e 75 candidature totali
- Sal
- (as Daniel S. Sauli)
Recensioni in evidenza
It is a movie more for the critics and lovers of cinema art , and less for general public wanting some space sci-fi epic. But everyone will find somethig to enjoy in this film and I reccomend to see it !
This is a cinematic masterpiece in directing, sound and cinematography. It resembles 2001: A Space Odyssey in a few ways, mainly the lighting, and the colours of some scenes, a few angles too.
It always follows the main character's perspective, so the voiceover kind of makes sense, it's always the things that he thinks, or the stuff that's in his mind.
The music compliments the events of the story very well, the sounds were pretty realistic and jaw-dropping, and almost every frame is just beautiful.
The acting is mostly good. There weren't a lot of people in the film, but Brad Pitt and Tommy-Lee Jones are knocking it out of the park.
I only have a few little issues with the movie.
There was a scene with a CGI monkey, (you all know what I am talking about), which just came out of nowhere. It was really odd, and out of place. Also, the CG on it was the weakest in all of the movie.
My second issue was with the scene on the moon, with other vehicles. It was foreshadowed, but it really didn't need to be there, and while it was made very well and effectively, the events themselves are too unrealistic because of how convenient some things are.
Also, there are sequences where milimeters could matter, lives could be at stake if someone makes a mistake, and sometimes they are lucky enough to conveiniently survive.
But overall, this is something I'd like to see again. It shows how much ambition Sci-fi has, but it also shows what could go wrong with it.
The whole movie is about how Brad Pitt is calm on the outside, but inside he is a storm of feelings. This can be a metaphor for space itself- always quiet, but is very complex inside.
The end of the movie (without spoiling it) also works with that logic- there is no loud Inception horn, in fact, seemingly it's pretty relaxed, but you can still sense the tension and emotions going on.
Now that's what I call "show don't tell"
The focal point of the film is the father/son relationship altered by space and time and that allows the story to rise above routine sci-fi elements. Brad Pitt is excellent, if a bit monochromatic, and the technical, visual, and graphic elements of the production are exceptional as is the cinematography. This is a fine example of intelligent science fiction that retains nods of insight into the mind states of those who explore space as well as the quite possible future of space exploration with the accompanying benefits and potential problems. A bit too long and in need of editing, AD ASTRA is still a worthwhile evening's entertainment.
However, I think the movie was ruined by its screenplay which lacks of coherence. The story is really weak and undeveloped. There are many fractures in the reality of space travelling,
You almost have the feeling that the screenplay was written to have a support for the images, nothing more.
So yeah, I give this movie a 6 and I'm sad to see how a possible epic movie is ruined by a weak screenplay.
Lo sapevi?
- QuizUnlike several contemporary films where CGI is used to depict the spacecraft and the vast space, director James Gray decided to use practical effects like models and props for the spacecraft exterior shots. Also, instead of using CGI for planets, he decided to use still images to portray the surface of the planets. This same technique was used in 2001: Odissea nello spazio (1968).
- BlooperThe distance from Tycho crater (where Roy lands on the Moon) to the center of Farside (where the "Cepheus" is located) is roughly 1,700 miles. Traveling at the speed shown and assuming no stops, Roy's lunar rover would take a couple of days to get there.
- Citazioni
Roy McBride: [Last lines] I'm steady, calm. I slept well, no bad dreams. I am active and engaged. I'm aware of my surroundings and those in my immediate sphere. I'm attentive. I am focused on the essentials, to the exclusion of all else. I'm unsure of the future but I'm not concerned. I will rely on those closest to me, and I will share their burdens, as they share mine. I will live and love.
- Curiosità sui creditiThere is no fanfare during the 20th Century Fox logo.
- ConnessioniFeatured in Chris Stuckmann Movie Reviews: Ad Astra (2019)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Ad Astra. Hacia las estrellas
- Luoghi delle riprese
- Dumont Dunes, California, Stati Uniti(Mars scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 90.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 50.188.370 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.001.398 USD
- 22 set 2019
- Lordo in tutto il mondo
- 127.461.872 USD
- Tempo di esecuzione
- 2h 3min(123 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1