Smile 2

Smile 1 was far superior for me. The main character of this film wasn't likeable or relatable. I really wish the film would have been about Joel, would have been really interesting and he's much more likeable. Way too many jumpscares, I didnt like how the hallucinations went way way overboard. I felt frustrated while watching this, rules were thrown out the window. We didn't get any new information about the entity which is what really interests me. None of the characters were likeable. This movie was dumbed down big time to please the dumbed down masses. Way too many loss water plugs, I couldn't stand thr hair pulling. I can go on and on. The first one was terrific, this one falls short.

Naomi Scott absolutely outdid herself in this role. I didn't know she was THIS talented before-that was my mistake. I loved the movie, and I was really on edge while watching it, I thoroughly enjoyed it. The storyline is more successful than the first movie. Some might say it's a repeat of the first film, and to some extent, they're right. Does this movie offer something new? Do we learn anything new? The answer is no. But it's incredibly enjoyable and tense, giving us two hours of gripping entertainment. Also, I loved how this time they focused more on the psychological aspects. Great music and costumes. The only thing that bothered me was how much the film toyed with our minds. The fact that some events in the movie don't actually happen, and that it is hard to tell what's real and what's happening in the character's mind is fun at first, but after a while, it gets tiring. Great ending. Looks like a new movie is on the way. I'll be waiting. <3.

Parker Finn's feature debut 'Smile' was a tense horror that made commentary about the devastating effects of trauma. Featuring striking visuals and production design, alongside an atmospheric score, the film was both compelling and creepy, following a psychiatrist who becomes convinced an unseen entity is stalking her after witnessing a violent incident. Boasting a strong central performance from Sosie Bacon, 'Smile' performed well at the box office, taking in $217.4 million on a $17 million budget.

Although critical opinion was mixed, only months after its release, Finn was thinking about a sequel, noting "there is still a lot of interesting stuff to explore in the world of Smile..." Fast forward two years, and 'Smile 2' is upon us. This time around, the action follows pop singer Skye Riley, who starts experiencing increasingly disturbing events on the cusp of a world tour. Forced to face her dark past, can Skye regain control of her life before it spirals out of control?

'Smile 2' is a very rare beast: a sequel that is arguably better than its predecessor. As in the first, the theme of trauma is cleverly interwoven into the narrative, alongside which themes of control, psychosis, grief and addiction are made the lynchpins upon which the horror revolves. Riley must battle both her internal demons as well as the 'smile creature,' never sure what is reality or fantasy. This makes for both a compelling and unpredictable ride, as Finn, making excellent use of both visual and audio jump-scares, takes one into the grinning heart of terror.

Menace lurks in the corner of every frame, waiting to give you a sharp shock. From the brilliantly frenetic opening to the barnstormer of an ending, the film fires on all cylinders, never letting up. Finn's characterisation is astute, and his narrative surprisingly funny; it's a horror with pitch-black comedy at its core: in contrast to the overwhelming bleakness of its predecessor; 'Smile 2' has a bit more to offer viewers.

The film reunites Finn with the majority of the crew from the original, including cinematographer Charlie Sonoff. His work on the first film created an unnerving atmosphere of unpredictable instability; as it does once again. Sarnoff's use of lighting effectively generates contrast and mood, while his framing of images heightens the narrative's suspense. Similarly, he captures Riley's performances with aplomb, lending them authenticity. Although the camera might be flipped upside-down to create an ominous effect one too many times, overall, Sarnoff's stellar work compounds the impact of proceedings; and is creepily captivating.

Moreover, Cristobal Tapia de Veer's score generates a disturbing ambience, imbuing the film with a raw, horrific power. While the songs written for the Riley character are fairly generic, they are performed well (and are considerably better than the similar tunes written for the Lady Raven character in M. Night Shyamalan's recent 'Trap').

Lester Cohen's detailed production adds an element of realism, grounding the film despite the fantastical horror of its narrative. In addition, Alexis Forte's costume design effectively contributes to the personalities of the characters, particularly Riley's. Her work for Riley's on-stage costumes is particularly impressive. Furthermore, Elliot Greenberg's editing establishes for the film a steady pace, meaning- even at over two hours- it never drags.

Naomi Scott stars as Riley, delivering a powerful, compelling performance that is the stand-out of her career thus far- as well as, perhaps, the stand-out of the year. Scott portrays Riley's multifaceted, flawed personality with nuance, realistically capturing her internal struggles, adding depth to the character. Scott's portrayal of Riley's fear and resilience in the face of mounting horrors is both believable and gripping. An immensely versatile talent, Scott has all the qualities of a great scream queen, as well as brilliant comedic-timing and a strong singing voice. She is- to put it simply- absolutely terrific.

Her supporting cast don't let her down. Rosemarie DeWitt does stellar work as Riley's mother and manager Elizabeth, bringing complexity to the role. Dylan Gelula is commendable as Gemma, Riley's best friend, while Lukas Gage and Ray Nicholson both impress as Lewis, her drug dealer, and Paul, her ex-boyfriend, respectfully. In addition, Kyle Gallner briefly reprises his role as Joel from the first film, doing great work, and Iván Carlo is fantastically creepy as Riley's number-one-fan (somewhat comically named 'man with bad skin').

In conclusion, Parker Finn's 'Smile 2' is an improvement over its predecessor in nearly every regard. Both frightening and fun, the narrative engages and exhilarates, while Finn's characterisation is impactful. Boasting atmospheric sound design and cinematography, as well as fastidious editing from Elliot Greenberg; it is hard to fault. Moreover, star Naomi Scott is marvellous and her co-stars don't disappoint. In short, 'Smile 2' is sure to leave you grinning.

Smile 2 delivers a few decent scares, but it fails to bring anything fresh to the table. The story feels repetitive, and the ending is both confusing and anticlimactic, as if it was abruptly cut short. The film's bloated runtime only adds to the frustration, dragging out a narrative that could have been much tighter.

However, Naomi Scott's stunning performance is the highlight, infusing the film with emotional depth and intensity. While she shines, the rest of the movie feels like an unnecessary sequel, more of the same but stretched too thin. It's mediocre at best, offering little beyond what the first film already accomplished.

A very disturbing portrayal of the Smile phenomenon using the pop music scene and celebrity culture as a backdrop. Skye the central character is front and center in this horrifying story that presents layers upon layers of one's life spiraling out of control. We see most of the story from Skye point of view and so the movie does a great job of building empathy for the character in spite of all her moral failings. It also presents some deep themes on the toxic culture of pop stardom. In the movie, Smile takes on many meanings as it also reflects the pressure of showing up and smiling for the cameras when one's mental health is in shambles. Her momager, her assistant and fans all seem reasonable in the chaos yet their actions seem to become instruments of torture. It's so disturbing, Personally I feel like the Skye goes through too much and at the end I was just relieved that the movie was over. If you are into body horror then you would love this. The movie is quite scary but it is more disturbing than it's scary.