Manam

What if you could not keep your promises to your beloved since one life wasn't enough for it? and what if there was something unsaid in your relationship which could have made it better if it had been said? MANAM answers these questions and takes us on a fantastic journey spanning three generations and keeps us spellbound connecting us to all the lead actors in the movie. The movie begins with a tragic & fatal accident of couple Radha mohan (Akkineni Chaitanya) & Krishnaveni (Samantha Ruth Prabhu) while on their way to get a divorce to end their bickering and battering marriage. Nageshwar Rao A.K.A. Bittu (Akkineni Nagarjuna), their son grows up and becomes a business man big enough to land on the Forbes cover. A chance encounter with Nagarjuna (Akkineni Chaitanya) on a flight shocks him and he realizes that it is his father who has been reincarnated. He decides to search for his mother and reunite her with his father and finally meets Priya (Samantha Ruth Prabhu) and gets them together even going to the extent of breaking up Nagarjuna's present relationship with Prema (Rashi Khanna). Out of the blue enters Anjali (Shreya Saran) a doctor who forces Nageshwar rao to help get a patient, a 80-year-old Chaitanya (Akkineni Nageshwar Rao, doing his swan song) to a hospital and also forces him to donate blood. Anjali and Nageshwar Rao find it strange that their hearts keep beating faster when ever they meet each other. The secret is known only to Chaitanya who realizes that both of them are his parents who died tragically when he was kid due to an innocent childish prank played by him. He decides to bring them together. The movie belongs completely to Nagarjuna as he plays the main protagonist Nageshwar Rao as well as Seetharamudu and acts as the connecting link between the two generations in this story. He does the romantic as well as the emotional scenes with equal ease and can still give the younger lot a run for their money. Samantha Ruth Prabhu rules the movie with her "momma" act, first as the dejected housewife, next as the caring and bubbly teen who loves to talk and talk. She excels in the prologue as well as the scenes where she remembers her past life and her salsa act was the best in the movie. Shreya Saran does her bit and does it flawlessly as the stammering farmer and the stammering doctor in her present life. The movie takes the term ILOVE YOU to a new level with her story. Akkineni Naga Chaitanya is the surprise package, he really does act in this one. First as the helpless husband to trying to win over his wife and next as the lovelorn boy trying to woo the new love in his life. The death scene showcases the best performance from this actor. Akkineni Nageshwar Rao, notwithstanding the low screen time he has, makes his presence felt and does give some of the finest performances ever on screen, especially the hospital scene where he recognizes his parents and the pre-climax scene. Cameos by Amala Akkineni, Amitabh Bachan and Akkineni Akhil leave you surprised and asking for more.

Vikram Kumar has taken tollywood to a new level with this fantasy love story and actually gives us four stories for the price of one and in certain scenes, you are not sure if you are watching a telugu movie or an episode from the TWILIGHT ZONE. His amazing scene to detail down to the cars of that period to the changing fashions of a bygone era is brilliant. The climax sequences chill you and remind you of the FINAL DESTINATION movies. This is one of those movies where you are actually looking at the characters instead of the actors playing them. A role reversal by the three protagonists was really clever along with the names. The movie is loosely based on the Steven Spielberg produced Robert Zemekis Film BACK TO THE FUTURE, but without the time travel. Reincarnation trades places with time travel, although I feel that time travel could have been a better choice too. Dialogues by Harshavardhan are hilarious especially the scene where Priya takes Nageshwar Rao to meet Anjali in the hospital and also each of the characters had some of the best one liners ever devoted to them. Music by Anoop Reubens is good but easily forgettable, anyways people would not remember this movie for its music. After watching this movie, the words I LOVE YOU and LADIES FIRST would in fact change the perception you had of them before watching this movie.

Manam: Its a perfect befitting farewell to ANR. Right from the first frame to end, Manam is a sure shot entertainer and it entertains you to the core. It is a beautiful and youthful love story that involves rebirth (cosmic balance) as well. What to say about Nag, right from the roles as industrialist, rich landlord and as poor farmer he had immersed perfectly in these roles and has done a impeccable job. He did these roles with so ease like the way he has done for annamayya, ramadasu & shirdi sai.He once again proved that he is a George Clooney of Tollywood.ANR's role is so pivotal in the movie, What can I say about him.100 years cinema History lo 70 years athanide. We should feel proud to have him. The scenes between, ANR, Nag & Chaitanya are the best ever I saw. From the time ANR brought the industry to Hyd to Nag taking it further on to a new age cinema, this is what I called a great Journey. The only sad thing is ANR is not alive to see all this celebration. Thank you Vikram Kumar for showing us entire Akkineni Family in a single frame. There is a standing Ovation at the end in the theater I saw, which I doubt ever happens for a tollywood film. PS Vinod's brilliant cinematography and Anup Rubens' background score are riveting. Lastly one thing I can say is a small, simple & perfect cameo, debut from Akhil AkKineni. #ANRLivesOn #Manam #DejaVu #KingIsBack.

I loved it. It wasn't the same old thing that Tollywood is now releasing. There were no over dramatic fights or cheesy jokes that weren't funny at all. It a clean cut beautiful story that will melt your heart. I loved the family aspect of this movie. The importance of family and communication and understanding. Nagajurna's character "Bittu" was downright adorable. How he yearns for his mom and dad brought tears to my eyes and his love with Sherya was by far the cutest thing ever. The acting was really well done. I have to give props to Sherya, she really killed it. I felt that Chaitanya's acting was a bit dramatic, specially when he was in his collage student phase. All in all, I really really enjoyed this movie. There were so many moments when I was just smiling like an idiot and just being happy with the movie. This is by far the best movie I have seen a while from Tollywood and I hope they keep making more like this.

A story that fits only to Akkineni family and a film that only looks plausible with Telugu viewers.

When time and misfortune separates, love and re-incarnation brings and ties them together.

Performances were decent but nothing outstanding. Samantha looked more comfortable out of them all. ANR has less screen time but he did enough justice even at that age.

Some comedy scenes in first half should have been chopped to move forward to the plot point as fast as it can. But it didn't. So we have to wait till the interval for the main proceedings to happen. Interval and Climax were its strongest points.

Vikram Kumar has a classic taste in direction and i want to see his work more in the future. Cinematography was neat and clean but the color tones should have been changed accordingly to bring the contemporary look to the varied time periods. Background score and Prema Prema song are excellent.

Even some cinematic clichés are sugar coated with feel good factor and then you can't help but to appreciate and enjoy.

Yes. Go, appreciate and enjoy

After a spate of Masala blockbusters this year like 'Legend' and 'Race Gurram', Telugu cinema gets a Feel Good entertaining blockbuster which will nestle well in your heart. With the structure going slightly slow in both halves, despite having great moments and having shades of films like 'Classic' (Korean/2006), director Vikram Kumar not only brilliantly casts the Akkineni family in this re-incarnation theme based film, but it's his well-layered hyperlink narrative, along with the songs (well-composed by Anoop Rubens) used as narrative device and the cinematography by P.S. Vinod that add ultimate grace in the film. The performances are riveting, including the usual comic timing by Brahmi and MS Narayana. Veteran actor ANR gives a graces the screen with his performance in his last film. Shreya and Samantha are equally good. Nagarjuna and Naga Chaitanya both share an amazing chemistry on screen. Overall, a well-crafted and feel good film meant for a must watch! My rating would be: 4/5.