Un padre e un figlio che lavorano come guardie di sicurezza per un'azienda di camion blindati incontrano una squadra di potenziali rapinatori mentre si trovano su un ponte.Un padre e un figlio che lavorano come guardie di sicurezza per un'azienda di camion blindati incontrano una squadra di potenziali rapinatori mentre si trovano su un ponte.Un padre e un figlio che lavorano come guardie di sicurezza per un'azienda di camion blindati incontrano una squadra di potenziali rapinatori mentre si trovano su un ponte.
- Regia
- Sceneggiatura
- Star
Josh Whites
- Echo
- (as Joshua David Whites)
Martin Bats Bradford
- Match
- (as Martin Bradford)
Laney Taylor
- Sara Brody
- (as Laney Stiebing)
Recensioni in evidenza
I thought Armor was well cast, but that is almost the only good thing I can say about it. The plot had holes in it large enough to drive an armored truck through. Unstable plastic explosive wouldn't be my first choice of what to take on a heist. Bullets flying, grenades exploding, vehicles engaged in a game of low-speed bumper tag on conveniently deserted roads, yet no one notices any of it. Shoot-outs on a bridge over what is presented as a number of hours, yet not a single car passes by until it is conveniently needed. It also arrives at the perfect time. Houses are near to the so-called 'action', easily within earshot, yet no one phones in about the explosions or gunfire. Roads going through the Nevada desert see more traffic. Stallone spoke often but did little. I suppose that's to be expected at this stage of his career. Not bad, but not good either.
The whole film strained my sense of incredulity and really disappointed me. There was no sense of realism whatsoever. Watch it if you don't have anything else to fill your time; just don't expect much from the experience.
The whole film strained my sense of incredulity and really disappointed me. There was no sense of realism whatsoever. Watch it if you don't have anything else to fill your time; just don't expect much from the experience.
Phew, this film is not easy to sit through. The characters are utterly interchangeable, and the storyline couldn't be simpler. Then, at the 32-minute mark, the horribly bad CGI effects hit, with every weapon and explosion clearly coming straight from a computer. The visual cringe was so intense that it burned into my retina, and at that point, I knew the film wasn't going to get any better.
It's puzzling why Sylvester Stallone even agreed to be in this. It feels like a cash grab, using his name and face to draw in an audience. The film's lack of substance and reliance on cheap effects left me wondering if anyone involved cared about the final product at all.
Given everything, I can't bring myself to rate it higher than 2/10. It's hard to find anything redeeming about it, and I certainly won't be watching it again.
It's puzzling why Sylvester Stallone even agreed to be in this. It feels like a cash grab, using his name and face to draw in an audience. The film's lack of substance and reliance on cheap effects left me wondering if anyone involved cared about the final product at all.
Given everything, I can't bring myself to rate it higher than 2/10. It's hard to find anything redeeming about it, and I certainly won't be watching it again.
Fun Facts about Armor:
Stallone was paid $3.5 million for one day's work.
Justin Routt didn't direct a thing," said Steve Noell, the prop master on "Armor." "He was just there. Randall Emmett was the one who called all the shots."
Justin Routt was listed as director on the call sheet when Stallone arrived for his single day of shooting. That morning, around 7:10, Randall Emmett approached several of the filmmakers as they were preparing for the day, including the director of photography, according to multiple crew members.
When Stallone got there, Randall asked the DP to come in and talk to Sly with him," said one person who was on set that day. "He said, 'Sly doesn't quite know that I'm directing this. I want you to back me up that this film shoot is going poorly and I need to take over the ship.'"
Initially, producers told Mississippi officials that "Armor" would be a 15-day film shoot, documents show. Then producers cut it to 10 days, knowledgeable people said. Shooting abruptly wrapped on the ninth day.
Stallone was paid $3.5 million for one day's work.
Justin Routt didn't direct a thing," said Steve Noell, the prop master on "Armor." "He was just there. Randall Emmett was the one who called all the shots."
Justin Routt was listed as director on the call sheet when Stallone arrived for his single day of shooting. That morning, around 7:10, Randall Emmett approached several of the filmmakers as they were preparing for the day, including the director of photography, according to multiple crew members.
When Stallone got there, Randall asked the DP to come in and talk to Sly with him," said one person who was on set that day. "He said, 'Sly doesn't quite know that I'm directing this. I want you to back me up that this film shoot is going poorly and I need to take over the ship.'"
Initially, producers told Mississippi officials that "Armor" would be a 15-day film shoot, documents show. Then producers cut it to 10 days, knowledgeable people said. Shooting abruptly wrapped on the ninth day.
I thought they're transferring millions of dollar, but they're like transferring pile of rotten squash. I work for bank before, I experienced both Branch and Armored Security. When I watched this movie, it's a mile far beyond security.... and putting Silvester Stallone in the front cover and he only showed like 2% in this Whole movie is like murdering people who downloaded this movie. Its just waste of time and internet. Just huge disappointing that Stallone even took this project. Poor acting, poor storyline, poor sense of humor...... who ever produced this, you just made a boring comedy movie.
I will start off by saying, nobody from this film will be gracing the red carpet at the Oscar's. If they do end up there then it won't be for the performances in this film.
Patric and his son are armoured van drivers. They get ambushed by Sly's crew. Most of the film is set on a bridge with Patric and son trying to survive, Sly and his crew trying to get into said van.
I've given it a five, I could've gone to six if I was feeling generous. It isn't great but it entertained me for an hour and a half. I never considered turning off after ten minutes, which is rare these days.
If you've nothing else to watch then give it a go. If your expectations are low then you won't disappointed if you hate it!
Patric and his son are armoured van drivers. They get ambushed by Sly's crew. Most of the film is set on a bridge with Patric and son trying to survive, Sly and his crew trying to get into said van.
I've given it a five, I could've gone to six if I was feeling generous. It isn't great but it entertained me for an hour and a half. I never considered turning off after ten minutes, which is rare these days.
If you've nothing else to watch then give it a go. If your expectations are low then you won't disappointed if you hate it!
Lo sapevi?
- QuizThe only other time Sly's played an antagonist was in Robert Rodriguez's Spy Kids 3-D: Game Over in 2003. Also in Death race 2000 against David Carradinein in 1975.
- BlooperArmored money transports rely heavily on GPS tracking systems to enhance their security. If something goes wrong - whether it's an accident, an attack, or an unexpected stop - GPS data helps emergency responders understand the situation and get to the vehicle quickly.
- Colonne sonoreSo Many Ways To Fall
Performed by Mad Mojo
Written by James Brady Thacker
Courtesy of Kazen Music Group
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Armored
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 665.598 USD
- Tempo di esecuzione
- 1h 29min(89 min)
- Colore
- Proporzioni
- 2.35 : 1
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