Torment

Newlyweds Cory and Sarah Morgan take Cory's 7-year old son Liam up to the country for some much needed family time. When it appears as if Liam has run away, psychological suspense becomes straight-out horror, as Sarah and Cory must now confront a sadistic cult-like family who have been hiding in the house all along and have taken Liam for themselves.

Some horror fans will watch anything and give this a try. Some are more discriminating and might give it a chance because it stars Katharine Isabelle. That latter reason is a good one, and bumps this film up from bad to alright.

There are some cheesy lines about the kid who will not accept his new stepmother. In such situations, these conversations probably happen and they probably sound stupid trying to reason with a kid, but they sound out of place here...

There are some good things: there is nice coloration on the cinematography, giving it a sort of sepia-influenced creepiness. And you cannot deny the interesting villains; the animal mask theme seems to be in vogue for the 2010s... these are some of the better masks out there, probably better than the ones from "You're Next".

Torment is, without a shadow of a doubt, one of the dullest films I have ever seen, and I have seen some rubbish in my time.

The plot follows a young family as they go on holiday to their house in the middle of the woods and then get tormented by some creepy rednecks. Not the most original plot ever devised, but that is the least of this film's problems.

The most egregious problem is that, for a horror film, it completely fails to be scary in any shape or form (which is kind of missing the point somewhat). But there is more, aside from the usual obvious flaws in logic that befalls poorly made horror films. It is a Herculean task to find anything likable in most of the main characters; the person playing Cory has little to no charisma, and the child is some spoilt a*****e. There is no rhyme or reason for the creepy rednecks torturing the yuppie heroes, apart from just being mentally ill, and any attempt to give them some kind of motive makes no sense. The ending is rather stupid, and one can easily see it coming. I could write a better plot than the people who wrote this abomination.

There is one reason why I am giving this film 2 stars rather than a rock bottom 1 star, and that is Katharine Isabelle. She is the only decent actor in this mess, but even so, she is still nothing spectacular (to be fair though, it would be impossible for Marlon Brando, Peter O'Toole or Laurence Olivier to look good in Torment). There was another thing I found rather worrying about Isabelle's performance. I do think that she is talented; films like Ginger Snaps and American Mary clearly show this. However, she does seem to be wasting her time and efforts starring in rubbish like this. Katharine Isabelle is in serious danger of having a career similar to Nicolas Cage, in that for every one great film you have about 5 or 6 god- awful ones.

All in all, Torment is a terrible horror film that is conspicuously lacking in horror, and I suggest that you stay away from this like the plague.

The best thing about this film is that it has good, creepy costumes, but other than that there really is nothing very good about it. The operative word is cliché, it pushes no boundaries and creates nothing new. The twist at the end caused me to say, "oh, that's mildly interesting", but it really had no capacity to really surprise or even any relevance. The adult leads play their parts well enough, and the motivation for the assault is plausible enough although not very likely. The leads are not as incompetent as in many such movies, but nor are they particularly compelling or innovative.

Watch it if you have nothing better to do but don't make an event out of it by inviting over a bunch of friends and expecting a scare fest, because it does not deliver much on any front.

One of my favourite horror icons and scream queens Katherine Isabelle plays Sarah Morgan. The new partner or wife to Corey and unlikable mum to Liam. I will say she's pretty good here and has more fighting power than other roles. The Morgan family move out to what seems like the middle of no where and it's not yet apparent anything is wrong. I won't go to much into the events of what happened but the family find themselves stalked by some strangers that wear the dismembered heads of Liam's stuffed toys somehow. And it's really quite scary. This film was made really well and built up tention well. Overall this was a pretty good horror with a pretty great cast.

I don't want to suggest that Torment is an awful movie, but it comes close. It's not for a lack of trying, so to speak, but the overarching problem is that the movie is essentially a carbon copy of all the slasher/home invasion movies in the world and contributes very little of note. I suppose the killers' masks, taken from the heads of giant stuffed animals, is the extent of the film's originality.

Cory Morgan (Robin Dunne) and his new bride Sarah (Katharine Isabelle) arrive at Cory's summer home (secluded, of course), with Cory's son Liam (Peter DaCunha) in tow. The kid resents his stepmom a little, because she's not Mom. Mom's dead, in case you were wondering. Unfortunately, that fact has almost no bearing on the plot, which feels like a tremendous waste of opportunity. At any rate, when the Morgans arrive at the house they quickly learn that squatters have been there very recently - there's spoiled food left out and some blood on the wall. They call the cops, and good ol' Office Hawkings (Stephen McHattie) tells them that teenagers probably hung out there and had a party or something. Doesn't explain the blood too much, but the Morgans don't press him for more info. Just another kindly old officer of the law lending a homespun helping hand, is all.

During their first night in the house, Sarah awakes to a noise downstairs, which happens in most horror films anyway. When she and Cory investigate, they find nothing out of the ordinary - except that little Liam is now missing. And thus begins endless searching (for the boy) and fleeing (from the crazy cult who snatched him and is right next door) that comprises basically the balance of the movie. Run into forest, be pursued by masked lunatic, fire off every flare in your road flare gun so you can see where you're going, escape into your house, get attacked by another masked lunatic, run out of the house and into a muddy stream where you fend off the attacker, and so on.

Isabelle looks great and appears capable of being a damsel in distress. Dunne is a little more lackluster. Young DaCunha's performance felt more authentic than that of any of the adults. But what made this film particularly maddening were the little hints of backstory that are never really resolved. For example, when Cory does find Liam and confronts the kidnapping maniacs, it's strongly implied that he (Cory) knows who these people are, knows their history, knows why they've chosen poor Liam. Do we, the audience, get to discover this as well? We do not. And maybe it would have helped if we did, because a gentle, plausible twist would have been welcome over the generic, often listless storyline.

Torment is not so bad it's good. It's a mediocre entry in a field that's already very overloaded with mediocrity. There isn't even all that much blood, thereby depriving those who love a good gorefest from getting their money's worth. So, no gore, a thin plot, lousy acting, and and overwhelming sense of pointlessness all add up to a movie that's just not worth your time.